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Journal Issue Title
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 9 No. 2 (2014) Diane Pecknold, ed., Hidden in the Mix: The African American Presence in Country Music. Durham, NC: Duke University Press, 2013. 392 pp. $24.89. ISBN 978-082235-163-4 (pbk). View
Don Cusic
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Journal of Film Music Vol 2 No. 2-4 (2009) Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. View
Lori Stevens
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Perfect Beat Vol 10 No. 2 (2009) Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp View
Henry Johnson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Popular Music History (0) ADVANCE ACCESS Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Journal of World Popular Music Vol 2 No. 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) View
Henry Johnson
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Perfect Beat Vol 11 No. 1 (2010) O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- View
Helen O'Shea
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
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