Latest Issue: Vol 7, No 1 (2020) RSS2 logo

Search Results


Revise Search
 
Journal Issue Title
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music in Postdemocracy View
Simone Krüger Bridge
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Local Acts, Global Success View
Michael Murphy, Jim Rogers
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Soul Unsung View
Kevin Le Gendre
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 1 No. 1 (2004) Popular Music Resources View
Andy Lineham
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Popular Music History Vol 10 No. 2 (2015) Introduction: Special issue on Popular Music and Heritage View
Marion Leonard, Robert Knifton
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Equinox eBooks Publishing Sounds Icelandic Surrealism in Icelandic Popular Music View
John Richardson
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Popular music history on screen: the pop/rock biopic View
Ian Inglis
 
Perfect Beat Vol 3 No. 3 (1997) ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC View
ALINE SCOTT-MAXWELL
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Equinox eBooks Publishing The Making of the Musical World Popular and Traditional Musics of Indigenous Peoples View
Andrew Killick
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Perfect Beat Vol 2 No. 4 (1996) DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session View
JON FITZGERALD
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Equinox eBooks Publishing The Northern Soul Scene Beyond the Master Narrative of Youth: Researching Ageing Popular Music Scenes View
Nicola Smith
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Jazz Research Journal Vol 8 No. 1-2 (2014) The lost history of jazz on early Australian popular music television View
Liz Giuffre
 
Perfect Beat Vol 20 No. 1 (2019) Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. View
Anna Szemere
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Equinox eBooks Publishing Yoga in Britain Yoga in Popular Music and 'Counter Culture' (the 60s and 70s) View
Suzanne Newcombe
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Perfect Beat Vol 9 No. 1 (2008) J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? View
TERENCE LANCASHIRE
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Perfect Beat Vol 19 No. 2 (2018) Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s View
Laura Glitsos
 
Equinox eBooks Publishing Sounds Icelandic Spatiality, Sociality and Circulation: Popular Music Scenes in Reykjavík View
Nick Prior
 
Equinox eBooks Publishing Sounds Icelandic ‘Even Cute Babies Will Bite When Provoked’: Icelandic Popular Music and the Rise of the Krútt View
Þorbjörg Hall
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Perfect Beat Vol 10 No. 2 (2009) Sonic psychogeography: A poetics of place in popular music in Aotearoa/New Zealand View
Tony Mitchell
 
Pomegranate: The International Journal of Pagan Studies Vol 15 No. 1-2 (2013) Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). View
Ethan Doyle White
 
Popular Music History Vol 4 No. 3 (2009) Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City View
James McGrath
 
Popular Music History Vol 7 No. 2 (2012) You can make me whole again: popular music tributes embodying the reunion View
Georgina Gregory
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Perfect Beat Vol 19 No. 2 (2018) Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes View
Emma-Jayne Reekie
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ View
Clifford Hill Korman
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music View
Kendra Salois
 
Journal of World Popular Music Vol 3 No. 2 (2016) Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music View
Jonathan P. J. Stock
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
Oli Wilson
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Journal of World Popular Music Vol 1 No. 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” View
Chris Tonelli
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Equinox eBooks Publishing Sounds Icelandic Beyond Reykjavik 101: Iceland’s Popular Music Mainstream and the Eurovision Song Contest View
Sarah Baker
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Perfect Beat Vol 11 No. 1 (2010) Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. View
Roy Shuker
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 2 No. 3 (1995) RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands View
LUTGARD MUTSAERS
 
Popular Music History Vol 8 No. 3 (2013) The making of identity and its relation to place and success: The case of ‘mainstream’ popular music in Newcastle NSW, 1973–1988 View
Gaye Sheather, Phillip McIntyre
 
Perfect Beat Vol 8 No. 4 (2008) Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate View
JON STRATTON
 
Perfect Beat Vol 9 No. 1 (2008) Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate View
GEOFF KING
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Popular Music History Vol 7 No. 1 (2012) Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). View
Faye Woods
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
International Journal for the Study of New Religions Vol 5 No. 1 (2014) Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. View
Carole M. Cusack
 
Jazz Research Journal Vol 3 No. 2 (2009) Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music View
Bruce Johnson
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 9 No. 1 (2008) Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate View
SHANE HOMAN
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Popular Music History Vol 3 No. 1 (2008) Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). View
Christine Adams
 
Perfect Beat Vol 18 No. 1 (2017) Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. View
Christina Ballico
 
Perfect Beat Vol 2 No. 1 (1994) Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. View
JULIA KNIGHT
 
Perfect Beat Vol 2 No. 1 (1994) Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press View
BRUCE JOHNSON
 
Implicit Religion Vol 10 No. 1 (2007) Review of Traces of the Spirit: The Religious Dimensions of Popular Music by Robin Sylvan View
François Gauthier
 
Perfect Beat Vol 9 No. 1 (2008) BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s View
JON STRATTON
 
Perfect Beat Vol 3 No. 2 (1997) A LONG WAY FROM TIPPERARY Performance culture in early colonial Rabaul, New Guinea, and the genesis of a Melanesian popular music scen View
MICHAEL WEBB
 
Perfect Beat Vol 11 No. 2 (2010) Stratton, J. 2009. Jews, Race and Popular Music. Burlington, VT: Ashgate. ISBN 978- 0-7546-6804-6 (hbk). 238pp. View
Judah M. Cohen
 
Popular Music History Vol 5 No. 2 (2010) Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 View
Kari Kallioniemi
 
Journal of World Popular Music Vol 2 No. 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) View
Heather Strohschein
 
Perfect Beat Vol 12 No. 1 (2011) Review: Jeroen de Kloet, China with a Cut. Urban Youth and Popular Music, Amsterdam University Press 2010 View
Andreas Steen
 
Journal of World Popular Music Vol 1 No. 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) View
Nina Menezes
 
Perfect Beat Vol 10 No. 2 (2009) Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp View
Flavia Lucia Rubini-Lean
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Perfect Beat Vol 11 No. 2 (2010) Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. View
Dan Bendrups
 
Journal of World Popular Music Vol 2 No. 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) View
Henry Johnson
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
Martin Cloonan
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Perfect Beat Vol 17 No. 1 (2016) Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp View
Ariane Gruet-Pelchat
 
Journal of World Popular Music Vol 2 No. 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) View
Peter Manuel
 
Elton John View
Dave Laing†
 
Journal of World Popular Music Vol 2 No. 1 (2015) Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) View
Motti Regev
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 7 No. 3 (2012) Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). View
Helen Reddington
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Perfect Beat Vol 17 No. 2 (2016) Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. View
Melvin Backstrom
 
Perfect Beat Vol 17 No. 1 (2016) Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp View
Leonieke Bolderman
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Popular Music History Vol 7 No. 2 (2012) Introduction: making things whole again—the Take That reunion View
Tim Wise
 
Perfect Beat Vol 18 No. 1 (2017) Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp View
Martin Lussier
 
Perfect Beat Vol 16 No. 1-2 (2015) Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. View
Sarah Elizabeth Raine
 
The Making of the Musical World View
Andrew Killick
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Bikutsi View
Anja Brunner
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
She's at the Controls View
Helen Reddington
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Rufus Wainwright View
Katherine Williams
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Perfect Beat Vol 20 No. 1 (2019) Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) View
Alison Blair
 
James Brown View
John Scannell
 
Perfect Beat Vol 2 No. 3 (1995) AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 View
BRUCE JOHNSON
 
Popular Music History Vol 3 No. 1 (2008) The Liverpool sounds project: Oral history research at the IPM View
Dave Laing
 
Equinox eBooks Publishing Elton John On Stage View
Dave Laing
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 8 No. 4 (2008) THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY View
PHILIP McINTYRE, BRYAN PATON
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Popular Music History Vol 10 No. 2 (2015) The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective View
Philippe Le Guern
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Equinox eBooks Publishing The Making of the Musical World West Africa: Joining In and Standing Out View
Andrew Killick
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Perfect Beat Vol 1 No. 4 (1994) WHAT THE AIR WAS LIKE UP THERE: Overseas Music and Local Reception in the 1960s MICHAEL FLINT View
Michael Flint
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Popular Music History Vol 9 No. 1 (2014) The creative process of The Beatles revisited: A multi-level analysis of the interaction between individual and collaborative creativity View
Yrjö Heinonen
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Popular Music History Vol 7 No. 1 (2012) Mapping live provisions in Welsh-language rock, 1978–80 View
Craig Owen Jones
 
Popular Music History Vol 5 No. 2 (2010) Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach View
Richard Ekins
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
Equinox eBooks Publishing Bikutsi List of Illustrations View
Anja Brunner
 
Equinox eBooks Publishing Bikutsi Acknowledgements / Remerciements View
Anja Brunner
 
Perfect Beat Vol 17 No. 1 (2016) Virtual Micronesia: Performance and Participation in a Pacific Facebook Community View
Brian Diettrich
 
Popular Music History Vol 1 No. 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s View
Stephen Hill
 
Perfect Beat Vol 13 No. 2 (2012) Electronic dance music, the rock myth, and authenticity View
John Gunders
 
Popular Music History (0) ADVANCE ACCESS In my tomb: Unveiling the Beach Boys state historical landmark View
Dale Carter
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Bob Dylan View
Keith Negus
 
Elvis View
Mark Duffett
 
Popular Music History Vol 8 No. 1 (2013) The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism View
Richard Ekins
 
Perfect Beat Vol 15 No. 2 (2014) An interview with Tiki Taane: Expressing cultural heritage and identity through music View
Oli Wilson
 
Prince View
Annie Potts
 
Perfect Beat Vol 19 No. 1 (2018) Still Rage-ing: Australia’s music video programme at 30 View
Liz Giuffre
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Voices of Sheila: Resignification in Filmic and Non-filmic Contexts View
Nina Menezes
 
Journal of World Popular Music Vol 6 No. 2 (2019) Academia Against Popular Culture: Popular Culture Against Academia View
Esther Clinton
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Popular Music History Vol 8 No. 3 (2013) How English became the language of pop in Denmark View
Henrik Smith-Sivertsen
 
Popular Music History Vol 4 No. 2 (2009) Street ballets in magic cities: cultural imaginings of the modern American metropolis View
Tadhg O'Keeffe
 
Popular Music History Vol 4 No. 3 (2009) The production of English rock and roll stardom in the 1950s View
Martin Cloonan
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
The Beatles View
Ian Inglis
 
Popular Music History Vol 10 No. 2 (2015) Resource notes: Amplifying intangible heritage as a resource for museum narratives View
Rob Horrocks
 
Equinox eBooks Publishing Local Acts, Global Success Ireland’s Digital Age: Radio, Recording, Educating and Listening View
Michael Murphy, Jim Rogers
 
Equinox eBooks Publishing The Making of the Musical World Preface View
Andrew Killick
 
Scouse Pop View
Paul Skillen, Paul Du Noyer
 
The Singing Voice in Contemporary Cinema View
Diane Hughes, Nessa Johnston, Katherine Meizel, Anne Power, Gianpaolo Chiriacò, Sarah Keith, Alex Mesker, Nina Menezes, James Deaville, Penny Spirou, Philip Hayward, Mark Thorley, Liz Giuffre, Veronica Stewart, Mark Evans, Agnes Malkinson, Natalie Lewandowski
 
Popular Music History Vol 9 No. 2 (2014) Another Green World?: Eno, Ireland and U2 View
Noel McLaughlin
 
Popular Music History Vol 4 No. 3 (2009) Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness View
Noel McLaughlin
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The lost musical histories of Merthyr Tydfil View
Paul Carr
 
Popular Music History Vol 4 No. 1 (2009) The vegetables turned: sifting the psychedelic subsoil of Brian Wilson and Syd Barrett View
Dale Carter
 
Jazz Research Journal (0) ADVANCE ACCESS TO FORTHCOMING ARTICLES ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Perfect Beat Vol 9 No. 1 (2008) REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 View
David Panichi
 
Journal for the Academic Study of Religion Vol 23 No. 2 (2010) ‘I’ve Got a Spirit Coming through Me': Music as Hierophany and Musicians as Shamans View
Mark Jennings
 
Popular Music History Vol 4 No. 2 (2009) Gigographies: where popular musicians play View
Dave Laing
 
Journal of Film Music Vol 4 No. 2 (2011) Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* View
Sarah Reichardt Ellis
 
Perfect Beat Vol 4 No. 4 (2000) HULA HALAU IN TOKYO A Case Study of Hula Schools View
YOKO KUROKAWA
 
Popular Music History Vol 9 No. 3 (2014) Hucklebucking at the tea dances: Irish showbands in Britain, 1959–1969 View
Rebecca S. Miller
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Falco and Beyond View
Ewa Mazierska
 
Perfect Beat Vol 1 No. 3 (1993) FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia View
John Whiteoak
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Journal of Film Music Vol 5 No. 1-2 (2012) Melodramatic Music in the Western View
Mariana Whitmer
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Sociolinguistic Studies Vol 10 No. 1-2 (2016) The dynamics of youth language in Africa Youth and linguistic stylization in Naija Afro Hip Hop View
Idom T. Inyabri
 
Popular Music History Vol 8 No. 1 (2013) A mysterious music in the air: cultural origins of the loudspeaker View
Kyle Devine
 
Equinox eBooks Publishing Local Acts, Global Success Deep Roots and Scattered Seeds: 1800s to the 1930s View
Michael Murphy, Jim Rogers
 
Perfect Beat Vol 19 No. 2 (2018) Rationales in flux: Charting transcultural Polynesian music-making processes View
Andrew Faleatua
 
Send in the Clones View
Georgina Gregory
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Companion Website View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Acknowledgements View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Bibliography View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Index View
Simone Krüger Bridge
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Popular Music History Vol 4 No. 2 (2009) Low-frequency noise and urban space View
Bruce Johnson
 
Perfect Beat Vol 20 No. 1 (2019) Experiences and perceptions of gender in the Australian music industry View
Hannah Mary Fairlamb, Bianca Fileborn
 
Popular Music History Vol 5 No. 2 (2010) The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 View
Holly Tessler
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Equinox eBooks Publishing The Making of the Musical World The Music Tree View
Andrew Killick
 
Technomad View
Graham St John
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Towards a history of jazz in Greece in the interwar era View
Panagiota Anagnostou
 
Popular Music History Vol 11 No. 3 (2018) Editors’ introduction View
Shane Homan, Catherine Strong
 
Popular Music History Vol 7 No. 2 (2012) Multiple damnations: deconstructing the critical response to boy band phenomena View
Mark Duffett
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Perfect Beat Vol 8 No. 4 (2008) TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture View
Philip Hayward, SUEO KUWAHARA
 
Equinox eBooks Publishing The Making of the Musical World Africa in America: Old Ways, New Means View
Andrew Killick
 
Equinox eBooks Publishing Thunder in their Hearts South Africa: Jazz, Apartheid, King Kong View
Francis Gooding
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Martin Carthy’s rhythms View
Charles Ford
 
Equinox eBooks Publishing Hear My Train A Comin’ Introduction View
Kevin Le Gendre
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Equinox eBooks Publishing Ludomusicology "Listening" through Digital Interaction in Björk’s 'Biophilia' View
Samantha Blickhan
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) View
Timothy Koozin
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Nine lives in the music business: Reg Dwight and Elton John in the 1960s View
Dave Laing
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Equinox eBooks Publishing Turkish Folk Music Between Ghent and Turkey Case Study of a Song: Hüdayda View
Liselotte Sels
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The extreme metal ‘connoisseur’ View
Nicola Allett
 
Popular Music History Vol 10 No. 1 (2015) Manpool, the musical: Harmony and counterpoint on the Lancashire Plain View
Richard Witts
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Equinox eBooks Publishing Local Acts, Global Success Introduction View
Michael Murphy, Jim Rogers
 
Popular Music History Vol 9 No. 3 (2014) Songs you know by heart: Alcohol, promiscuous sex, drugs and escape in Jimmy Buffett’s music View
Eve M Brank, Kathleen A Fox, Victoria Kaspar
 
Journal of Film Music Vol 6 No. 2 (2013) Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive View
Alessandro Bratus
 
Journal of World Popular Music Vol 3 No. 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator View
Stephen Epstein
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music The Cool Culture of Neoliberal Capitalism View
Simone Krüger Bridge
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
Dave Laing
 
Jazz Me Blues View
Chris Barber, Alyn Shipton
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture View
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Equinox eBooks Publishing Elements of Music Management Music Development: The Role of A and R - Music will Never Stop View
Sally Gross
 
Popular Music History Vol 5 No. 3 (2010) ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years View
Nedim Hassan
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Equinox eBooks Publishing The Making of the Musical World Latin America: A Tale of Five Continents View
Andrew Killick
 
Implicit Religion Vol 13 No. 2 (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon View
Rupert Till
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Equinox eBooks Publishing The Making of the Musical World South Asia: Another Tree in the Wood View
Andrew Killick
 
Journal of World Popular Music Vol 4 No. 2 (2017) Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube View
Simone Pereira de Sá, Simone Evangelista Cunha
 
Journal of Film Music Vol 2 No. 2-4 (2009) Wavering Sonorities and the Nascent Film Noir Musical Style View
Roger Hickman
 
Popular Music History Vol 4 No. 3 (2009) The end of the revival: the folk aesthetic and its ‘mutation’ View
Allan Moore
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) 'How you gonna see me now': Recontextualizing metal artists and moral panics View
Brad Klypchak
 
Popular Music History Vol 8 No. 2 (2013) Bob Dylan: the politics of influence View
Gary Browning
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Early jazz in Australia as oriental exotica View
Aline Scott-Maxwell
 
Journal of World Popular Music Vol 2 No. 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice View
Henry Johnson
 
Equinox eBooks Publishing The Making of the Musical World Back to Africa: Global Language, Local Accent View
Andrew Killick
 
The Music of Fantasy Cinema View
Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster
 
Popular Music History Vol 9 No. 3 (2014) Searching for the first bass drum pedal: Rock harmonicas to Viennese pianos View
Paul Archibald
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival View
Matt Brennan
 
Perfect Beat Vol 10 No. 1 (2009) Television special Thai television and pleeng luuk tung: The role of television in the Isan cultural revival View
James Leonard Mitchell
 
Popular Music History Vol 8 No. 2 (2013) Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan View
Mike Jones
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Equinox eBooks Publishing The Northern Soul Scene Dave Godin and the Politics of the British Soul Community View
Joe Street
 
Perfect Beat Vol 12 No. 2 (2011) God Bless come back: new experiments with nostalgia in Indonesian rock View
Emma Baulch
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Rhythm Clubs, record series, and the everyday connoisseurship of ‘hot rhythm’ records in interwar Britain View
Lawrence Davies
 
Journal of World Popular Music Vol 4 No. 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar View
Markus Verne
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
Mike Brocken
 
Perfect Beat Vol 20 No. 1 (2019) Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand View
Matthew Bannister
 
Equinox eBooks Publishing Sounds Icelandic ‘A Nation without Music?’: Symphonic Music and Nation-Building View
Kimberly Cannady, Kristín Loftsdóttir
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Equinox eBooks Publishing The Making of the Musical World The Caribbean: Powerhouse of Popular Styles View
Andrew Killick
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Perfect Beat Vol 14 No. 1 (2013) Whose home; which island?: displacement and identity in ‘My Island Home’ View
Jon Stratton
 
Popular Music History Vol 1 No. 1 (2004) A Question of Standards: "My Funny Valentine" and Musical Intertextuality View
Alan Stanbridge
 
Equinox eBooks Publishing The Northern Soul Scene ReMarking Old Records, Making New Meaning: Debating the Questionable Home of Northern Soul View
Nicola Smith
 
Equinox eBooks Publishing The Making of the Musical World Western Europe: The Familiar Stranger View
Andrew Killick
 
Jazz Research Journal Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED View
Kimberly Hannon Teal
 
Popular Music History Vol 10 No. 3 (2015) ‘How Belfast got the blues’: Towards an alternative history View
Noel McLaughlin, Joanna Braniff
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Equinox eBooks Publishing The Making of the Musical World East Asia: Ancient Traditions and Modern Inventions View
Andrew Killick
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Jazz on BBC Radio 1922-1972 View
Tim Wall
 
Popular Music History Vol 10 No. 1 (2015) ‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Ludomusicology Introduction View
Michiel Kamp, Tim Summers, Mark Sweeney
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Pompey Pop: A case study of a local music archive View
Dave Allen
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 3. Dying Language, Multi-Identity and Music for the Young View
Pekka Suutari
 
Equinox eBooks Publishing Elvis Notes View
Mark Duffett
 
Equinox eBooks Publishing Elvis Introduction View
Mark Duffett
 
Equinox eBooks Publishing Elvis Bibliography View
Mark Duffett
 
Equinox eBooks Publishing Elvis Index View
Mark Duffett
 
Equinox eBooks Publishing Elvis Acknowledgements View
Mark Duffett
 
Equinox eBooks Publishing Elvis Appendices View
Mark Duffett
 
Jazz Research Journal Vol 8 No. 1-2 (2014) Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ View
John Whiteoak
 
Perfect Beat Vol 1 No. 3 (1993) AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation View
Philip Hayward
 
Popular Music History Vol 9 No. 2 (2014) To f-f-f-ade way?’: The blues influence in Pete Townshend’s search for an authentic voice in ‘My Generation’ View
Kathryn Hill
 
Jazz Research Journal Vol 2 No. 1 (2008) JRJ 2.1 “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall View
Ryan Patrick Jones
 
Equinox eBooks Publishing The History of European Jazz Series Editor's Note View
Alyn Shipton
 
Jazz Research Journal Vol 1 No. 2 (2007) Being bop: how the press shaped the cult of bebop View
Thomas Turner
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 The record and its label: Identifying, marketing, dividing, collecting View
Richard Osborne
 
Equinox eBooks Publishing The History of European Jazz European Jazz: Stories that Needed to be Told View
Francesco Martinelli
 
Equinox eBooks Publishing Scouse Pop Preface View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Foreword View
Paul Du Noyer
 
Equinox eBooks Publishing Scouse Pop Acknowledgements View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Appendix 1: List of interviews View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Appendix 2: Scouse Pop TV View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Notes View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Bibliography View
Paul Skillen
 
Equinox eBooks Publishing Scouse Pop Index View
Paul Skillen
 
Equinox eBooks Publishing In Search of Fela Anikulapo Kuti Fear Not For Man/Who No Know Go Know: Fela: The legend, the cult, the orisha, the inspiration, the corporation, the industry View
Max Reinhardt, Rita Ray
 
Equinox eBooks Publishing The Singing Voice in Contemporary Cinema Index View
Diane Hughes, Mark Evans
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Equinox eBooks Publishing Scouse Pop The Audience Respond View
Paul Skillen
 
Hear My Train A Comin’ View
Kevin Le Gendre
 
Gender and Language Vol 12 No. 3 (2018) ‘She don’t need no help’: deconsolidating gender, sex and sexuality in New Orleans bounce music View
Christina Schoux Casey, Maeve Eberhardt
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
International Journal for the Study of New Religions Vol 4 No. 2 (2013) At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom View
Benjamin Hedge Olson
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK They preferred to sit on the floor: Rock music in South Wales at a time of industrial change View
Mike Jones
 
Equinox eBooks Publishing Scouse Pop Rainy Day Music: Art Pop and the Scouse Romantic View
Paul Skillen
 
Equinox eBooks Publishing Sounds Icelandic Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition View
Arnar Eggert Thoroddsen
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 The BBC and New British Jazz, 1965-1972 View
Tim Wall
 
Popular Music History Vol 7 No. 2 (2012) Boys will be boys: re-inhabiting the homosocial sphere of Take That View
David Sanjek
 
Journal of World Popular Music Vol 1 No. 1 (2014) Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu View
Aaron Corn
 
Equinox eBooks Publishing Sounds Northern 3. 'They Say a Town is Just a Town, Full Stop, but What do They Know?': Architecture, Urbanism and Pop in Sheffield View
Owen Hatherley
 
Equinox eBooks Publishing Elvis Phenomenon View
Mark Duffett
 
Equinox eBooks Publishing Sounds Northern 1. Manpool, the Musical: Harmony and Counterpoint on the Lancashire Plain View
Richard Witts
 
Trad Dads, Dirty Boppers and Free Fusioneers View
Duncan Heining
 
International Journal for the Study of New Religions Vol 7 No. 2 (2016) The DMT Gland: The Pineal, The Spirit Molecule, and Popular Culture View
Graham St.John
 
Equinox eBooks Publishing The History of European Jazz Subject Index View
Francesco Martinelli
 
Equinox eBooks Publishing The History of European Jazz Index of Works View
Francesco Martinelli
 
Equinox eBooks Publishing Sounds Northern 9. The Missing Star of MC Tunes View
Les Gillon, Ewa Mazierska
 
Equinox eBooks Publishing Jazz on BBC Radio 1922-1972 Presenting Ellington and Recorded Jazz, 1933-1942 View
Tim Wall
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox View
Will Finch
 
Equinox eBooks Publishing Sounds Icelandic Triangulating Timbre in Sigur Rós’s Iceland View
Brad Osborn, David Blake
 
Equinox eBooks Publishing Sounds Northern 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place View
Paul Long, Jez Collins
 
Equinox eBooks Publishing Unveiling Sufism The Many Faces of Contemporary Sufism in North America View
Meena Sharify-Funk, William Dickson
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Earogenous Zones View
Bruce Johnson, Mark Evans, Matt Burgess, Lesley Chow, Clarice Butkus, James Wierzbicki, Philip Hayward, Emil Stoichkov, Laura Wiebe Taylor, Liz Giuffre, Kevin Clifton, Paul Warren, Marianne Tatom Letts, Ralph Marsh
 
Popular Music History Vol 10 No. 3 (2015) Assembling Aarhus West: Glocal rap, genre and heterogeneity View
Mads Krogh
 
Equinox eBooks Publishing Sounds Northern 10. Hashtag 0161: Did Bugzy Malone put Manny on the map? View
Kamila Rymajdo
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls View
Elliott H. Powell
 
Implicit Religion Vol 12 No. 3 (2009) Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching View
Andrew M. Wender
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Equinox eBooks Publishing Elvis Roots View
Mark Duffett
 
Equinox eBooks Publishing Elvis Comeback View
Mark Duffett
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Journal of World Popular Music Vol 4 No. 1 (2017) Editor's Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 1 No. 2 (2004) Resource Notes View
Andy Linehan
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Equinox eBooks Publishing Contesting Authority Discourses of Authenticity in Contemporary Jewish Practices of Niggunim Singing View
Ruth Illman
 
Equinox eBooks Publishing Hear My Train A Comin’ Notes View
Kevin Le Gendre
 
Equinox eBooks Publishing Hear My Train A Comin’ Bibliography View
Kevin Le Gendre
 
Equinox eBooks Publishing Hear My Train A Comin’ Index View
Kevin Le Gendre
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Perfect Beat Vol 8 No. 4 (2008) Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press View
BRUCE JOHNSON
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Popular Music History Vol 1 No. 1 (2004) History beings yesterday View
Paul Oliver
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 4 No. 2 (2009) Introduction to the special issue: music, characterization and urban space View
Sara Cohen, John Schofield, Brett Lashua
 
Journal of World Popular Music Vol 1 No. 2 (2014) Editorial Introduction to Issue 1.2 View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Popular Music History Vol 7 No. 3 (2012) Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). View
Phil Hardy
 
Jazz Research Journal Vol 11 No. 1 (2017) Promotion anxieties: Jazz promoters within the UK scene View
Haftor Medbøe, Zack Moir
 
Perfect Beat Vol 1 No. 4 (1994) North Meets South View
Philip Hayward, Tony Mitchell, Roy Shukar
 
Perfect Beat Vol 1 No. 4 (1994) CLIMBING THE ROCK: The New Zealand Music Industry View
Roy Shuker
 
Popular Music History Vol 3 No. 3 (2008) Introduction to the Special Issue View
Tuulikki Pietilä
 
Perfect Beat Vol 8 No. 3 (2007) Editorial View
Henry Johnson
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
Popular Music History Vol 4 No. 3 (2009) Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). View
Noel McLaughlin
 
Perfect Beat Vol 20 No. 1 (2019) Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. View
Brent Keogh
 
Popular Music History Vol 7 No. 1 (2012) Resource notes View
Dave Laing
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World Historical Consciousness and the Use of the Past in a Material World View
John Baines, Henriette van der Blom, Yi Chen, Tim Rood
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 1. Ancient Near East and Hittite Traditions: Introduction View
Paul Collins
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 6. Egyptian and Maya Traditions: Introduction View
John Baines
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 10. Chinese Traditions: Introduction View
Glen Dudbridge†
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 14. Biblical Traditions: Introduction View
Laura Feldt
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 17. Classical Traditions: Introduction View
Henriette van der Blom, Tim Rood
 
Journal of Film Music Vol 6 No. 1 (2013) Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York View
Roger Hickman
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Perfect Beat Vol 10 No. 2 (2009) Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp View
Henry Johnson
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Popular Music History Vol 4 No. 2 (2009) Resource notes View
Ditmer Weertman
 
Perfect Beat Vol 15 No. 1 (2014) Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. View
Julie Rickwood
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Perfect Beat Vol 11 No. 2 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Perfect Beat Vol 13 No. 2 (2012) Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. View
Ross Hagen
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Journal of World Popular Music Vol 1 No. 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). View
Bruce Johnson
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Perfect Beat Vol 3 No. 4 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Popular Music History Vol 8 No. 3 (2013) David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). View
Holly Holmes
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Perfect Beat Vol 14 No. 1 (2013) Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) View
Bruce Johnson
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Adam Behr
 
Popular Music History Vol 4 No. 1 (2009) Resource notes: the Rockheim Project in Norway View
Andy Lineham
 
Journal of Film Music Vol 4 No. 2 (2011) D. Kern Holoman. The Orchestra: A Very Short Introduction View
Melissa Ursula Dawn Goldsmith
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
Emília Barna
 
Popular Music History Vol 10 No. 1 (2015) Introduction to the special issue: Listening to the North of England View
Ewa Mazierska
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Perfect Beat Vol 17 No. 2 (2016) Introduction View
Oli Wilson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Lauren Shaw, ed. 2013. Song and Social Change in Latin America View
Styliani Fotopoulou
 
Perfect Beat Vol 19 No. 2 (2018) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Perfect Beat Vol 14 No. 1 (2013) Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. View
Eric A. Galm
 
Perfect Beat Vol 16 No. 1-2 (2015) Introduction View
Shelley Brunt, Oli Wilson
 
Popular Music History Vol 9 No. 2 (2014) Diane Pecknold, ed., Hidden in the Mix: The African American Presence in Country Music. Durham, NC: Duke University Press, 2013. 392 pp. $24.89. ISBN 978-082235-163-4 (pbk). View
Don Cusic
 
Popular Music History Vol 9 No. 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). View
Tony Farsides
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
critical reactions to André Rieu in Australia View
Sarah Keith
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Popular Music History Vol 3 No. 2 (2008) Resource notes View
Janne Mäkelä
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Perfect Beat Vol 4 No. 4 (2000) John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press View
PHILIP HAYWARD
 
Journal of Film Music Vol 2 No. 1 (2007) Roger Hickman. Reel Music: Exploring 100 Years of Film Music View
Lora Matthews
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Fieldwork in Religion Vol 4 No. 2 (2009) Fieldwork in Religion 4:2 2009 EVANS, Mark. 2006. Open Up the Doors: Music in the Modern Church. London: Equinox. xiv + 209 pp. ISBN 1845531868 (hbk); 1845531876 (pbk). £50.00 (hbk); £15.00 (pbk). View
George D. Chryssides
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. View
Bradford Lee Eden
 
Perfect Beat Vol 19 No. 1 (2018) Editorial Introduction View
Shelley Brunt, Oli Wilson
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Popular Music History Vol 5 No. 1 (2010) Introduction to the special issue: The music of Bernard Herrmann View
Dave Laing
 
Perfect Beat Vol 14 No. 1 (2013) Olivier Julien, ed. 2008. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today. Burlington, VT: Ashgate. ISBN 978-0-7546-6708-7 (pbk). 208pp. View
Rob Bowman
 
Perfect Beat Vol 13 No. 2 (2012) Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. View
Robert W. Fry
 
Popular Music History Vol 3 No. 1 (2008) Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). View
Dave Laing
 
Journal of Film Music Vol 7 No. 2 (2014) Ron Rodman, Tuning In: American Narrative Television Music View
James Deaville
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie View
Nathalie Weidhase
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Journal of World Popular Music Vol 3 No. 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene View
Lauren Istvandity
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Journal of World Popular Music Vol 1 No. 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– View
Thomas Wagner
 
1 - 496 of 496 Items

Search tips:

  • Search terms are case-insensitive
  • Common words are ignored
  • By default only articles containing all terms in the query are returned (i.e., AND is implied)
  • Combine multiple words with OR to find articles containing either term; e.g., education OR research
  • Use parentheses to create more complex queries; e.g., archive ((journal OR conference) NOT theses)
  • Search for an exact phrase by putting it in quotes; e.g., "open access publishing"
  • Exclude a word by prefixing it with - or NOT; e.g. online -politics or online NOT politics
  • Use * in a term as a wildcard to match any sequence of characters; e.g., soci* morality would match documents containing "sociological" or "societal"




Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: info@equinoxpub.com

Privacy Policy