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Journal Issue Title
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Cooling down jazz: Making authentic Swedish jazz possible View
Mischa van Kan
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Reconstructing the Jazz Tradition View
Charles Hersch
 
Jazz Research Journal Vol 12 No. 2 (2018) Islay Jazz Festival View
Haftor Medbøe, Diane Maclean
 
Jazz Research Journal Vol 3 No. 2 (2009) Jazz Britannia: mediating the story of British jazz on television View
Tim Wall, Paul Long
 
Jazz Research Journal Vol 3 No. 2 (2009) New Jazz Histories View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 4 No. 2 (2010) Editorial: The Other Jazz View
Tony Whyton, Catherine Tackley
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Editorial: Jazz in Australasia View
Bruce Johnson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz View
Tom Sykes, Ari Poutiainen
 
Jazz Research Journal Vol 3 No. 2 (2009) Rhizomes and plateaus: Rethinking jazz historiography and the jazz-'classical' relationship View
Jeremy Barham
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham View
Pedro Cravinho, Brian Homer
 
Jazz Research Journal Vol 6 No. 1 (2012) Sam Rivers: jazz’s forgotten man View
John G. Rodwan, Jr.
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon View
Michael Borshuk
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Jazz in Brazil: An Early History (1920s-1950s) View
Anaïs Fléchet
 
Jazz Research Journal Vol 7 No. 1 (2013) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 6 No. 2 (2012) Editorial: Transnational perspectives on jazz View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Tom Pickering: Jazz on the periphery of the periphery View
Matthew Joshua Boden
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Perspectives on the Melbourne International Women's Jazz Festival View
Louise Denson
 
Jazz Research Journal Vol 9 No. 1 (2015) The jazz storyteller: Improvisers’ perspectives on music and narrative View
Sven Bjerstedt
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Ain’t misbehavin’: Jazz music in children’s television View
Liam Maloy
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand View
Aleisha Ward
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The collective organization of contemporary jazz musicians in the UK View
Tim Wall, Simon Barber
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics What can everyday aesthetics teach us about jazz practice? View
Michael Fletcher
 
Jazz Research Journal Vol 6 No. 2 (2012) Way out East: cowboys and pioneer women on Berlin's jazz frontier View
William Kirk Bares
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz and race in colonial India: The role of Anglo-Indian musicians in the diffusion of jazz in Calcutta View
Stephane Dorin
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Russia and the Creation of Jazz in the British Everyday Imaginary View
Robert Lawson-Peebles
 
Jazz Research Journal Vol 4 No. 1 (2010) On jazz, memory and history: A response to Alyn Shipton View
Nicholas Gebhardt
 
Jazz Research Journal Vol 11 No. 1 (2017) Place and imagined community in jazz View
Elina Hytönen-Ng
 
Jazz Research Journal Vol 3 No. 2 (2009) New jazz histories: Can a reconciliation of widely differing source material offer new opportunities for the jazz historian? View
Alyn Shipton
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Jazz Research Journal Vol 7 No. 1 (2013) Post-World War II Jazz in Britain: Venues and Values 1945–1970 View
Katherine Ann Williams
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Earthly, sensual, devilish’: Sex, ‘race’ and jazz in post-independence Ireland View
Eileen Hogan
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Jazz Research Journal Vol 6 No. 1 (2012) Keep up with the changes: online strategies for national jazz agencies View
Andrew Dubber
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Wonderbrass: A South Wales jazz collective View
Rob Smith
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz View
Elijah Wald
 
Jazz Research Journal Vol 1 No. 2 (2007) The parallax of art and commerce: UK jazz musicians on marketing View
Michael James Macaulay
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes View
Nick Tipping
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade View
Bruce Clunies Ross
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Jazz Research Journal Vol 4 No. 2 (2010) ‘Down with bebop—viva swing!’: Swing Club and the meaning of jazz in late 1940s Estonia View
Heli Reimann
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Jazz Research Journal Vol 9 No. 1 (2015) Frontierism, intellectual listeners and the new European wave: On the reception of Dutch jazz in DownBeat, 1960–1980 View
Loes Rusch
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Jazz Research Journal Vol 9 No. 1 (2015) Becoming a follower of the Merseysippi Jazz Band: An approach from ethnography, autoethnography and social world analysis—a study in resocialization View
Richard Ekins
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Introduction: The collective problem in jazz View
Nicholas Gebhardt
 
Jazz Research Journal Vol 11 No. 2 (2017) Bernie McGann and Bundeena: Mythologizing an Austral jazz icon View
Andrew Robson
 
Jazz Research Journal Vol 12 No. 2 (2018) Jazz’s little brother: The origins of the Spanish blues scene View
Josep Pedro
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review of 'Inside British Jazz' by Hilary Moore View
Peter Martin
 
Jazz Research Journal Vol 7 No. 2 (2013) The sonic camera: Intermodality and intermediality in contemporary jazz composition View
David Cosper
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls View
Elliott H. Powell
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) JazzWerkstatt: A young Austrian jazz initiative View
Christa Bruckner-Haring, Michael Kahr
 
Jazz Research Journal Vol 6 No. 2 (2012) Hot and cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism View
Andrew Raffo Dewar
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format View
Jane Galbraith
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film View
Christopher Coady
 
Jazz Research Journal Vol 6 No. 2 (2012) Crossing the curtain: Polish jazz meets poetry in the europäische Heimat View
Zbigniew Granat
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television An interpretation of the semiotics of ‘self’ with the Modern Jazz Quartet on Jazz 625 as a case study View
Alexander Gagatsis
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘We’ve got a gig in Poland!’: Britain and jazz in World War II View
Will Studdert
 
Jazz Research Journal Vol 12 No. 2 (2018) A drum, deferred: Solomon Ilori in the New York jazz scene, 1958–1964 View
Ofer Gazit
 
Jazz Research Journal Vol 4 No. 1 (2010) ‘Jazz’ at large: ‘Scapes’ and the imagination in the performances of Moses Molelekwa and Nah Youn-Sun View
Jan Harm Schutte
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Jazz Research Journal Vol 11 No. 2 (2017) Photographic representations of jazz: Testimonial advertising in Down Beat, 1938–48 View
Alan John Ainsworth
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Living with music: Departures and returns among early New Orleans jazz musicians View
Nicholas Gebhardt
 
Jazz Research Journal Vol 10 No. 1-2 (2016) ‘We try to have the best’: How nationality, race and gender structure artists’ circulations in the Paris jazz scene View
Myrtille Picaud
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Historical overview of the development of jazz in Portugal, in the first half of the twentieth century View
Pedro Cravinho
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Jazz Research Journal Vol 9 No. 2 (2015) The impact of (jazz) festivals: An Arts and Humanities Research Council-funded research report View
Emma Webster, George McKay
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 When bad things happen to great musicians: The role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen View
Morris B. Holbrook
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing View
Ellen O'Donoghue Oddy
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer View
Karl Neuenfeldt
 
Jazz Research Journal Vol 1 No. 2 (2007) Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. View
Matthew Butterfield
 
Jazz Research Journal Vol 7 No. 1 (2013) ‘They’ve really gone to town with all that bunting’: the influence and (in)visibility of Glasgow’s Jazz Festival View
Alison Caroline Eales
 
Jazz Research Journal Vol 6 No. 1 (2012) Nichole T. Rustin and Sherrie Tucker, eds. Big Ears: Listening for Gender in Jazz Studies. Durham and London: Duke University Press, 2008. View
Lindelwa Dalamba
 
Jazz Research Journal Vol 4 No. 1 (2010) Plagiarizing your own autobiography, and other strange tales: Miles Davis, jazz discourse, and the aesthetic of silence View
Ken Prouty
 
Jazz Research Journal Vol 9 No. 1 (2015) Wail: The Life of Bud Powell, and The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop View
Pierre-Emmanuel Seguin
 
Jazz Research Journal Vol 7 No. 1 (2013) K. Heather Pinson, The Jazz Image: Seeing Music Through Herman Leonard’s Photography. Jackson, MS: University Press of Mississippi, 2010. 240 pp. ISBN 978- 1604734942 (hbk) £29.74. View
Paul McIntyre
 
Jazz Research Journal Vol 7 No. 1 (2013) Duncan Heining, Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox, 2012. 495 pp. ISBN 978-1-84553-405-9 (hbk) £29.99/ $45.00. View
Tom Sykes
 
Jazz Research Journal Vol 4 No. 2 (2010) Review: Patrick Burke, Come in and Hear the Truth: Jazz and Race on 52nd Street. Chicago: University of Chicago Press, 2008 (hbk). xiv + 314pp. $35.00. ISBN 978-0-226-08071-0 View
Nicholas Gebhardt
 
Jazz Research Journal Vol 9 No. 2 (2015) Philippe Carles and Jean-Louis Comolli, Free Jazz/ Black Power, translated by Grégory Pierrot. Jackson, MS: University Press of Mississippi, 2015. 256 pp. ISBN 978-1-628-46039-1 (hbk). $65.00/£41.00 View
Chris Ealham
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Damon J. Phillips, Shaping Jazz: Cities, Labels, and the Global Emergence of an Art Form. Princeton, NJ: Princeton University Press, 2013. xi + 217 pp. ISBN 978-0-691-15088-8 (hbk). $35.00/£24.95. View
Stephane Dorin
 
Jazz Research Journal Vol 4 No. 1 (2010) Book Review: Charles Hersch, Subversive Sounds: Race and the Birth of Jazz in New Orleans. Chicago and London: University of Chicago Press, 2007. Xii + 289 pp. View
Bruce Boyd Raeburn
 
Jazz Research Journal Vol 9 No. 1 (2015) Bruce Epperson, More Important than the Music: A History of Jazz Discography. Chicago: University of Chicago Press, 2013. xvi + 284 pp. ISBN 978-0-226- 06753-7 (hbk). $45.00 View
Maristella Feustle
 
Jazz Research Journal Vol 6 No. 2 (2012) Robert R. Faulkner and Howard S. Becker, Do You Know…? The Jazz Repertoire in Action. Chicago: University of Chicago Press, 2009. 214 pp. ISBN 978-0226239217 (hbk). £18.00. View
Mark Doffman
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Steven Feld, Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham, NC: Duke University Press, 2012. 328 pp. ISBN 978-0-8223-5148-1 (hbk), 978-0-8223-5162-7 (pbk). $84.95/$23.95. View
Panagiota Anagnostou
 
Jazz Research Journal Vol 9 No. 1 (2015) Ellen Johnson, Jazz Child: A Portrait of Sheila Jordan. Lanham, MD: Rowman & Littlefield, 2014. xvii + 234 pp. ISBN 978-0-8108-8837-1 (e-book). $54.99 View
James Aldridge
 
Jazz Research Journal Vol 7 No. 2 (2013) Icons Among Us: Jazz in the Present Tense. Michael Rivoira, Lars Larson and Peter J. Vogt, directors. John W. Comerford and Theo N. Ianuly, producers. Lars Larson, director of photography. Paradigm Studio. 2009. DVD B002RNO1BW View
Colter Harper
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s View
Anthony J. Bushard
 
From Jazz to the World, from the World to Jazz View
Duncan Heining
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward W. Sarath, Improvisation, Creativity, and Consciousness: Jazz as Integral Template for Music, Educa- tion, and Society. Albany, NY: State University of New York Press, 2013. xi + 488 pp. ISBN 978-1-4384-4721-6 (hbk). $95.00/£73.70 View
David Borgo
 
Jazz Research Journal Vol 6 No. 2 (2012) Jam sessions in Manhattan as rituals View
Ricardo Nuno Futre Pinheiro
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 No room for squares: A political economy of Blue Note records View
Christopher May
 
Jazz Visions View
Peter Ind
 
Jazz Research Journal (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Jazz Research Journal Vol 6 No. 1 (2012) All the metaphors you are: conceptual mappings of bebop in James Baldwin’s ‘Sonny’s Blues’ and Jack Kerouac’s On the Road View
Julian Levinson
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Extended play: A history of listenings View
Sarah Raine
 
Jazz Research Journal Vol 9 No. 2 (2015) Social constructions of ‘authenticity’ and the sounds of the Kid Thomas Valentine Band: The case of ‘Basin Street Blues’—an approach from sociological musicology and cultural studies View
Richard Ekins
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Jazz Research Journal Vol 1 No. 2 (2007) David Murray: the making of a progressive musician View
Tim Wall
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) ‘The revolution never ended’: The cultural politics of a creative-music collective in New York City View
Scott Currie
 
Jazz Research Journal Vol 9 No. 2 (2015) 1939 Ferriday archtop: A dream guitar View
Paul Johanis
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman View
Sandy Evans
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Examining the legend and music of Australian saxophonist, Frank Smith View
Ralph Whiteoak
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Lydia in Oz: The reception of George Russell in 1960s Australia View
Pierre-Emmanuel Seguin
 
Jazz Research Journal Vol 11 No. 2 (2017) Lester Leaps In: The improvisational devices of Lester Young View
Jon P. De Lucia
 
Jazz Research Journal Vol 3 No. 1 (2009) Coltrane and Beyond View
Tony Whyton, Catherine Tackley, Vincent Cotro
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Collectives, a socio-economic, political and aesthetic phenomenon: The example of the Association à la Recherche d'un Folklore Imaginaire View
Chloé Meyzie
 
Jazz Research Journal Vol 6 No. 2 (2012) Do you know what it means to miss New Orleans? Historical metaphors and mythical realities in Spike Lee’s When the Levees Broke View
Nicholas Gebhardt
 
Jazz Research Journal Vol 7 No. 2 (2013) Jedi mind tricks: Lennie Tristano and techniques for imaginative musical practice View
Marian S. Jago
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane: the work and its legacy View
Catherine Tackley, Tony Whyton, Vincent Cotro
 
Philip Larkin View
Ian Smith
 
Jazz Research Journal Vol 12 No. 2 (2018) The second masking View
Corey Mwamba
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 From Blues to Latin Just in Time: A rhythmic analysis View
Eduardo Lopes
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Common ground: 1970s improvised music as part of a cross-genre Dutch ensemble culture View
Loes Rusch
 
Antipodean Riffs View
Bruce Johnson, John Whiteoak, Aline Scott-Maxwell, Aleisha Ward, Bruce Axel Clunies Ross, Nick Tipping, Liz Giuffre, Christopher Coady, Marjorie Louise Denson, Brent Keogh, Karl William Neuenfeldt, Pierre-Emmanuel Seguin, Ralph Whiteoak, Sandy Janette Evans, Jane Galbraith
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice View
Petter Frost Fadnes
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) 'Complaining time is over': Network and collective strategies of the New York Musicians Organization View
Michael C. Heller
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane as a composer View
Christa Bruckner-Haring
 
Jazz on BBC Radio 1922-1972 View
Tim Wall
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane View
David Liebman,
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Jazz Club, 1947-1974 View
Tim Wall
 
Jazz Research Journal Vol 9 No. 2 (2015) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) The Kitchen Orchestra Online: Digital mediation and collective practice View
Andrew Dubber
 
Jazz Research Journal Vol 11 No. 1 (2017) Early New Orleans band photography View
Alan John Ainsworth
 
Jazz Research Journal Vol 9 No. 1 (2015) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 2 No. 2 (2008) Attaining unity: Self-reference in the music of John Coltrane View
Marc Medwin
 
Jazz Research Journal Vol 3 No. 1 (2009) Sampling Kimberly Benston's 'Coltrane Poem' View
Claudine Raynaud
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Editorial View
Catherine Parsonage, Tony Whyton
 
Jazz Research Journal Vol 4 No. 1 (2010) Editorial View
Catherine Tackley
 
Jazz Research Journal Vol 11 No. 1 (2017) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Editorial View
Catherine Parsonage, Tony Whyton
 
Jazz Research Journal Vol 3 No. 1 (2009) The Dilemmas of African-American Orientalism: Coltrane and the Hispanic Imaginary in ‘Olé’ View
Emmanuel Parent, Grégoire Tosser
 
Jazz Research Journal Vol 11 No. 2 (2017) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 6 No. 1 (2012) Editorial View
Catherine Tackley, Tony Whyton
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Editorial View
Nicolas Pillai
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Editorial View
Roger Fagge, Nicholas Gebhardt
 
Jazz Research Journal Vol 7 No. 2 (2013) Editorial View
Tony Whyton, Catherine Tackley
 
Jazz Research Journal Vol 12 No. 2 (2018) Editorial View
Nicolas Pillai, Katherine Williams
 
Jazz Research Journal Vol 11 No. 2 (2017) Christopher Coady, John Lewis and the Challenge of ‘Real’ Black Music View
Alexandre Gagatsis
 
Eberhard Weber Resumé View
Eberhard Weber, Heidi Kirk
 
Jazz Research Journal Vol 9 No. 2 (2015) Silent revolutions: An exploration of 1941, Jimmie Blanton’s ‘forgotten’ year View
Matthias Heyman
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s View
Aleisha Ward
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Jazz Research Journal Vol 11 No. 2 (2017) And I think to myself what a wonderful world: In search of Louis Armstrong’s Brussels collage View
Matthias Heyman
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 Review: David Borgo, Sync or Swarm View
Raymond MacDonald
 
Jazz Research Journal Vol 11 No. 1 (2017) The friendship between Andy Hamilton and David Murray: A concrete example of Black Atlantic culture View
Tony Dudley-Evans
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics The politics, aesthetics and dissonance of music in everyday life View
Roger Fagge
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Ett minne för livet: A Swedish music collective View
Alf Arvidsson, Jörgen Adolfsson
 
Jazz Research Journal Vol 11 No. 1 (2017) Edward Green, ed. The Cambridge Companion to Duke Ellington. Cambridge: Cambridge University Press, 2014. 294 pp. ISBN 978-0-521-70753-4 (pbk). $29.99 View
Katherine Williams
 
Jazz Research Journal Vol 7 No. 2 (2013) Duncan Heining, George Russell: The Story of an American Composer. London: Scarecrow Press, 2010. 400 pp. ISBN 978-0810869977 (hbk). £37.95 View
Frank Griffith
 
Jazz Research Journal Vol 7 No. 2 (2013) Oscar Peterson’s piano prostheses: Strategies of performance and publicity in the post-stroke phase of his career View
Alex Lubet
 
Equinox eBooks Publishing From Jazz to the World, from the World to Jazz Conclusion, whither jazz or jazz withers..... View
Duncan Heining
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Robin D. G. Kelley, Thelonious Monk: The Life and Times of an American Original View
Tom Perchard
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington View
George Burrows
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings View
James Gordon Williams
 
Komeda View
Magdalena Grzebałkowska, Halina Maria Boniszewska
 
Jazz Research Journal Vol 3 No. 1 (2009) Intervallic Structuring in the Compositions of John Coltrane View
Ludovic Florin
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics ‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition View
Josep Pedro, Begoña Gutiérrez-Martínez
 
Thunder in their Hearts View
Francis Gooding
 
Jazz Research Journal Vol 3 No. 1 (2009) John Coltrane and the “replacement child” syndrome View
Bertrand Lauer
 
Jazz Research Journal Vol 3 No. 1 (2009) Giant Steps, freedom won over / by constraint View
Philippe MICHEL
 
Jazz Research Journal Vol 3 No. 1 (2009) Giant Steps, freedom won over / by constraint View
Philippe Michel,
 
Perfect Beat Vol 3 No. 4 (1998) DOCTORED JAZZ Early Australian Jazz Journals View
BRUCE JOHNSON
 
Search for the New Land View
Mark Racz
 
Jazz Me Blues View
Chris Barber, Alyn Shipton
 
Handful of Keys View
Alyn Shipton
 
Bill Russell and the New Orleans Jazz Revival View
Ray Smith, Mike Pointon, Alfred E. Lemmon, George Avakian, William F. Wagner
 
Equinox eBooks Publishing Mosaics Nil Desperandum - The Jazz Hustler View
Duncan Heining
 
Equinox eBooks Publishing Mosaics 'Not for any Jazz Use' View
Duncan Heining
 
Equinox eBooks Publishing This is Hip Appendix A: A Jazz Singer is a Singer who Sings Jazz View
Peter Jones
 
An Unholy Row View
Dave Gelly
 
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Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
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ANDREW W. HURLEY
 
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Journal of World Popular Music Vol 7 No. 1 (2020) Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. View
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Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
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Perfect Beat Vol 15 No. 2 (2014) Heining, Duncan. 2012. Trad Dads, Dirty Boppers and Free Fusioneers: British Jazz, 1960–1975. Sheffield: Equinox. ISBN 978-1-8455-3405-9 (hbk). 486 pp View
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Equinox eBooks Publishing The History of European Jazz 13. Poland View
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Equinox eBooks Publishing The History of European Jazz 29. Greece View
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Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
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Journal for Research into Freemasonry and Fraternalism Vol 5 No. 2 (2014) ‘The Gilded Age of Fraternalism’: Brotherhood and Modernism in 1920s America View
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Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
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