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Vol 7, No 2 (2020)

Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity

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Guest Editors: Kyung Hyun Kim and CedarBough Saeji

Table of Contents

Introduction to Special Issue

Introduction: A Short History of Afro-Korean Music and Identity PDF
Kyung Hyun Kim , CedarBough T. Saeji 115–124


Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea PDF
Robert Hamilton 125–144
Rhyming Techniques and Identity in Korean Hip Hop PDF
Jinny Park 145–167
Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse PDF
Jae-hyun Im 168–189
Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX PDF
Pil Ho Kim , Wonseok Lee 190–208
Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju PDF
Amos Farooqi 209–227
A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers PDF
Iljung Kim 228–249


Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. PDF
Hyun Joo Sandy Oh 250–253
Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. PDF
Kwami Coleman 254–259
David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. PDF
Jason Buchea 260–263
Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. PDF
Emily Margot Gale 264–267
Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. PDF
Arnar Eggert Thoroddsen 268–270

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