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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Provincial Headz | I Owe Hip Hop | View |
| Adam de Paor-Evans | |||
| Provincial Headz | View | ||
| Adam de Paor-Evans | |||
| Dragon Headz | View | ||
| Adam de Paor-Evans | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lyrical Referencing in Australian Hip Hop | View |
| James Lewandowski-Cox | |||
| Popular Music History | (0) ADVANCE ACCESS | Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. | View |
| James G. McNally | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
| Pil Ho Kim, Wonseok Lee | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Introduction: Hip Hop, En-voicing and Agency | View |
| Adam Haupt, Quentin E. Williams, H. Samy Alim | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | “It’s Bigger than Hip Hop” | View |
| Adam Haupt, Quentin E. Williams, H. Samy Alim | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Introduction: What's This 'Religious' in Hip Hop Culture? | View |
| Christopher M Driscoll | |||
| Implicit Religion | Vol 17 No. 1 (2014) | Bigger Than Religion: Hip Hop’s Post-Modern Prophetic Challenge | View |
| Mark Deyoung | |||
| Perfect Beat | Vol 2 No. 1 (1994) | DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP | View |
| IAN MAXWELL, NIKKI BAMBRICK | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Rhyming Techniques and Identity in Korean Hip Hop | View |
| Jinny Park | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Towards a Hip Hop Pedagogy of Discomfort | View |
| Darren Chetty, Patrick Turner | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Multilingual Activism in South African Hip Hop | View |
| Quentin E. Williams | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth and linguistic stylization in Naija Afro Hip Hop | View |
| Idom T. Inyabri | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | In Search of Our Daughters’ Gardens: Hip Hop as Womanist Prose | View |
| Tamura Lomax | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. | View |
| Hyun Joo Sandy Oh | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis | View |
| Quentin E. Williams | |||
| Equinox eBooks Publishing | Sounds Northern | 8. From Broken Glass to Ruf Diamonds: Manchester Hip Hop | View |
| Adam de Paor-Evans | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers | View |
| Iljung Kim | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History | View |
| L. Benjamin Rolsky | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop | View |
| Mark V. Campbell, Maya Stitski | |||
| Implicit Religion | Vol 9 No. 1 (2006) Vol 9, No 1 (2006) | The Fifth Corner: Hip Hop's New Geometry of Adolescent Religiousity | View |
| Kimberly Rae Connor | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia | View |
| James Cox | |||
| Sociolinguistic Studies | Vol 12 No. 2 (2018) Special Issue: Arabic between tradition and globalization | Remix Multilingualism. Hip Hop, Ethnography and Performing Marginalized Voices, Quentin Williams (2017) | View |
| Linda Flores Ohlson | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah | View |
| Siphiwe Ignatius Dube | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change | View |
| Dave Wilson | |||
| Gender and Language | Vol 10 No. 1 (2016) | Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists | View |
| Maeve Eberhardt | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China | View |
| Xuan Wang | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique | View |
| Manuel Armando Guissemo | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music | View |
| Anthony Kwame Harrison | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality | View |
| Karim Hammou | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self | View |
| J. Griffith Rollefson | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima | View |
| Elonda Clay | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics | View |
| Saesha Senger | |||
| Equinox eBooks Publishing | Sounds Icelandic | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | “Slavery’s Consequences Still Affect Us”: Sister Souljah’s No Disrespect, Black Women’s Literary Traditions and Contemporary Hip Hop Activism | View |
| Sina A. Nitzsche | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). | View |
| Murray Forman | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) | View |
| Marc Kaiser | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
| APRIL K. HENDERSON | |||
| Equinox eBooks Publishing | Dragon Headz | Conclusions | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | The Relocation of Hip Hop: The Perfect Beat, Duck Rock and Cultural Acquisition | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | The Consumption of Hip Hop: Commercialization, Distinction and the Subaltern | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 5. Music from the Ditch: Weapons of Attitude | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 6. Hen Wlad Fy Nhadau: Heritage, Pioneers and Progression | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | The Land of Rap | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 1. Friends and Neighbours: English, British and Welsh | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 2. Myths and Stories: Land, Journeys and Boundaries | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 3. Ebbs and Flows: Rivers of Poetry | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Acknowledgements | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Bibliography | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Index | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Notes | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Introduction | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Dragon Headz | 4. It’s Not Unusual: Unearthing Tropes and Meanings | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | Conclusions: Critical De-regionalism, Dispelling the Myth and Revealing the Invisible | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | The Location of Hip Hop: The Provincial, Spatial, Sonic, Material and Non-material | View |
| Adam de Paor-Evans | |||
| Perfect Beat | Vol 8 No. 3 (2007) | ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs | View |
| KIRSTEN ZEMKE-WHITE | |||
| Equinox eBooks Publishing | Provincial Headz | The Territories of Hip Hop: Domesticity, Occupation and Appropriation | View |
| Adam de Paor-Evans | |||
| Gender and Language | Vol 8 No. 3 (2014) | Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film | View |
| Qiuana Lopez | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | View |
| IAN MAXWELL | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Don't Judge a Book by Its Cover! | View |
| Monica Miller | |||
| Equinox eBooks Publishing | Provincial Headz | Glossary of Terms | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | The Identity of Hip Hop: Reality, Image and a State of Mind | View |
| Adam de Paor-Evans | |||
| Equinox eBooks Publishing | Provincial Headz | The Production of Hip Hop: Process, Empowerment and Cultural Repositioning | View |
| Adam de Paor-Evans | |||
| Soul Unsung | View | ||
| Kevin Le Gendre | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse | View |
| Jae-hyun Im | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project | View |
| Kristine Ringsager | |||
| She’s at the Controls | View | ||
| Helen Reddington | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | South African Dialogue | View |
| Warrick Moses | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze | View |
| Casey Philip Wong | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music | View |
| Kendra Salois | |||
| Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | The Books of Michael Muhammad Knight | View |
| Vernon James Schubel | |||
| Equinox eBooks Publishing | This is Hip | It's Hot, it's Red Lights, it's Exciting! | View |
| Peter Jones | |||
| Equinox eBooks Publishing | Local Acts, Global Success | Identity Crisis: The Current Critical Situation | View |
| Michael Murphy, Jim Rogers | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Inhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational Politics | View |
| Adam Haupt | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Equinox eBooks Publishing | She’s at the Controls | Acknowledgements | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Bibliography | View |
| Helen Reddington | |||
| Equinox eBooks Publishing | She’s at the Controls | Index | View |
| Helen Reddington | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Popular Music History | Vol 4 No. 2 (2009) | ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* | View |
| Justin A. Williams | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué | View |
| Olivier Bourderionnet | |||
| Gender and Language | Vol 12 No. 3 (2018) | ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music | View |
| Christina Schoux Casey, Maeve Eberhardt | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | From slang to sleek: Changing language attitudes of urban youths in Tanzania | View |
| Uta Reuster-Jahn | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
| Ruxandra Trandafoiu | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Popular Music History | Vol 10 No. 3 (2015) | Assembling Aarhus West: Glocal rap, genre and heterogeneity | View |
| Mads Krogh | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Maldito Coronavirus! | Viru Viru Viru Viru: Infectious Rhythms and Música del Coronavirus | View |
| Daniel Margolies, J.A. Strub | |||
| Dub in Babylon | View | ||
| Christopher Partridge | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Editors' Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Website review: Nomadic Wax. http://nomadicwax.com | View |
| Francisco D. Lara | |||
| Sociolinguistic Studies | Vol 15 No. 1 (2021) Special Issue: Re-thinking everyday metaphors through Indigenous Ghanaian languages: Shifting the center to the margin | Resonating embodiment: Everyday metaphorical abstractions in Safaliba | View |
| Ari Sherris, Paul Schaefer, Eden Kosiaku | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
| Arnar Eggert Thoroddsen | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. | View |
| James Cox | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) | View |
| Greg Dimitriadis | |||
| Implicit Religion | Vol 10 No. 1 (2007) | Review of Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music by Anthony B. Pinn | View |
| François Gauthier | |||
| Equinox eBooks Publishing | Sounds Northern | 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North | View |
| Brian Baker | |||
| Equinox eBooks Publishing | Identifying Roots | Kunta Kinte in American TV, Film, and Music | View |
| Richard Newton | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
| Henry Johnson | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Introduction: A Short History of Afro-Korean Music and Identity | View |
| Kyung Hyun Kim, CedarBough T. Saeji | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | DVD review: Udi Aloni. 2016. Junction 48 | View |
| David A McDonald | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp | View |
| Niel Scobie | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett | |||
| Popular Music History | Vol 9 No. 2 (2014) | Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). | View |
| Simon Warner | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Films, Frames and Videogames: Religious Insights into Media | View |
| Anna Piskorowski-Adams | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene | View |
| Rachael Gunn | |||
| Perfect Beat | Vol 2 No. 3 (1995) | NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Derek Pardue, Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal | View |
| Colin Harte | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | O’Brien, John. Keeping It Halal: The Everyday Lives of Muslim American Teenage Boys | View |
| Elena G. van Stee | |||
| Perfect Beat | Vol 1 No. 1 (1992) | SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: | View |
| Philip Hayward, Rachael Privett | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ | View |
| Jared Mackley-Crump | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
| Dianne Violeta Mausfeld | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea | View |
| Robert Hamilton | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) | View |
| Rob Bowman | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. | View |
| Jared Mackley-Crump | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | The dynamics of youth language in Africa: An introduction | View |
| Eyo Mensah | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
| BRUCE JOHNSON | |||
| Popular Music History | Vol 13 No. 3 (2020) | Jon Stratton, Jon Dale and Tony Mitchell, eds., An Anthology of Australian Albums: Critical Engagements. | View |
| Shane Homan | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
| Popular Music History | Vol 7 No. 3 (2012) | Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). | View |
| Chris Ealham | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Sociolinguistic Studies | Vol 9 No. 1 (2015) | Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat | View |
| Pedro Álvarez Mosquera | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Elijah Wald, 'Talking ‘bout your mama' | View |
| Lee Watkins | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GOA TRANCE | View |
| FRED COLE, MICHAEL HANNAN | |||
| Gender and Language | Vol 8 No. 1 (2014) | Recontextualising ‘Big Spender’: socialising the selling of female sexuality in a middle school drama programme | View |
| Laurie Schick | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Jazz Research Journal | Vol 9 No. 2 (2015) | Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 | View |
| Chris Ealham | |||
| Sociolinguistic Studies | Vol 14 No. 3 (2020) Special Issue: African sociolinguistics between urbanity and rurality | Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities Sender Dovchin (2020) | View |
| Anastassia Zabrodskaja | |||
| Sociolinguistic Studies | Vol 14 No. 4 (2020) | African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019) | View |
| Stephen Olabanji Boluwaduro | |||
| Language and Sociocultural Theory | Vol 1 No. 2 (2014) | Jesus and the streets: A hermeneutical framework for understanding the intraracial gender academic achievement gap in black urban America and the United Kingdom | View |
| Paul Camy Mocombe, Carol Tomlin, Victoria Showunmi | |||
| Sociolinguistic Studies | Vol 8 No. 2 (2014) | The mediation of ‘youth language’ in mainstream mass culture: evidence from a Greek family sitcom | View |
| Theodora P. Saltidou, Anastasia G. Stamou | |||
| Perfect Beat | Vol 3 No. 3 (1997) | Editorial | View |
| MARK EVANS | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Perfect Beat | Vol 9 No. 1 (2008) | J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? | View |
| TERENCE LANCASHIRE | |||
| Implicit Religion | Vol 17 No. 1 (2014) | Editorial | View |
| Edward Bailey | |||
| Implicit Religion | Vol 17 No. 4 (2014) | Science Fiction, Historical Fiction and Religion Fiction? | View |
| Edward Bailey | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. | View |
| Sarah Elizabeth Raine | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. | View |
| André Rottgeri | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact | View |
| Alex de Lacey | |||
| Popular Music History | Vol 10 No. 1 (2015) | Hashtag 0161: Did Bugzy Malone put Manny on the map? | View |
| Kamila Rymajdo | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) | View |
| Marcello Messina | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Popular Music History | Vol 8 No. 3 (2013) | David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). | View |
| Holly Holmes | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. | View |
| Dean Biron | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) | View |
| Iris Yellum | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Perfect Beat | Vol 15 No. 2 (2014) | An interview with Tiki Taane: Expressing cultural heritage and identity through music | View |
| Oli Wilson | |||
| Bulletin for the Study of Religion | Vol 44 No. 4 (2015) | “Better get to know Practicum: Critical Theory, Religion, and Pedagogy” an interview with Craig Martin and Brad Stoddard of Practicum blog | View |
| Ipsita Chatterjea | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | View |
| Lawrence Davies | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture | View |
| Tony Dudley-Evans | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Popular Music History | Vol 3 No. 2 (2008) | Rock around the clock: The record, the film, and the last historic dance revolt | View |
| Terry Monaghan | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand | View |
| SARA VUI-TALITU | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | English ‘on top’: discourse functions of English resources in the German mediascape | View |
| Jannis Androutsopoulos | |||
| Writing & Pedagogy | Vol 2 No. 1 (2010) | Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation. Ernest Morrell (2008) New York & London: Routledge. pp. 256 ISBN 978–0-80585–664–4 (9780805856644) | View |
| Elaine Richardson | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand | View |
| Tony Mitchell | |||
| Comparative Islamic Studies | Vol 7 No. 7.1-7.2 (2011) Vol 7, no 1-2 (2011) | Emerging Islamic-Confucian Axis in the Virtual Ummah: Connectivity and Constraint in the Contemporary China | View |
| Wai-Yip Ho | |||
| Sociolinguistic Studies | Vol 3 No. 3 (2009) Language shift in West Africa | The sociolinguistics of colonisation: a perspective of language shift | View |
| Tope Omoniyi | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing | View |
| Ellen O'Donoghue Oddy | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
| Veronica Stewart, Diane Hughes | |||
| Popular Music History | Vol 13 No. 3 (2020) | Matt Brennan, Kick It: A Social History of the Drum Kit. | View |
| Karlyn King | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Being a DJ in a time of zero social huddling: Tales from a locked-down India | View |
| Pradip Sarkar | |||
| Gender and Language | Vol 14 No. 4 (2020) | Maidens, flirts and seducers: the objectification of women’s bodies in the musical works of Chiquinha Gonzaga | View |
| Eliane Regina Crestani Tortola, Larissa Michelle Lara | |||
| Journal of Applied Linguistics | Vol 2 No. 2 (2005) | Discourses of difference: Applied methodologies for evaluating race and speech style | View |
| Kate Anderson | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | The new urban youth language Yabacrâne in Goma (DR Congo) | View |
| Nico Nassenstein | |||
| Journal of Applied Linguistics and Professional Practice | Vol 2 No. 2 (2005) JAL Vol 2, No 2 (2005) | Discourses of difference: Applied methodologies for evaluating race and speech style | View |
| Kate Anderson | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | The Roots of Digital Cumbia in Sound System Culture: Sonideros, Villeros, and the Transformation of Colombian Cumbia | View |
| Moses Iten | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
| Gene Shill | |||
| Writing & Pedagogy | Vol 11 No. 3 (2019) Special Issue: Writing as resistance in an age of demagoguery | ‘Will the real writer please stand up’: Flawed discursive self-presentation by Junot Diaz | View |
| Sreedhevi Iyer | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Sociolinguistic Studies | Vol 6 No. 1 (2005) Estudios de Sociolingüística 6.1 2005 | Review of The Language, Ethnicity and Race ReaderEdited by Roxy Harris & Ben Rampton | View |
| PETEK KURTBÖKE | |||
| Jazz Research Journal | Vol 7 No. 2 (2013) | Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW | View |
| Colter Harper | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno | View |
| Botond Vitos | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) | View |
| Tony Mitchell | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
| Imani Sanga | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Equinox eBooks Publishing | Words of Experience | Sons of the Green Light: Khidr and Sufism in the Ansaru Allah Community/Nubian Islamic Hebrews | View |
| Michael Knight | |||
| Implicit Religion | Vol 17 No. 2 (2014) | Music as an Aid to Philosophizing about Religion | View |
| Peter Donovan | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | No room for squares: A political economy of Blue Note records | View |
| Christopher May | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Gender and Language | Vol 14 No. 4 (2020) | ‘Reclaiming my time’: signifying, reclamation and the activist strategies of Black women’s language | View |
| Adrienne Ronee Washington | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Popular Music History | Vol 4 No. 2 (2009) | Compost city: underground music, collapsoscapes and urban regeneration | View |
| Greg Keeffe | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | 'I want you to support local metal': A theory of metal scene formation | View |
| Jeremy Wallach, Alexandra Levine | |||
| Popular Music History | Vol 7 No. 2 (2012) | When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? | View |
| Michaela Hilbert | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Perfect Beat | Vol 15 No. 2 (2014) | No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 | View |
| Andrew Wright Hurley | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Popular Music History | Vol 7 No. 2 (2012) | Explorative, authentic and cohesive: factors contributing to successful boy band reunions | View |
| Anja Löbert | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Discourse in clothing: the social semiotics of modesty and chic in hijab fashion | View |
| Gwen Bouvier | |||
| Sociolinguistic Studies | Vol 14 No. 3 (2020) Special Issue: African sociolinguistics between urbanity and rurality | Playing with accents: On Ugandan Englishes and indexical signs of urbanity and rurality | View |
| Nico Nassenstein | |||
| Equinox eBooks Publishing | Words of Experience | Sufi Cyberscapes: The Inayati Order in the Virtual Ecosystem of American Islam | View |
| Robert Rozehnal | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Popular Music History | Vol 9 No. 3 (2014) | Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music | View |
| Eve M Brank, Kathleen A Fox, Victoria Kaspar | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
| Arno van der Hoeven | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | The Forked Road Ahead: The “Look” of Black Humanist Community in Action | View |
| Sikivu Hutchinson | |||
| Essays in the Philosophy of Humanism | Vol 20 No. 1 (2012) VOL 20 (1) 2012 | Living: African Americans and Humanism | View |
| Anthony B. Pinn | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) | View |
| Jeff Wragg | |||
| Sociolinguistic Studies | Vol 13 No. 1 (2019) Special Issue: Visceral landscapes | Introduction: Visceral landscapes (the inside story) | View |
| Christopher Stroud, Amiena Peck, Quentin Williams | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Sociolinguistic Studies | Vol 6 No. 3 (2012) | Youth language in Nigeria: A case study of the Ágábá Boys | View |
| Eyo Offiong Mensah | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Perfect Beat | Vol 4 No. 4 (2000) | TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown | View |
| SIMON HUNT, JON STRATTON | |||
| Sociolinguistic Studies | Vol 4 No. 1 (2010) | ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class | View |
| Jennifer Garland | |||
| Implicit Religion | Vol 19 No. 1 (2016) | Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion | View |
| Christine King, Francis Stewart | |||
| Popular Music History | Vol 1 No. 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | View |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | |||
| Sociolinguistic Studies | Vol 6 No. 1 (2012) | Super-diversity at the margins? Youth language in North Brabant, The Netherlands | View |
| Paul Mutsaers, Jos Swanenberg | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | Reconstructing the Jazz Tradition | View |
| Charles Hersch | |||
| Perfect Beat | Vol 13 No. 1 (2012) | ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations | View |
| Katelyn Barney | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts | View |
| Duncan Wheeler, Lucy O'Brien | |||
| Gender and Language | Vol 12 No. 2 (2018) | Girls’ sexual subjectivity in a secondary language classroom | View |
| Angelica Simonsson, Petra Angervall | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Sociolinguistic Studies | Vol 12 No. 3-4 (2018) | ‘We don’t need another Afrikaans’: Adequation and distinction in South-African and Flemish language policies | View |
| Jürgen Jaspers, Michael Meeuwis | |||
| Sociolinguistic Studies | Vol 12 No. 3-4 (2018) | Residents’ perceptions on Sepitori, a mixed language spoken in greater Pretoria, South Africa | View |
| Pedro Álvarez-Mosquera, Elirea Bornman, Thabo Ditsele | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 21 No. 1 (2019) | Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism | View |
| Giovanna Parmigiani | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
| Elliott H. Powell | |||
| Perfect Beat | Vol 20 No. 1 (2019) | ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard | View |
| Paul Ballam-Cross | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Bulletin for the Study of Religion | Vol 40 No. 3 (2011) | Constructing 'The Day After': Goodie Mob, Exaggerated Radical Contingency and the Metaphysics of White Supremacy | View |
| Christopher Driscoll | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Sounds in the City: Street Technology and Public Space - An Introduction | View |
| Brian D’Aquino, Oana Pârvan | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Dressing the Part: Ethics of Insider/Outsider Attire for the Ethnography of American-Jewish Niddah | View |
| Isobel-Marie Johnston | |||
| Sociolinguistic Studies | Vol 4 No. 1 (2010) | Las prácticas y estilos de literacidad de los adolescentes fuera de la escuela: una exploración cuantitativa de las relaciones entre literacidad, escolarización y origen familiar | View |
| David Poveda | |||
| Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
| ROSS HARLEY | |||
| PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements | Vol 16 No. 2 (2017) | Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church | View |
| Peter Marina, Michael Wilkinson | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire | View |
| Tony Lewis | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Way out East: cowboys and pioneer women on Berlin's jazz frontier | View |
| William Kirk Bares | |||
| Perfect Beat | Vol 1 No. 4 (1994) | FLYING IN THE FACE OF FASHION: Independent Music in New Zealand | View |
| Tony Mitchell | |||
| Journal of Mediterranean Archaeology | Vol 31 No. 1 (2018) | At the Crossroads of Textile Cultures: Textile Production and Use at the South Italian Archaic Site of Ripacandida | View |
| Margarita Gleba, Christian Heitz, Hedvig Landenius Enegren, Francesco Meo | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand | View |
| Matthew Bannister | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
| Krystian Brodacki | |||
| Communication & Medicine | Vol 5 No. 2 (2008) | ‘Is it alright if I-um-we unbutton your pyjama top now?’ Pronominal use in bedside teaching encounters | View |
| Charlotte Rees, Lynn Monrouxe | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
| Julie Rickwood | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | “Sounding” the System: Noise, In/Security and the Politics of Citizenship | View |
| Sonjah N. Stanley Niaah | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique | View |
| François Gauthier | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Reflections on Ethiopian youths and Yarada K’wank’wa: Language practices and ideologies | View |
| Andrea Hollington | |||
| Jazz Research Journal | Vol 4 No. 1 (2010) | ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun | View |
| Jan Harm Schutte | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 1 No. 4 (1994) | TE WA WHAKAPAOHO ITE REO IRIRANGI: Some Directions in Maori Radio | View |
| Helen Wilson | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Equinox eBooks Publishing | The History of European Jazz | 19. Switzerland | View |
| Bruno Spoerri | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Interview: Pasifika climate activist music in New Zealand, queered and disabled | View |
| Kirsten Zemke, Luka Leleiga Lim-Cowley | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Spectral Vibrations: Discovering and Recovering Lost Bodies through Jamaican Sound | View |
| Trishauna Stewart | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene | View |
| Myrtille Picaud | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 9 No. 1 (2013) | Reading Alex Haley’s Roots: Toward An Anthropology Of Scriptures | View |
| Richard Newton | |||
| Equinox eBooks Publishing | Words of Experience | "It's in the Bones": Muslim Pathologies and the Problem of Representation in Disgraced | View |
| Samah Choudhury | |||
| Journal for the Academic Study of Religion | Vol 23 No. 3 (2010) New Virtual Frontiers: Religion and Spirituality in Cyberspace | A New Domain for Co-Workers of God: Accessing Khutbahs on the Internet | View |
| Steven Fink | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Journal for the Study of Religion, Nature and Culture | Vol 6 No. 2 (2012) | When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ | View |
| Matthew B. Immergut, Laurel D. Kearns | |||
| Sociolinguistic Studies | Vol 1 No. 2 (2007) | Risques et limites des politiques de reconnaissance des langues minorisées. Le cas de la valorisation des langues de l’immigration en Belgique francophone | View |
| Philippe Hambye, Jean-Louis Siroux | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | Identity construction through phonetic crossing among young Capetonian gang members | View |
| Nadine Chariatte | |||
| Sociolinguistic Studies | Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa | All I want is your waist: Sexual metaphors as youth slanguage in Nigeria | View |
| Eyo Mensah, Linda Nkamigbo | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road | View |
| Julian Levinson | |||
| Jazz Research Journal | Vol 6 No. 2 (2012) | Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke | View |
| Nicholas Gebhardt | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Soundscapes in Vedic metal: a perspective from Singapore | View |
| Eugene Dairianathan | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 3 No. 3 (1997) | INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | View |
| KARL NEUENFELDT | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | When Digital is Physical and Ethnomusicologists are File Sharers | View |
| Denis Crowdy | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival | View |
| Lonán Ó Briain | |||
| International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | The Weird Naturalism of the Brothers McKenna: Esoteric Media and the Experiment at La Chorrera | View |
| Erik Davis | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Gender and Language | Vol 11 No. 2 (2017) | ‘You are stupid, you are cupid’: playful polyphony as a resource for affectionate expression in the talk of a young London couple | View |
| Pia Pichler | |||
| CALICO Journal | Vol 22 No. 3 (2005) | Students' Dynamic Assessment Via Online Chat | View |
| Ana Oskoz | |||
| Gender and Language | Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia | The Gendered Construction of ‘Inauthentic’ Female Bilinguals in South Korea: Authenticity, English and Gender | View |
| Lee Jin Choi | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene | View |
| Zsolt Győri | |||
| Religious Studies and Theology | Vol 37 No. 1 (2018) | Becoming a Hijabi Now? Identity Performances of Muslim Women in Canada | View |
| Fatemeh Mohammadi | |||
| Linguistics and the Human Sciences | Vol 11 No. 1 (2015) | Language Teacher Education and the Developing World: Exploring ‘Horizons of Possibility’ for Identity and Agency | View |
| Brian Morgan | |||
| Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
| Michael Dregni | |||
| Equinox eBooks Publishing | The History of European Jazz | 24b. Portugal: 1974-2010 | View |
| Rui Paes | |||
| Communication & Medicine | Vol 14 No. 2 (2017) | ‘What should a woman do and imagine to have bulimia?’: Co-constructing patient expertise in psychotherapy with bulimia patients | View |
| Joanna Pawelczyk, Małgorzata Talarczyk | |||
| Sociolinguistic Studies | Vol 12 No. 3-4 (2018) | Residential segregation and ethnolinguistic variation | View |
| Daniel Duncan | |||
| Sociolinguistic Studies | Vol 13 No. 1 (2019) Special Issue: Visceral landscapes | Changing tastes on the linguistic landscape of Asmara, Eritrea | View |
| Tedros H. Weldemichael, Amiena Peck, Quentin Williams | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Pompey Pop: A case study of a local music archive | View |
| Dave Allen | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition | View |
| Josep Pedro, Begoña Gutiérrez-Martínez | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Before #MeToo: Hearing Vulnerability | View |
| Diane Hughes, Mark Evans | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews | View |
| James Deaville, Agnes Malkinson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Pick out the jams: Curation and independent record shops | View |
| Lee Ann Fullington | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | Jazz and cosmopolitan practice: The case of Lloyd Swanton | View |
| Benjamin Phipps | |||
| CALICO Journal | Vol 36 No. 1 (2019) | Playing By Their Rules: Why Issues of Capital (Should) Influence Digital Game-Based Language Learning in Schools | View |
| Carolyn Blume | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Seleka’s profane potency: Kava artists and rebellious music in Tonga | View |
| Arcia Tecun, Taniela Petelo | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism | View |
| Julie Rickwood | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy | View |
| Brian D’Aquino, Oana Pârvan | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals | View |
| Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino | |||
| Journal of Mediterranean Archaeology | Vol 27 No. 2 (2014) | Early Palaeolithic on the Greek Islands? | View |
| Curtis Runnels | |||
| Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
| Jon Stratton | |||
| Gender and Language | Vol 5 No. 2 (2011) | Incomprehensible language? Language, ethnicity and heterosexual masculinity in a Swedish school | View |
| Tommaso M. Milani, Rickard Jonsson | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | The record and its label: Identifying, marketing, dividing, collecting | View |
| Richard Osborne | |||
| Sociolinguistic Studies | Vol 6 No. 2 (2012) Agency and power in multilingual discourse | Normativity and change: introduction to the Special issue on Agency and power in multilingual discourse | View |
| Ad Backus, Massimiliano Spotti | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave | View |
| Gianpaolo Chiriacò | |||
| Equinox eBooks Publishing | The History of European Jazz | 1. France | View |
| Xavier Prevost | |||
| Equinox eBooks Publishing | The History of European Jazz | 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade | View |
| Duncan Heining | |||
| Journal for the Academic Study of Religion | Vol 21 No. 1 (2008) Religion as Identity Factor in Modernity | Muslim Discourses in Canada and Quebec | View |
| Ali G Disboni, Pierre Rossi | |||
| Gender and Language | Vol 2 No. 2 (2008) | La racaille: figuring gender, generation, and stigmatized space in a French cité | View |
| Chantal Tetreault | |||
| Gender and Language | Vol 7 No. 2 (2013) | ‘Women of the Diaspora’: A Feminist Critical Discourse Analysis of migration narratives of dual career Zimbabwean migrants | View |
| Busi Makoni | |||
| Implicit Religion | Vol 19 No. 1 (2016) | The Sacramental Thought-World of Implicit Religion | View |
| William J. F. Keenan | |||
| Journal of Mediterranean Archaeology | Vol 25 No. 2 (2012) JMA’s Silver Anniversary (1988–2012) | Globalizing Mediterranean Identities: The Overlapping Spheres of Egyptian, Greek and Roman Worlds at Trimithis | View |
| Anna Lucille Boozer | |||
| Popular Music History | Vol 1 No. 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | View |
| Eamonn Forde | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae | View |
| Christopher Partridge | |||
| Popular Music History | Vol 7 No. 1 (2012) | Mapping live provisions in Welsh-language rock, 1978–80 | View |
| Craig Owen Jones | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage | View |
| Lauren Gorfinkel | |||
| Perfect Beat | Vol 4 No. 4 (2000) | DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic | View |
| JON STRATTON | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| CALICO Journal | Vol 30 No. 2 (2013) Learner Preparation | Preparing Students to use Wiki Software as a Collaborative Learning Tool | View |
| Susanne Rott, Elizabeth Dolly Weber | |||
| CALICO Journal | Vol 28 No. 2 (2011) | Blogging and Emergent L2 Literacy Development in an Urban Elementary School: A Functional Perspective1 | View |
| Meg Gebhard, Dong-shin Shin, Wendy Seger | |||
| Implicit Religion | Vol 19 No. 2 (2016) | What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur | View |
| Kevin Matthew Taylor | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ | View |
| Philip Hayward, Matt Hill | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | From South Korea to the Southern Hemisphere: K-Pop below the Equator | View |
| Stephen Epstein | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| CALICO Journal | Vol 26 No. 2 (2009) | Virtual Immersion: The Role of CAVE and PC Technology | View |
| Mary Grantham O'Brien, Richard Levy, Annika Orich | |||
| Journal for the Study of Religion, Nature and Culture | Vol 8 No. 4 (2014) Special Issue: Everyday Religion, Sustainable Environments, and New Directions in Himalayan Studies | Everyday Buddhism and Environmental Decisions in the World’s Highest Ecosystem | View |
| Jeremy Spoon | |||
| Gender and Language | Vol 12 No. 1 (2018) | Contested words, gender norms and language ideologies: the gendered meaning of tai | View |
| Hsi-Yao Su | |||
| Gender and Language | Vol 12 No. 1 (2018) | ‘Girly Latina versus girly American’: the articulation of levels of femininity through indexicality in a Latina student’s narrative explaining discriminatory classroom interactions | View |
| Deyanira Rojas-Sosa | |||
| Gender and Language | Vol 12 No. 2 (2018) | Postfeminism – for whom or by whom? Applying discourse analysis in research on the body and beauty (the case of black hair) | View |
| Ewa Glapka | |||
| Equinox eBooks Publishing | The History of European Jazz | 5. The Netherlands | View |
| Bert Vuijsje | |||
| Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
| Jean-Pol Schroeder | |||
| Equinox eBooks Publishing | The History of European Jazz | 8. Denmark | View |
| Tore Mortensen | |||
| Comparative Islamic Studies | Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism | Hollywood Cosmopolitanisms and the Occult Resonance of Cinema | View |
| Alireza Doostdar | |||
| Gender and Language | Vol 9 No. 2 (2015) | Sexual violence and the creation of an empowered female voice | View |
| Cala Ann Zubair | |||
| International Journal of Speech Language and the Law | Vol 26 No. 2 (2019) | Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker | View |
| Dominic Watt, Peter S. Harrison, Lily Cabot-King | |||
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