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Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Journal of World Popular Music Vol 4 No. 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century View
Michael B. Bakan
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 2. Mancunian Irish: Identity, Cultural Intimacy and Musical Hybridization – Urban Ethnomusicology and Cultural Mapping View
Svend Kjeldsen
 
Journal of World Popular Music Vol 1 No. 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) View
Jonathan P. J. Stock
 
Journal of World Popular Music Vol 3 No. 1 (2016) Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. 202pp. ISBN 9-780-73403-777-0 (pbk) View
André Rottgeri
 
Perfect Beat Vol 17 No. 1 (2016) Barney, Katelyn, ed. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. ISBN 978-073403-777-0 (pbk). 202 pp. View
Jared Mackley-Crump
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Cultural Mapping and Musical Diversity View
Britta Sweers, Sarah M. Ross, Tom Beardslee, Shai Burstyn, Marc-Antoine Camp, Brigitte Bachmann-Geiser, David Vitali, Dieter Ringli, Patricia Jäggi, Vincenzo della Ratta, Ana Hofman, Zuzana Jurkova, Svend Kjeldsen, Marcello Sorce Keller, Gerda Lechleitner, Matthew Machin-Autenrieth, Lukas Park, Marzanna Poplawska, Thomas Solomon, Pekka Suutari
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Cultural Mapping and Musical Diversity View
Britta Sweers, Sarah Ross
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Introduction View
Britta Sweers
 
Provincial Headz View
Adam de Paor-Evans
 
Dragon Headz View
Adam de Paor-Evans
 
Maldito Coronavirus! View
Daniel Margolies, J.A. Strub
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity List of Figures View
Britta Sweers, Sarah M. Ross
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Preface and Acknowledgements View
Britta Sweers, Sarah M. Ross
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Index View
Britta Sweers, Sarah M. Ross
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 1. Kulturkreise, Culture Areas and Chronotopes: Old Concepts Reconsidered for the Mapping of Music Cultures Today View
Marcello Sorce Keller
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Introduction View
Sarah Ross
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 6. Climate and Environment in Idelsohn’s History of Hebrew Music View
Shai Burstyn
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums View
José Vicente Neglia
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity Introduction View
Sarah Ross
 
Equinox eBooks Publishing Provincial Headz Acknowledgements View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz I Owe Hip Hop View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Bibliography View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Index View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 4. It’s Not Unusual: Unearthing Tropes and Meanings View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 5. Music from the Ditch: Weapons of Attitude View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 6. Hen Wlad Fy Nhadau: Heritage, Pioneers and Progression View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz Conclusions View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz The Land of Rap View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 1. Friends and Neighbours: English, British and Welsh View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 2. Myths and Stories: Land, Journeys and Boundaries View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 3. Ebbs and Flows: Rivers of Poetry View
Adam de Paor-Evans
 
Equinox eBooks Publishing Sounds Icelandic ‘A Nation without Music?’: Symphonic Music and Nation-Building View
Kimberly Cannady, Kristín Loftsdóttir
 
Equinox eBooks Publishing Maldito Coronavirus! This Sick Beat: Pandemic Music Cultures and Historical Responses to Disease, Trauma, and Death View
Daniel Margolies, J.A. Strub
 
Journal of World Popular Music Vol 2 No. 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival View
Lonán Ó Briain
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Journal of World Popular Music Vol 2 No. 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) View
Thomas R. Hilder
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Perfect Beat Vol 8 No. 3 (2007) Editorial View
Henry Johnson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Academia Against Popular Culture: Popular Culture Against Academia View
Esther Clinton
 
Popular Music History Vol 7 No. 1 (2012) Resource notes View
Dave Laing
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Journal for the Academic Study of Religion Vol 31 No. 3 (2018) Special Issue: Religion at the Australian Royal Commission into Institutional Responses to Child Sexual Abuse Maria S. Guarino, Listen with the Ear of the Heart: Music and Monastery Life in Weston Priory View
Sarah Penicka-Smith
 
Equinox eBooks Publishing Sensual Religion 8. North American Indigenous Song, the Sacred and the Senses View
Byron Dueck
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Popular Music History Vol 3 No. 2 (2008) Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705. Farnham, Surrey: Ashgate, 2008. 209 pp. £55.00. ISBN 978 0-7456-6526-7 (hbk) View
Bruce Johnson
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Perfect Beat Vol 8 No. 4 (2008) Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co View
JOHN WHITEOAK
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Journal of World Popular Music Vol 1 No. 2 (2014) Editorial Introduction to Issue 1.2 View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 17 No. 1 (2016) Introduction View
Oli Wilson, Dan Bendrups, Donna Weston
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change View
Dave Wilson
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. View
Jason Buchea
 
Popular Music History (0) ADVANCE ACCESS Kimberly Kattari, Psychobilly: Subcultural Survival. View
Louise Barrière
 
Jazz Research Journal Vol 6 No. 2 (2012) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 15 No. 1 (2014) Introduction View
Mark Evans, Denis Crowdy
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) View
Rob Bowman
 
Perfect Beat Vol 18 No. 1 (2017) Editorial Introduction View
Oli Wilson
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Derek Pardue, Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal View
Colin Harte
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Pomegranate: The International Journal of Pagan Studies Vol 16 No. 1 (2014) Kristine Juncker, Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santeria (Gainsville: University Press of Florida, 2014), xx + 174 pp., $74.95 (cloth). View
Christopher W. Chase
 
Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Journal of World Popular Music Vol 2 No. 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) View
William Ross Hagen
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. View
Kwami Coleman
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 9 No. 1 (2008) Introduction View
Mark Evans, Denis Crowdy
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) View
Nina Menezes
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 15 No. 2 (2016) INGALLS, Monique & YONG, Amos (eds.), The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity. University Park, PA: The Pennsylvania State University Press, 2015. 312pp. Hbk. ISBN: 978-0-271-06662-2. $79.95. View
Pauline Muir
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. View
Arnar Eggert Thoroddsen
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Editorial Introduction View
Kirsten Zemke
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Popular Music History Vol 3 No. 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). View
Christine Adams
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. View
Panagiota Anagnostou
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Perfect Beat Vol 8 No. 3 (2007) Mackinlay, E (2007) Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Indigenous Australian Women’s Music and Dance, European University Studies Series XI Education, Vol. 932, Bern: Peter Lang View
ROBIN RYAN
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) View
Greg Dimitriadis
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 3 No. 2 (2016) Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) View
Marc Duby
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Journal of World Popular Music Vol 6 No. 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music View
Yair Hashachar
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review of 'Inside British Jazz' by Hilary Moore View
Peter Martin
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Bulletin for the Study of Religion Vol 43 No. 4 (2014) Bulletin for the Study of Religion Ode to Islamic Studies: Its Allure, Its Danger, Its Power View
Edward E. Curtis IV
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self View
J. Griffith Rollefson
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics South African Dialogue View
Warrick Moses
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Interview: Pasifika climate activist music in New Zealand, queered and disabled View
Kirsten Zemke, Luka Leleiga Lim-Cowley
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Popular Music History Vol 4 No. 2 (2009) Introduction to the special issue: music, characterization and urban space View
Sara Cohen, John Schofield, Brett Lashua
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] View
James Wierzbicki
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Journal of World Popular Music Vol 1 No. 1 (2014) Under African Skies. 2012. Directed by Joe Berlinger. Sony Legacy. Blu-ray and DVD. View
Brian F. Wright
 
Journal of World Popular Music Vol 1 No. 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– View
Thomas Wagner
 
Journal of World Popular Music Vol 2 No. 1 (2015) Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press. 328pp. ISBN 978-0-8223-5471-0 (pbk) View
Pedro Félix
 
Journal of World Popular Music Vol 2 No. 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire View
Tony Lewis
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Voices of Sheila: Resignification in Filmic and Non-filmic Contexts View
Nina Menezes
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Perfect Beat Vol 2 No. 2 (1995) ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) View
JACKEY COYLE, REBECCA COYLE
 
Popular Music History Vol 2 No. 2 (2007) Writing jazz biography: race, research and narrative representation View
Tom Perchard
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Perfect Beat Vol 4 No. 1 (1998) THE RECONCILING OF PORT FAIRY SPIRITS The politics of Aboriginal reconciliation in an Australian Folk Festival recording View
JILL STUBBINGTON
 
Journal of World Popular Music Vol 1 No. 1 (2014) Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu View
Aaron Corn
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Perfect Beat Vol 4 No. 1 (1998) FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site View
MURRAY GARDE
 
Perfect Beat Vol 2 No. 2 (1995) GNARNAYARRAHE WAITAIRIE, Claim and Pundulumura View
ROBIN RYAN
 
Perfect Beat Vol 17 No. 1 (2016) Musical Landscapes of Lihir: Exploring Performance and Place in a Museum Exhibition View
Kirsty Gillespie
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Find Your Voice: Narratives of Women’s Voice Loss in American Cinema View
Katherine Meizel
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Journal of World Popular Music Vol 2 No. 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) View
Heather Strohschein
 
Journal of World Popular Music Vol 3 No. 2 (2016) Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music View
Jonathan P. J. Stock
 
Comparative Islamic Studies Vol 5 No. 2 (2009) Sound of Sama: The Use of Poetical Imagery in South Asian Sufi Music View
Kashshaf Ghani
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 4 No. 3 (2008) Dancing the River: Fluidity of Eros and Gender in Music and Dance of African Diasporic Spiritual Traditions View
David Hatfield Sparks
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Journal of World Popular Music Vol 2 No. 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice View
Henry Johnson
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar View
Markus Verne
 
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Emmanuel Parent, Grégoire Tosser
 
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Arcia Tecun, Taniela Petelo
 
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Rob Smith
 
Perfect Beat Vol 1 No. 2 (1993) SAFE, EXOTIC AND SOMEWHERE ELSE Yothu Yindi, Treaty and the mediation of Aboriginality View
Philip Hayward
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
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YOKO KUROKAWA
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
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Nazila Isgandarova
 
Jazz Research Journal Vol 6 No. 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. View
Lindelwa Dalamba
 
Perfect Beat Vol 11 No. 1 (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea View
Kirsty Gillespie
 
Perfect Beat Vol 15 No. 2 (2014) Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance View
Philip Hayward
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ View
Jared Mackley-Crump
 
Perfect Beat Vol 1 No. 1 (1992) It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study View
Marcus Breen
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 4 No. 4 (2000) BLURRING BOUNDARIES BETWEEN RESTRICTED AND UNRESTRICTED PERFORMANCE A Case Study of the Ngadirdji of Yanyuwa Women in Borroloola View
ELIZABETH MACKINLAY
 
Perfect Beat Vol 3 No. 4 (1998) CREATIVITY AND INDEPENDENCE Sanguma, Music Education and the development of the PNG Contemporary style View
DENNIS CROWDY
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Bulletin for the Study of Religion Vol 43 No. 4 (2014) Bulletin for the Study of Religion Thoughts on Dissecting an Octopus: Aaron Hughes, Marshall Hodgson and Navigating the Normative /Descriptive Divide in the Study of Islam View
Vernon James Schubel
 
Equinox eBooks Publishing The History of European Jazz 35. Early African American Entertainers View
Rainer Lotz
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics View
Saesha Senger
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Perfect Beat Vol 10 No. 2 (2009) Music as territory: Aksim Siming and stringband music in the Madang area View
Junichiro Suwa
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
CALICO Journal Vol 31 No. 3 (2014) Negotiating Pragmatic Competence in Computer Mediated Communication: The Case of Korean Address Terms View
Eun Young (Ariel) Kim, Lucien Brown
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns View
Michael Beckerman, William H. Rosar
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Perfect Beat Vol 11 No. 2 (2010) Gilding the pearl: cultural heritage, sexual allure and polychromatic exoticism on Hainan island View
Philip Hayward, John Fangjun Li
 
Perfect Beat Vol 13 No. 1 (2012) Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music View
Anthony Kwame Harrison
 
Perfect Beat Vol 14 No. 1 (2013) Whose home; which island?: displacement and identity in ‘My Island Home’ View
Jon Stratton
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 8 No. 3 (2007) ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs View
KIRSTEN ZEMKE-WHITE
 
Perfect Beat Vol 3 No. 2 (1997) CITING THE SOUND - New Zealand lndie Rock in North America View
GEOFF STAHL
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Perfect Beat Vol 2 No. 2 (1995) A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Journal of World Popular Music Vol 4 No. 2 (2017) Relentless Denial: Female Homosexuality in Tango View
Mercedes Liska
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
Carolina Spataro
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Religions of South Asia Vol 11 No. 1 (2017) Making ‘Ethical Hindus’: Sanskrit Traditions, Oral Performance, and Hindu Nationalism in Contemporary India View
Ketan Alder
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
International Journal for the Study of New Religions Vol 9 No. 2 (2018) Special Issue: Indigenizing movements in Europe Bear Feasts in a Land without Wild. Bears: Experiments in Creating Animist Rituals View
Graham Harvey
 
Journal of World Popular Music Vol 7 No. 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality View
Brent Keogh, Ian Collinson
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse View
Jae-hyun Im
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians View
Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Implicit Religion Vol 11 No. 3 (2008) The International Eliade, edited by Bryan Rennie. Albany: State University of New York Press, 2007. 318pp., hbk $70.00, ISBN 9780791470879; pbk $22.95, ISBN 9780791470886 View
Stephen J. Reno
 
Implicit Religion Vol 11 No. 3 (2008) Themes in the History of Japanese Garden Art, by Wybe Kuitert. University of Hawaii Press, 2002. 304 pp., hbk $50.00, ISBN 9780824823122 View
Marianne Rankin
 
Implicit Religion Vol 11 No. 3 (2008) The Virtual Pet Cemetery—Internet World Pavilion. http://park.org/Guests/Pet/ View
Douglas W. Turton, Christopher Alan Lewis
 
Implicit Religion Vol 11 No. 3 (2008) In A New Light: Spirituality and the Media Arts, by Ron Austin. Grand Rapids, MI: William B. Eerdmanns Publishing Company, 2007. 105pp., pbk. $12.00, ISBN 9780802807731 View
Christopher Lamb
 
Implicit Religion Vol 11 No. 3 (2008) Recognizing Religion in a Secular Society: Essays in pluralism, religion and public policy, edited by Douglas Farrow. Montreal and Kingston: McGill-Queen’s University Press, 2004. 224 pp., hbk. ISBN 9780773528123; pbk. ISBN 9780773528345 View
Karen A.R. Lord
 
Implicit Religion Vol 11 No. 3 (2008) The Psychology of Religion: An Empirical Approach (3rd edn.), by Bernard Spilka, Ralph W. Hood Jr., Bruce Hunsberger and Richard Gorsuch. New York: Guilford, 2003. 671pp., hbk. ISBN 9781572309012. View
David Hay
 
Implicit Religion Vol 11 No. 3 (2008) Sport and Spirituality: an Introduction, by Jim Parry, Simon Robinson, Nick J. Watson and Mark Nesti. Abingdon: Routledge, 2007. 266pp., pbk ISBN 9780415404839. View
Steve Gerlach
 
Implicit Religion Vol 11 No. 3 (2008) Headhunters: Matchmaking in the Labor Market, by William Finlay and James E. Coverdill. Ithaca: Cornell University Press, 2007. 215pp., ISBN 9780801473791 View
Christopher Evans
 
Implicit Religion Vol 11 No. 3 (2008) Transforming the World: Bringing the New Age into Focus, by Stuart Rose. Bern: Peter Lang. 368pp., pbk. ISBN 9783039103164 View
Paul Chambers
 
Implicit Religion Vol 11 No. 3 (2008) We Are What We Celebrate: Understanding holidays and rituals, edited by Amitai Etzioni and Jared Bloom. New York: New York University Press, 2004. 260pp., ISBN 9780814722275 View
Richard Bainbridge
 
Implicit Religion Vol 11 No. 3 (2008) Actors, Pilgrims, Kings and Gods: The Ramlila at Ramnagar, by Anuradha Kapur. Calcutta: Seagull Books, 2006. 250pp., pbk ISBN 9781905422203, hbk ISBN 9781905422197 View
Rina Arya
 
Implicit Religion Vol 11 No. 3 (2008) Sacred to Profane: Writings on worship and performance, edited by Anjum Katyal. Calcutta: Seagull Books, 2006. 284pp., pbk ISBN 9781905422166; hbk ISBN 9781905422159 View
Rina Arya
 
Implicit Religion Vol 11 No. 3 (2008) A Theology for Europe: The Churches and the European Institutions, edited by James Barnett. Religion and Discourse, vol. 28. Bern: Peter Lang, 2005. 294pp., pbk. £38.60/$79.95, ISBN 9783039105052 View
David Thomas
 
Implicit Religion Vol 11 No. 3 (2008) Spiritually Integrated Psychotherapy: Understanding and Adressing the Sacred. by K. Pargament. New York: The Guilford Press, 2007. 384pp., hbk. $38.00, ISBN 9781572308442 View
Roger Grainger
 
Journal of Mediterranean Archaeology Vol 25 No. 1 (2012) Archaeological Heritage and Spiritual Protection: Looting and the Jinn in Palestine View
Salah Hussein Al-Houdalieh
 
Popular Music History Vol 1 No. 1 (2004) Diplomatic Notes View
Graham Carr
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Journal of Film Music Vol 2 No. 2-4 (2009) High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources View
Ildar Khannanov
 
Perfect Beat Vol 1 No. 4 (1994) STRUGGLING TO MAKE OURSELVES HEARD: Music, Radio and The Quota Debate View
Michael Pickering, Roy Shuker
 
Perfect Beat Vol 4 No. 1 (1998) SOUTH·SEA·ISLAND MAGIC Bill Sevesi and the Auckland Music Scene View
SAM SAMPSON
 
Fieldwork in Religion Vol 12 No. 1 (2017) Rangda and the Goddess Durga in Bali View
Sarah Weiss
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle View
Maurizio Corbella
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Italian Cinema’s Sound Archives: Foley Practices and Post-production Techniques, 1960–70 View
Ilario Meandri
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave View
Gianpaolo Chiriacò
 
Equinox eBooks Publishing Words of Experience Writing, Doing and Performing the Future of Islamic Studies: The Practical Example of Carl W. Ernst View
Ilyse Morgenstein Fuerst
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Equinox eBooks Publishing The History of European Jazz 25. Italy View
Francesco Martinelli
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) The 1947 Partition of India and Pakistan: Migration, Material Landscapes, and the Making of Nations View
Erin Riggs, Zahida Rehman Jat
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) “We Palestinian Refugees” – Heritage Rites and/as the Clothing of Bare Life: Reconfiguring Paradox, Obligation, and Imperative in Palestinian Refugee Camps in Jordan View
Beverley Butler, Fatima Al-Nammari
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Lessons from the Bakken Oil Patch View
William Caraher, Bret Weber, Richard Rothaus
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) The Garden of Refugees View
Rui Gomes Coelho
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Empty Migrant Rooms: An Anthropology of Absence through the Camera Lens View
Eckehard Pistrick, Florian Bachmeier
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Surveilling Surveillance: Countermapping Undocumented Migration in the USA-Mexico Borderlands View
Haeden Eli Stewart, Ian Ostereicher, Cameron Gokee, Jason De Leon
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) What Anchors the Tu Do? View
Denis Byrne
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Abandoned Refugee Vehicles “In the Middle of Nowhere”: Reflections on the Global Refugee Crisis from the Northern Margins of Europe View
Oula Ilari Seitsonen, Vesa-Pekka Herva, Mika Kunnari
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Reframing the Lampedusa Cross: The British Museum’s Display of the Mediterranean Migrant Crisis View
Morgan Lynn Breene
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) “Heritage on Exile”: Reflecting on the Roles and Responsibilities of Heritage Organizations towards Those Affected by Forced Migration View
John Schofield
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Interrupted Journeys: Drawings by Refugees at the Kara Tepe Camp, Lesvos, Greece View
Ángela María Arbeláez Arbeláez, Edward Mulholland
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Place making in Non-places: Migrant Graffiti in Rural Highway Box Culverts View
Gabriella Soto
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Orange Life Jackets: Materiality and Narration in Lesvos, One Year after the Eruption of the “Refugee Crisis” View
George Tyrikos-Ergas
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) If Place Remotely Matters: Camped in Greece’s Contingent Countryside View
Kostis Kourelis
 
Journal of Contemporary Archaeology Vol 3 No. 2 (2016) Archaeologies of Forced and Undocumented Migration View
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