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Equinox eBooks Publishing Provincial Headz I Owe Hip Hop View
Adam de Paor-Evans
 
Provincial Headz View
Adam de Paor-Evans
 
Dragon Headz View
Adam de Paor-Evans
 
Journal of World Popular Music Vol 6 No. 2 (2019) Lyrical Referencing in Australian Hip Hop View
James Lewandowski-Cox
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX View
Pil Ho Kim, Wonseok Lee
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju View
Amos Farooqi
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Introduction: Hip Hop, En-voicing and Agency View
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “It’s Bigger than Hip Hop” View
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Introduction: What's This 'Religious' in Hip Hop Culture? View
Christopher M Driscoll
 
Implicit Religion Vol 17 No. 1 (2014) Bigger Than Religion: Hip Hop’s Post-Modern Prophetic Challenge View
Mark Deyoung
 
Perfect Beat Vol 2 No. 1 (1994) DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP View
IAN MAXWELL, NIKKI BAMBRICK
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Rhyming Techniques and Identity in Korean Hip Hop View
Jinny Park
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort View
Darren Chetty, Patrick Turner
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Multilingual Activism in South African Hip Hop View
Quentin E. Williams
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth and linguistic stylization in Naija Afro Hip Hop View
Idom T. Inyabri
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) In Search of Our Daughters’ Gardens: Hip Hop as Womanist Prose View
Tamura Lomax
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. View
Hyun Joo Sandy Oh
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis View
Quentin E. Williams
 
Equinox eBooks Publishing Sounds Northern 8. From Broken Glass to Ruf Diamonds: Manchester Hip Hop View
Adam de Paor-Evans
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers View
Iljung Kim
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
Mark V. Campbell, Maya Stitski
 
Implicit Religion Vol 9 No. 1 (2006) Vol 9, No 1 (2006) The Fifth Corner: Hip Hop's New Geometry of Adolescent Religiousity View
Kimberly Rae Connor
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia View
James Cox
 
Sociolinguistic Studies Vol 12 No. 2 (2018) Special Issue: Arabic between tradition and globalization Remix Multilingualism. Hip Hop, Ethnography and Performing Marginalized Voices, Quentin Williams (2017) View
Linda Flores Ohlson
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah View
Siphiwe Ignatius Dube
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change View
Dave Wilson
 
Gender and Language Vol 10 No. 1 (2016) Subjects and objects: linguistic performances of sexuality in the lyrics of black female hip-hop artists View
Maeve Eberhardt
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China View
Xuan Wang
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique View
Manuel Armando Guissemo
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality View
Karim Hammou
 
Perfect Beat Vol 13 No. 1 (2012) Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music View
Anthony Kwame Harrison
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self View
J. Griffith Rollefson
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics View
Saesha Senger
 
Equinox eBooks Publishing Sounds Icelandic Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “Slavery’s Consequences Still Affect Us”: Sister Souljah’s No Disrespect, Black Women’s Literary Traditions and Contemporary Hip Hop Activism View
Sina A. Nitzsche
 
Journal of World Popular Music Vol 1 No. 1 (2014) Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). View
Murray Forman
 
Journal of World Popular Music Vol 2 No. 2 (2015) Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) View
Marc Kaiser
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Equinox eBooks Publishing Dragon Headz Conclusions View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz The Relocation of Hip Hop: The Perfect Beat, Duck Rock and Cultural Acquisition View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz The Consumption of Hip Hop: Commercialization, Distinction and the Subaltern View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 5. Music from the Ditch: Weapons of Attitude View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 6. Hen Wlad Fy Nhadau: Heritage, Pioneers and Progression View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz The Land of Rap View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 1. Friends and Neighbours: English, British and Welsh View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 2. Myths and Stories: Land, Journeys and Boundaries View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 3. Ebbs and Flows: Rivers of Poetry View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Acknowledgements View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Bibliography View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Index View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Notes View
Adam de Paor-Evans
 
Equinox eBooks Publishing Dragon Headz 4. It’s Not Unusual: Unearthing Tropes and Meanings View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Introduction View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz Conclusions: Critical De-regionalism, Dispelling the Myth and Revealing the Invisible View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz The Location of Hip Hop: The Provincial, Spatial, Sonic, Material and Non-material View
Adam de Paor-Evans
 
Perfect Beat Vol 8 No. 3 (2007) ‘THIS IS MY LIFE’ Biography, Identity and Narrative in New Zealand Rap Songs View
KIRSTEN ZEMKE-WHITE
 
Equinox eBooks Publishing Provincial Headz The Territories of Hip Hop: Domesticity, Occupation and Appropriation View
Adam de Paor-Evans
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Perfect Beat Vol 3 No. 3 (1997) ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing View
IAN MAXWELL
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Don't Judge a Book by Its Cover! View
Monica Miller
 
Equinox eBooks Publishing Provincial Headz Glossary of Terms View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz The Identity of Hip Hop: Reality, Image and a State of Mind View
Adam de Paor-Evans
 
Equinox eBooks Publishing Provincial Headz The Production of Hip Hop: Process, Empowerment and Cultural Repositioning View
Adam de Paor-Evans
 
Soul Unsung View
Kevin Le Gendre
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse View
Jae-hyun Im
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project View
Kristine Ringsager
 
She's at the Controls View
Helen Reddington
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics South African Dialogue View
Warrick Moses
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze View
Casey Philip Wong
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music View
Kendra Salois
 
Comparative Islamic Studies Vol 4 No. 4.1 / 4.2 (2008) The Books of Michael Muhammad Knight View
Vernon James Schubel
 
Equinox eBooks Publishing This is Hip It's Hot, it's Red Lights, it's Exciting! View
Peter Jones
 
Equinox eBooks Publishing Local Acts, Global Success Identity Crisis: The Current Critical Situation View
Michael Murphy, Jim Rogers
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Inhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational Politics View
Adam Haupt
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Popular Music History Vol 4 No. 2 (2009) ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* View
Justin A. Williams
 
Journal of World Popular Music Vol 2 No. 2 (2015) Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué View
Olivier Bourderionnet
 
Gender and Language Vol 12 No. 3 (2018) ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music View
Christina Schoux Casey, Maeve Eberhardt
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa From slang to sleek: Changing language attitudes of urban youths in Tanzania View
Uta Reuster-Jahn
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Manele, symbolic geography and music cosmopolitanism in Romania View
Ruxandra Trandafoiu
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Popular Music History Vol 10 No. 3 (2015) Assembling Aarhus West: Glocal rap, genre and heterogeneity View
Mads Krogh
 
Equinox eBooks Publishing The Making of the Musical World The Caribbean: Powerhouse of Popular Styles View
Andrew Killick
 
Dub in Babylon View
Christopher Partridge
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Editors' Introduction View
Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com View
Francisco D. Lara
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Icelandic Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition View
Arnar Eggert Thoroddsen
 
Perfect Beat Vol 15 No. 1 (2014) Metcalf, J., and W. Turner, eds. 2014. Rapper, Writer, Pop-Cultural Player: Ice-T and the Politics of Black Cultural Production. Burlington, VT: Ashgate. ISBN 9-781- 47241-835-7 (hbk). 339 pp. View
James Cox
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) View
Greg Dimitriadis
 
Implicit Religion Vol 10 No. 1 (2007) Review of Noise and Spirit: The Religious and Spiritual Sensibilities of Rap Music by Anthony B. Pinn View
François Gauthier
 
Equinox eBooks Publishing Sounds Northern 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North View
Brian Baker
 
Equinox eBooks Publishing Identifying Roots Kunta Kinte in American TV, Film, and Music View
Richard Newton
 
Perfect Beat Vol 8 No. 3 (2007) Editorial View
Henry Johnson
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Introduction: A Short History of Afro-Korean Music and Identity View
Kyung Hyun Kim, CedarBough T. Saeji
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics DVD review: Udi Aloni. 2016. Junction 48 View
David A McDonald
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 17 No. 1 (2016) Wang, Oliver. 2015. Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area. Durham, NC: Duke University Press. ISBN 978-0-8223-7548-7 (pbk). 218 pp View
Niel Scobie
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Popular Music History Vol 9 No. 2 (2014) Phil Ford, Dig: Sound and Music in Hip Culture. Oxford and New York: Oxford University Press, 2013. 336 pp. £19.41. ISBN 978-0-19993-991-6 (pbk). View
Simon Warner
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) Films, Frames and Videogames: Religious Insights into Media View
Anna Piskorowski-Adams
 
Journal of World Popular Music Vol 3 No. 1 (2016) “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene View
Rachael Gunn
 
Perfect Beat Vol 2 No. 3 (1995) NEW URBAN POLYNESIANS Once Were Warriors, the Proud Project and the South Auckland Music Scene View
TONY MITCHELL
 
Perfect Beat Vol 13 No. 1 (2012) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Derek Pardue, Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal View
Colin Harte
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Fieldwork in Religion Vol 14 No. 1 (2019) O’Brien, John. Keeping It Halal: The Everyday Lives of Muslim American Teenage Boys View
Elena G. van Stee
 
Perfect Beat Vol 1 No. 1 (1992) SPECTACULAR SIGNIFICATION - NOISEWORKS' FREEDOM VIDEO: View
Philip Hayward, Rachael Privett
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with King Kapisi, Awanui Reeder and Ryan Monga: Riffing on Pacific festivals and the notion of 'Pacific music’ View
Jared Mackley-Crump
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘These stories have to be told’: Chicano rap as historical source View
Dianne Violeta Mausfeld
 
Journal of World Popular Music Vol 6 No. 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music View
Yair Hashachar
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea View
Robert Hamilton
 
Perfect Beat Vol 13 No. 2 (2012) Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. View
Ross Hagen
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) View
Rob Bowman
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa The dynamics of youth language in Africa: An introduction View
Eyo Mensah
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Popular Music History Vol 7 No. 3 (2012) Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). View
Chris Ealham
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Sociolinguistic Studies Vol 9 No. 1 (2015) Underlining authenticity through the recreolization process in rap music: A case of an in-group answer to an identity threat View
Pedro Álvarez Mosquera
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Elijah Wald, 'Talking ‘bout your mama' View
Lee Watkins
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Perfect Beat Vol 3 No. 3 (1997) GOA TRANCE View
FRED COLE, MICHAEL HANNAN
 
Gender and Language Vol 8 No. 1 (2014) Recontextualising ‘Big Spender’: socialising the selling of female sexuality in a middle school drama programme View
Laurie Schick
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Sociolinguistic Studies Vol 14 No. 3 (2020) Special Issue: African sociolinguistics between urbanity and rurality Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities Sender Dovchin (2020) View
Anastassia Zabrodskaja
 
Sociolinguistic Studies Vol 14 No. 4 (2020) African Youth Language: New Media, Performance Arts and Sociolinguistic Development Ellen Hurst-Harosh and Fridah Kanana Erastus (eds) (2019) View
Stephen Olabanji Boluwaduro
 
Language and Sociocultural Theory Vol 1 No. 2 (2014) Jesus and the streets: A hermeneutical framework for understanding the intraracial gender academic achievement gap in black urban America and the United Kingdom View
Paul Camy Mocombe, Carol Tomlin, Victoria Showunmi
 
Sociolinguistic Studies Vol 8 No. 2 (2014) The mediation of ‘youth language’ in mainstream mass culture: evidence from a Greek family sitcom View
Theodora P. Saltidou, Anastasia G. Stamou
 
Perfect Beat Vol 3 No. 3 (1997) Editorial View
MARK EVANS
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Implicit Religion Vol 17 No. 1 (2014) Editorial View
Edward Bailey
 
Implicit Religion Vol 17 No. 4 (2014) Science Fiction, Historical Fiction and Religion Fiction? View
Edward Bailey
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Perfect Beat Vol 17 No. 2 (2016) Faulk, Barry J., and B. Harrison, eds. 2014. Punk Rock Warlord: The Life and Work of Joe Strummer. Farnham: Ashgate. ISBN 978-1-47241-055-9 (hbk), 978-1-47246-106-3 (pbk). 197 pp. View
André Rottgeri
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) ‘Let us know you’re locked’: Pirate radio broadcasts as historical and musical artefact View
Alex de Lacey
 
Popular Music History Vol 10 No. 1 (2015) Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 3 No. 2 (2016) Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) View
Marcello Messina
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Farber, B. (2007) Rock ‘n’ Roll Wisdom: What Psychologically Astute Lyrics Teach About Love and Life. Westport, CT: Praeger. View
Dean Biron
 
Perfect Beat Vol 11 No. 2 (2010) Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. View
Dan Bendrups
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. View
Arnar Eggert Thoroddsen
 
Perfect Beat Vol 15 No. 2 (2014) An interview with Tiki Taane: Expressing cultural heritage and identity through music View
Oli Wilson
 
Bulletin for the Study of Religion Vol 44 No. 4 (2015) “Better get to know Practicum: Critical Theory, Religion, and Pedagogy” an interview with Craig Martin and Brad Stoddard of Practicum blog View
Ipsita Chatterjea
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) View
Lawrence Davies
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Perfect Beat Vol 3 No. 2 (1997) NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List View
TONY MITCHELL
 
Popular Music History Vol 3 No. 2 (2008) Rock around the clock: The record, the film, and the last historic dance revolt View
Terry Monaghan
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Perfect Beat Vol 2 No. 4 (1996) AEIOU Moana and the Moahunters, Music Video and the Communication of Polynesian Cultures in Contemporary New Zealand View
SARA VUI-TALITU
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse English ‘on top’: discourse functions of English resources in the German mediascape View
Jannis Androutsopoulos
 
Writing & Pedagogy Vol 2 No. 1 (2010) Critical Literacy and Urban Youth: Pedagogies of Access, Dissent, and Liberation. Ernest Morrell (2008) New York & London: Routledge. pp. 256 ISBN 978–0-80585–664–4 (9780805856644) View
Elaine Richardson
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Comparative Islamic Studies Vol 7 No. 7.1-7.2 (2011) Vol 7, no 1-2 (2011) Emerging Islamic-Confucian Axis in the Virtual Ummah: Connectivity and Constraint in the Contemporary China View
Wai-Yip Ho
 
Sociolinguistic Studies Vol 3 No. 3 (2009) Language shift in West Africa The sociolinguistics of colonisation: a perspective of language shift View
Tope Omoniyi
 
Perfect Beat Vol 3 No. 4 (1998) MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance View
SEBASTIAN CHAN
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing View
Ellen O'Donoghue Oddy
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru View
Veronica Stewart, Diane Hughes
 
Perfect Beat Vol 4 No. 4 (2000) WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries View
MASAHIRO YASUDA
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Gender and Language Vol 14 No. 4 (2020) Maidens, flirts and seducers: the objectification of women’s bodies in the musical works of Chiquinha Gonzaga View
Eliane Regina Crestani Tortola, Larissa Michelle Lara
 
Journal of Applied Linguistics Vol 2 No. 2 (2005) Discourses of difference: Applied methodologies for evaluating race and speech style View
Kate Anderson
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa The new urban youth language Yabacrâne in Goma (DR Congo) View
Nico Nassenstein
 
Journal of Applied Linguistics and Professional Practice Vol 2 No. 2 (2005) JAL Vol 2, No 2 (2005) Discourses of difference: Applied methodologies for evaluating race and speech style View
Kate Anderson
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Perfect Beat Vol 19 No. 2 (2018) An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology View
Gene Shill
 
Writing & Pedagogy Vol 11 No. 3 (2019) Special Issue: Writing as resistance in an age of demagoguery ‘Will the real writer please stand up’: Flawed discursive self-presentation by Junot Diaz View
Sreedhevi Iyer
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Sociolinguistic Studies Vol 6 No. 1 (2005) Estudios de Sociolingüística 6.1 2005 Review of The Language, Ethnicity and Race ReaderEdited by Roxy Harris & Ben Rampton View
PETEK KURTBÖKE
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of World Popular Music Vol 1 No. 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Implicit Religion Vol 17 No. 2 (2014) Music as an Aid to Philosophizing about Religion View
Peter Donovan
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Gender and Language Vol 14 No. 4 (2020) ‘Reclaiming my time’: signifying, reclamation and the activist strategies of Black women’s language View
Adrienne Ronee Washington
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 7 No. 2 (2012) When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? View
Michaela Hilbert
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Popular Music History Vol 7 No. 2 (2012) Explorative, authentic and cohesive: factors contributing to successful boy band reunions View
Anja Löbert
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Gender and Language Vol 10 No. 3 (2016) Gender and Multimodality Discourse in clothing: the social semiotics of modesty and chic in hijab fashion View
Gwen Bouvier
 
Sociolinguistic Studies Vol 14 No. 3 (2020) Special Issue: African sociolinguistics between urbanity and rurality Playing with accents: On Ugandan Englishes and indexical signs of urbanity and rurality View
Nico Nassenstein
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Essays in the Philosophy of Humanism Vol 20 No. 1 (2012) VOL 20 (1) 2012 The Forked Road Ahead: The “Look” of Black Humanist Community in Action View
Sikivu Hutchinson
 
Essays in the Philosophy of Humanism Vol 20 No. 1 (2012) VOL 20 (1) 2012 Living: African Americans and Humanism View
Anthony B. Pinn
 
Journal of World Popular Music Vol 3 No. 2 (2016) Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) View
Jeff Wragg
 
Sociolinguistic Studies Vol 13 No. 1 (2019) Special Issue: Visceral landscapes Introduction: Visceral landscapes (the inside story) View
Christopher Stroud, Amiena Peck, Quentin Williams
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Dworkin’s nightmare: Porngrind as the sound of feminist fears View
Lee Barron
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Ghost Singers: The Singing Voice in Korean Pop Cinema View
Sarah Keith, Alex Mesker
 
Sociolinguistic Studies Vol 6 No. 3 (2012) Youth language in Nigeria: A case study of the Ágábá Boys View
Eyo Offiong Mensah
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Perfect Beat Vol 4 No. 4 (2000) TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown View
SIMON HUNT, JON STRATTON
 
Sociolinguistic Studies Vol 4 No. 1 (2010) ‘I am under cool’: Humorous mock-translation as a claim to expertise in an Irish language class View
Jennifer Garland
 
Implicit Religion Vol 19 No. 1 (2016) Blue Suede Shoes to Doc Marten Boots: Music, Protest and Implicit Religion View
Christine King, Francis Stewart
 
Popular Music History Vol 1 No. 3 (2004) Critical negotiations: rock criticism in the Nordic countries View
Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet
 
Sociolinguistic Studies Vol 6 No. 1 (2012) Super-diversity at the margins? Youth language in North Brabant, The Netherlands View
Paul Mutsaers, Jos Swanenberg
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Perfect Beat Vol 13 No. 1 (2012) ‘Sing loud, break through the silence’: musical responses to the national apology to the Stolen Generations View
Katelyn Barney
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 1 No. 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts View
Duncan Wheeler, Lucy O'Brien
 
Gender and Language Vol 12 No. 2 (2018) Girls’ sexual subjectivity in a secondary language classroom View
Angelica Simonsson, Petra Angervall
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Sociolinguistic Studies Vol 12 No. 3-4 (2018) ‘We don’t need another Afrikaans’: Adequation and distinction in South-African and Flemish language policies View
Jürgen Jaspers, Michael Meeuwis
 
Sociolinguistic Studies Vol 12 No. 3-4 (2018) Residents’ perceptions on Sepitori, a mixed language spoken in greater Pretoria, South Africa View
Pedro Álvarez-Mosquera, Elirea Bornman, Thabo Ditsele
 
Pomegranate: The International Journal of Pagan Studies Vol 21 No. 1 (2019) Spiritual Pizzica: A Southern Italian Perspective on Contemporary Paganism View
Giovanna Parmigiani
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls View
Elliott H. Powell
 
Perfect Beat Vol 20 No. 1 (2019) ‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard View
Paul Ballam-Cross
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Constructing 'The Day After': Goodie Mob, Exaggerated Radical Contingency and the Metaphysics of White Supremacy View
Christopher Driscoll
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Dressing the Part: Ethics of Insider/Outsider Attire for the Ethnography of American-Jewish Niddah View
Isobel-Marie Johnston
 
Sociolinguistic Studies Vol 4 No. 1 (2010) Las prácticas y estilos de literacidad de los adolescentes fuera de la escuela: una exploración cuantitativa de las relaciones entre literacidad, escolarización y origen familiar View
David Poveda
 
Perfect Beat Vol 2 No. 3 (1995) ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop View
ROSS HARLEY
 
PentecoStudies: An Interdisciplinary Journal for Research on the Pentecostal and Charismatic Movements Vol 16 No. 2 (2017) Pentecostalism as Cultural Resistance: Music and Tongue-speaking as Collective Response in a Brooklyn Church View
Peter Marina, Michael Wilkinson
 
Journal of World Popular Music Vol 2 No. 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire View
Tony Lewis
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Perfect Beat Vol 1 No. 4 (1994) FLYING IN THE FACE OF FASHION: Independent Music in New Zealand View
Tony Mitchell
 
Journal of Mediterranean Archaeology Vol 31 No. 1 (2018) At the Crossroads of Textile Cultures: Textile Production and Use at the South Italian Archaic Site of Ripacandida View
Margarita Gleba, Christian Heitz, Hedvig Landenius Enegren, Francesco Meo
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Equinox eBooks Publishing The History of European Jazz 13. Poland View
Krystian Brodacki
 
Communication & Medicine Vol 5 No. 2 (2008) ‘Is it alright if I-um-we unbutton your pyjama top now?’ Pronominal use in bedside teaching encounters View
Charlotte Rees, Lynn Monrouxe
 
Perfect Beat Vol 15 No. 1 (2014) Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs View
Julie Rickwood
 
Implicit Religion Vol 8 No. 3 (2005) Vol 8, No 3 (2005) Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique View
François Gauthier
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture View
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Reflections on Ethiopian youths and Yarada K’wank’wa: Language practices and ideologies View
Andrea Hollington
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Perfect Beat Vol 1 No. 4 (1994) TE WA WHAKAPAOHO ITE REO IRIRANGI: Some Directions in Maori Radio View
Helen Wilson
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Equinox eBooks Publishing The History of European Jazz 19. Switzerland View
Bruno Spoerri
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts Vol 9 No. 1 (2013) Reading Alex Haley’s Roots: Toward An Anthropology Of Scriptures View
Richard Newton
 
Journal for the Academic Study of Religion Vol 23 No. 3 (2010) New Virtual Frontiers: Religion and Spirituality in Cyberspace A New Domain for Co-Workers of God: Accessing Khutbahs on the Internet View
Steven Fink
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Black metal: Stone Vengeance sing the thrash metal blues View
Kevin Fellezs
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Journal for the Study of Religion, Nature and Culture Vol 6 No. 2 (2012) When Nature is Rats and Roaches: Religious Eco-Justice Activism in Newark, NJ View
Matthew B. Immergut, Laurel D. Kearns
 
Sociolinguistic Studies Vol 1 No. 2 (2007) Risques et limites des politiques de reconnaissance des langues minorisées. Le cas de la valorisation des langues de l’immigration en Belgique francophone View
Philippe Hambye, Jean-Louis Siroux
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Identity construction through phonetic crossing among young Capetonian gang members View
Nadine Chariatte
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa All I want is your waist: Sexual metaphors as youth slanguage in Nigeria View
Eyo Mensah, Linda Nkamigbo
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Perfect Beat Vol 12 No. 2 (2011) Soundscapes in Vedic metal: a perspective from Singapore View
Eugene Dairianathan
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 3 No. 3 (1997) SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan View
SHANE HOMAN
 
Perfect Beat Vol 3 No. 3 (1997) INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Journal of World Popular Music Vol 2 No. 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival View
Lonán Ó Briain
 
International Journal for the Study of New Religions Vol 7 No. 2 (2016) The Weird Naturalism of the Brothers McKenna: Esoteric Media and the Experiment at La Chorrera View
Erik Davis
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Gender and Language Vol 11 No. 2 (2017) ‘You are stupid, you are cupid’: playful polyphony as a resource for affectionate expression in the talk of a young London couple View
Pia Pichler
 
CALICO Journal Vol 22 No. 3 (2005) Students' Dynamic Assessment Via Online Chat View
Ana Oskoz
 
Gender and Language Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia The Gendered Construction of ‘Inauthentic’ Female Bilinguals in South Korea: Authenticity, English and Gender View
Lee Jin Choi
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative–DIY scene View
Zsolt Győri
 
Religious Studies and Theology Vol 37 No. 1 (2018) Becoming a Hijabi Now? Identity Performances of Muslim Women in Canada View
Fatemeh Mohammadi
 
Linguistics and the Human Sciences Vol 11 No. 1 (2015) Language Teacher Education and the Developing World: Exploring ‘Horizons of Possibility’ for Identity and Agency View
Brian Morgan
 
Equinox eBooks Publishing The History of European Jazz 36. Django Reinhardt and jazz manouche View
Michael Dregni
 
Equinox eBooks Publishing The History of European Jazz 24b. Portugal: 1974-2010 View
Rui Paes
 
Communication & Medicine Vol 14 No. 2 (2017) ‘What should a woman do and imagine to have bulimia?’: Co-constructing patient expertise in psychotherapy with bulimia patients View
Joanna Pawelczyk, Małgorzata Talarczyk
 
Sociolinguistic Studies Vol 12 No. 3-4 (2018) Residential segregation and ethnolinguistic variation View
Daniel Duncan
 
Sociolinguistic Studies Vol 13 No. 1 (2019) Special Issue: Visceral landscapes Changing tastes on the linguistic landscape of Asmara, Eritrea View
Tedros H. Weldemichael, Amiena Peck, Quentin Williams
 
CALICO Journal Vol 36 No. 1 (2019) Playing By Their Rules: Why Issues of Capital (Should) Influence Digital Game-Based Language Learning in Schools View
Carolyn Blume
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition View
Josep Pedro, Begoña Gutiérrez-Martínez
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Before #MeToo: Hearing Vulnerability View
Diane Hughes, Mark Evans
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Trailer Trash or Inspired Vocality? Song as Promotion and Aesthetic Object in Cinematic Previews View
James Deaville, Agnes Malkinson
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Pick out the jams: Curation and independent record shops View
Lee Ann Fullington
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums View
José Vicente Neglia
 
Journal of Mediterranean Archaeology Vol 27 No. 2 (2014) Early Palaeolithic on the Greek Islands? View
Curtis Runnels
 
Popular Music History Vol 5 No. 2 (2010) Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 View
Jon Stratton
 
Gender and Language Vol 5 No. 2 (2011) Incomprehensible language? Language, ethnicity and heterosexual masculinity in a Swedish school View
Tommaso M. Milani, Rickard Jonsson
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 The record and its label: Identifying, marketing, dividing, collecting View
Richard Osborne
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse Normativity and change: introduction to the Special issue on Agency and power in multilingual discourse View
Ad Backus, Massimiliano Spotti
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave View
Gianpaolo Chiriacò
 
Equinox eBooks Publishing The History of European Jazz 1. France View
Xavier Prevost
 
Equinox eBooks Publishing The History of European Jazz 2b. Great Britain: 1950-2010: Late-flowering Seeds of the Triangular Trade View
Duncan Heining
 
Journal for the Academic Study of Religion Vol 21 No. 1 (2008) Religion as Identity Factor in Modernity Muslim Discourses in Canada and Quebec View
Ali G Disboni, Pierre Rossi
 
Gender and Language Vol 2 No. 2 (2008) La racaille: figuring gender, generation, and stigmatized space in a French cité View
Chantal Tetreault
 
Gender and Language Vol 7 No. 2 (2013) ‘Women of the Diaspora’: A Feminist Critical Discourse Analysis of migration narratives of dual career Zimbabwean migrants View
Busi Makoni
 
Implicit Religion Vol 19 No. 1 (2016) The Sacramental Thought-World of Implicit Religion View
William J. F. Keenan
 
Journal of Mediterranean Archaeology Vol 25 No. 2 (2012) JMA’s Silver Anniversary (1988–2012) Globalizing Mediterranean Identities: The Overlapping Spheres of Egyptian, Greek and Roman Worlds at Trimithis View
Anna Lucille Boozer
 
Popular Music History Vol 1 No. 3 (2004) Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s View
Eamonn Forde
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 King Tubby meets the Upsetter at the grass roots of dub: Some thoughts on the early history and influence of dub reggae View
Christopher Partridge
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Perfect Beat Vol 12 No. 2 (2011) Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage View
Lauren Gorfinkel
 
Perfect Beat Vol 4 No. 4 (2000) DON'T LIKE IT Pauline Pantsdown and the Politics of the Inauthentic View
JON STRATTON
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
CALICO Journal Vol 30 No. 2 (2013) Learner Preparation Preparing Students to use Wiki Software as a Collaborative Learning Tool View
Susanne Rott, Elizabeth Dolly Weber
 
CALICO Journal Vol 28 No. 2 (2011) Blogging and Emergent L2 Literacy Development in an Urban Elementary School: A Functional Perspective1 View
Meg Gebhard, Dong-shin Shin, Wendy Seger
 
Implicit Religion Vol 19 No. 2 (2016) What American College Students Want from Religion: Facebookismanity, Lucid Dreaming, and Bodhisattva Tupac Shakur View
Kevin Matthew Taylor
 
Journal of World Popular Music Vol 3 No. 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ View
Philip Hayward, Matt Hill
 
Journal of World Popular Music Vol 3 No. 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator View
Stephen Epstein
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
CALICO Journal Vol 26 No. 2 (2009) Virtual Immersion: The Role of CAVE and PC Technology View
Mary Grantham O'Brien, Richard Levy, Annika Orich
 
Journal for the Study of Religion, Nature and Culture Vol 8 No. 4 (2014) Special Issue: Everyday Religion, Sustainable Environments, and New Directions in Himalayan Studies Everyday Buddhism and Environmental Decisions in the World’s Highest Ecosystem View
Jeremy Spoon
 
Gender and Language Vol 12 No. 1 (2018) Contested words, gender norms and language ideologies: the gendered meaning of tai View
Hsi-Yao Su
 
Gender and Language Vol 12 No. 1 (2018) ‘Girly Latina versus girly American’: the articulation of levels of femininity through indexicality in a Latina student’s narrative explaining discriminatory classroom interactions View
Deyanira Rojas-Sosa
 
Gender and Language Vol 12 No. 2 (2018) Postfeminism – for whom or by whom? Applying discourse analysis in research on the body and beauty (the case of black hair) View
Ewa Glapka
 
Equinox eBooks Publishing The History of European Jazz 5. The Netherlands View
Bert Vuijsje
 
Equinox eBooks Publishing The History of European Jazz 6. Belgium View
Jean-Pol Schroeder
 
Equinox eBooks Publishing The History of European Jazz 8. Denmark View
Tore Mortensen
 
Comparative Islamic Studies Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism Hollywood Cosmopolitanisms and the Occult Resonance of Cinema View
Alireza Doostdar
 
Gender and Language Vol 9 No. 2 (2015) Sexual violence and the creation of an empowered female voice View
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International Journal of Speech Language and the Law Vol 26 No. 2 (2019) Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker View
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