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Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Multilingual Activism in South African Hip Hop View
Quentin E. Williams
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique View
Manuel Armando Guissemo
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop View
Mark V. Campbell, Maya Stitski
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “Slavery’s Consequences Still Affect Us”: Sister Souljah’s No Disrespect, Black Women’s Literary Traditions and Contemporary Hip Hop Activism View
Sina A. Nitzsche
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Introduction: Hip Hop, En-voicing and Agency View
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics “It’s Bigger than Hip Hop” View
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth multilingualism in South Africa’s hip-hop culture: A metapragmatic analysis View
Quentin E. Williams
 
Implicit Religion Vol 9 No. 1 (2006) Vol 9, No 1 (2006) The Fifth Corner: Hip Hop's New Geometry of Adolescent Religiousity View
Kimberly Rae Connor
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics South African Dialogue View
Warrick Moses
 
Gender and Language Vol 12 No. 3 (2018) ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music View
Christina Schoux Casey, Maeve Eberhardt
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Editors' Introduction View
Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com View
Francisco D. Lara
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) Bishop Lamont and Hermeneutics of Play: Hip Hop, Religion, and the Study of American Religious History View
L. Benjamin Rolsky
 
Perfect Beat Vol 8 No. 4 (2008) Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books View
APRIL K. HENDERSON
 
Bulletin for the Study of Religion Vol 40 No. 3 (2011) These Gods Got Swagger: Avatars, Gameplay, and the Digital Performance of Hip Hop Culture in Machinima View
Elonda Clay
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort View
Darren Chetty, Patrick Turner
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Gender and Language Vol 8 No. 3 (2014) Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film View
Qiuana Lopez
 
Religious Studies and Theology Vol 29 No. 2 (2010) Vol 29, No 2 (2010) “Hate Me Now”: An Instance of NAS as Hip-Hop’s Self-proclaimed Prophet and Messiah View
Siphiwe Ignatius Dube
 
Implicit Religion Vol 17 No. 1 (2014) Bigger Than Religion: Hip Hop’s Post-Modern Prophetic Challenge View
Mark Deyoung
 
Perfect Beat Vol 2 No. 1 (1994) DISCOURSES OF CULTURE AND NATIONALISM IN CONTEMPORARY SYDNEY HIP HOP View
IAN MAXWELL, NIKKI BAMBRICK
 
Journal of World Popular Music Vol 2 No. 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) View
Tony Mitchell
 
Sociolinguistic Studies Vol 6 No. 2 (2012) Agency and power in multilingual discourse “I am not a qualified dialect rapper”: constructing hip-hop authenticity in China View
Xuan Wang
 
Popular Music History Vol 10 No. 3 (2015) Assembling Aarhus West: Glocal rap, genre and heterogeneity View
Mads Krogh
 
Perfect Beat Vol 13 No. 1 (2012) Post-colonial consciousness, knowledge production, and identity inscription within Filipino American hip hop music View
Anthony Kwame Harrison
 
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