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Journal Issue Title
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 1 (1994) Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. View
COLIN MCLEAY
 
Perfect Beat Vol 2 No. 1 (1994) Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press View
KEITH NEGUS
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Perfect Beat Vol 16 No. 1-2 (2015) Tracing the lines of an electronic tattoo: The covert operation of Melbourne techno View
Botond Vitos
 
Perfect Beat Vol 15 No. 2 (2014) No Fixed Address, but currently in East Berlin: The Australian bicentennial, Indigenous protest and the Festival of Political Song in 1988 View
Andrew Wright Hurley
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Jazz Research Journal Vol 13 No. 1-2 (2019) ADVANCE ACCESS to 13.1-2 (2019): Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'I want you to support local metal': A theory of metal scene formation View
Jeremy Wallach, Alexandra Levine
 
Popular Music History Vol 4 No. 2 (2009) Compost city: underground music, collapsoscapes and urban regeneration View
Greg Keeffe
 
Popular Music History Vol 7 No. 2 (2012) When I becomes we: how prototypically ‘pop’ are a band’s lyrics after one breakup and two reunions? View
Michaela Hilbert
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
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