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| Journal | Issue | Title | |
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DOWN INTO THE FIRE A Case Study of a Popular Music Recording Session | View |
| JON FITZGERALD | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) | View |
| Nina Menezes | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) | View |
| Henry Johnson | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) | View |
| Motti Regev | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
| Simon Frith | |||
| Bikutsi | View | ||
| Anja Brunner | |||
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Rufus Wainwright | View | ||
| Katherine Williams | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Perfect Beat | Vol 8 No. 4 (2008) | THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY | View |
| PHILIP McINTYRE, BRYAN PATON | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Popular Music History | Vol 10 No. 2 (2015) | The heritage obsession: The history of rock and challenges of ‘museum mummification’: A French perspective | View |
| Philippe Le Guern | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Popular Music History | Vol 5 No. 2 (2010) | Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach | View |
| Richard Ekins | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” | View |
| Chris Tonelli | |||
| Prince | View | ||
| Annie Potts | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | View |
| Laura Glitsos | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Virtual Micronesia: Performance and Participation in a Pacific Facebook Community | View |
| Brian Diettrich | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| The Singing Voice in Contemporary Cinema | View | ||
| Diane Hughes, Nessa Johnston, Katherine Meizel, Anne Power, Gianpaolo Chiriacò, Sarah Keith, Alex Mesker, Nina Menezes, James Deaville, Penny Spirou, Philip Hayward, Mark Thorley, Liz Giuffre, Veronica Stewart, Mark Evans, Agnes Malkinson, Natalie Lewandowski | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Bob Dylan | View | ||
| Keith Negus | |||
| Popular Music History | Vol 4 No. 2 (2009) | Street ballets in magic cities: cultural imaginings of the modern American metropolis | View |
| Tadhg O'Keeffe | |||
| Equinox eBooks Publishing | Bikutsi | List of Illustrations | View |
| Anja Brunner | |||
| Equinox eBooks Publishing | Bikutsi | Acknowledgements / Remerciements | View |
| Anja Brunner | |||
| Popular Music History | Vol 4 No. 3 (2009) | The production of English rock and roll stardom in the 1950s | View |
| Martin Cloonan | |||
| Popular Music History | Vol 4 No. 2 (2009) | Gigographies: where popular musicians play | View |
| Dave Laing | |||
| Perfect Beat | Vol 9 No. 1 (2008) | REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 | View |
| David Panichi | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 4 No. 3 (2009) | Bono! Do you ever take those wretched sunglasses off?: U2 and the performance of Irishness | View |
| Noel McLaughlin | |||
| Popular Music History | Vol 8 No. 1 (2013) | Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das | View |
| Jeffrey W. Cupchik | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
| Adam Havas | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Technomad | View | ||
| Graham St John | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Recorded Time Listening Again to Popular Music History | View |
| Paul Leslie Long | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Popular Music History | Vol 5 No. 2 (2010) | The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 | View |
| Holly Tessler | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
| Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Popular Music History | Vol 3 No. 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | View |
| Aaron Robert Furgason | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music | View |
| Jonathan P. J. Stock | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’ | View |
| Clifford Hill Korman | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Perfect Beat | Vol 12 No. 2 (2011) | God Bless come back: new experiments with nostalgia in Indonesian rock | View |
| Emma Baulch | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Thai television and pleeng luuk tung: The role of television in the Isan cultural revival | View |
| James Leonard Mitchell | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Equinox eBooks Publishing | The Making of the Musical World | South Asia: Another Tree in the Wood | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Equinox eBooks Publishing | Ludomusicology | Introduction | View |
| Michiel Kamp, Tim Summers, Mark Sweeney | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| Jazz on BBC Radio 1922-1972 | View | ||
| Tim Wall | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘How Belfast got the blues’: Towards an alternative history | View |
| Noel McLaughlin, Joanna Braniff | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Index | View |
| Diane Hughes, Mark Evans | |||
| Equinox eBooks Publishing | Ludomusicology | "Listening" through Digital Interaction in Björk’s 'Biophilia' | View |
| Samantha Blickhan | |||
| International Journal for the Study of New Religions | Vol 7 No. 2 (2016) | The DMT Gland: The Pineal, The Spirit Molecule, and Popular Culture | View |
| Graham St.John | |||
| Equinox eBooks Publishing | Jazz on BBC Radio 1922-1972 | Presenting Ellington and Recorded Jazz, 1933-1942 | View |
| Tim Wall | |||
| Equinox eBooks Publishing | Sounds Icelandic | Triangulating Timbre in Sigur Rós’s Iceland | View |
| Brad Osborn, David Blake | |||
| Exploring Africana Philosophy | View | ||
| Oludamini Ogunnaike | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | ‘Staying Golden’: The Politics of Gender, Sexuality, and Jazz in The Golden Girls | View |
| Elliott H. Powell | |||
| Popular Music History | Vol 10 No. 3 (2015) | Assembling Aarhus West: Glocal rap, genre and heterogeneity | View |
| Mads Krogh | |||
| Popular Music History | Vol 1 No. 1 (2004) | Editor's Introduction | View |
| Robert Strachan | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Stroud, Sean. 2008. The Defence of Tradition in Brazilian Popular Music. Hampshire: Ashgate. ISBN 978-0-7546-6343-0 (hbk). 215 pp | View |
| Flavia Lucia Rubini-Lean | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Editor's Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | Historical Consciousness and the Use of the Past in a Material World | View |
| John Baines, Henriette van der Blom, Yi Chen, Tim Rood | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 1. Ancient Near East and Hittite Traditions: Introduction | View |
| Paul Collins | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 6. Egyptian and Maya Traditions: Introduction | View |
| John Baines | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 10. Chinese Traditions: Introduction | View |
| Glen Dudbridge† | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 14. Biblical Traditions: Introduction | View |
| Laura Feldt | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 17. Classical Traditions: Introduction | View |
| Henriette van der Blom, Tim Rood | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Editors' Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 1 No. 2 (2004) | Resource Notes | View |
| Andy Linehan | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press | View |
| BRUCE JOHNSON | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Robert Kronenburg, This Must Be the Place: An Architectural History of Popular Music Performance Venues. | View |
| Sarah Kenny | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
| Dan Bendrups | |||
| Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
| Paul Oliver | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) | View |
| Katelyn Barney | |||
| Popular Music History | Vol 4 No. 2 (2009) | Introduction to the special issue: music, characterization and urban space | View |
| Sara Cohen, John Schofield, Brett Lashua | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
| Simone Krüger, Sarah Baker | |||
| Perfect Beat | Vol 8 No. 3 (2007) | Editorial | View |
| Henry Johnson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Popular Music History | Vol 4 No. 3 (2009) | Gerry Smyth, Music in Irish Cultural History. Dublin: Irish Academic Press, 2009. 196 pp. £40. ISBN 978-0-7165-2984-2 (hbk). | View |
| Noel McLaughlin | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Jazz Research Journal | Vol 11 No. 1 (2017) | Promotion anxieties: Jazz promoters within the UK scene | View |
| Haftor Medbøe, Zack Moir | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Perfect Beat | Vol 1 No. 4 (1994) | North Meets South | View |
| Philip Hayward, Tony Mitchell, Roy Shukar | |||
| Perfect Beat | Vol 1 No. 4 (1994) | CLIMBING THE ROCK: The New Zealand Music Industry | View |
| Roy Shuker | |||
| Popular Music History | Vol 3 No. 3 (2008) | Introduction to the Special Issue | View |
| Tuulikki Pietilä | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Popular Music History | Vol 7 No. 1 (2012) | Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | View |
| Faye Woods | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| Popular Music History | Vol 7 No. 3 (2012) | Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). | View |
| Phil Hardy | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
| Roger Hickman | |||
| Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
| David Laing | |||
| Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
| Dave Laing | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). | View |
| Bruce Johnson | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
| Jostine Loubser | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Tokita, Alison McQueen and David W. Hughes, eds. 2008. The Ashgate Research Companion to Japanese Music. Aldershot: Ashgate. ISBN 978-0-7546-5699-9 (hbk). 446 pp | View |
| Henry Johnson | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Introduction: Sounding out the past | View |
| Paul Long, Nicholas Gebhardt | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Roger Hickman. Reel Music: Exploring 100 Years of Film Music | View |
| Lora Matthews | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Adam Behr | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 9 No. 2 (2014) | Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). | View |
| Tony Farsides | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Frederick Moehn. 2012. Contemporary Carioca: Technologies of Mixing in a Brazilian Music Scene. Duke University Press. ISBN 978-0-8223-5155-9 (pbk). 320pp. $24.95. | View |
| Eric A. Galm | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. | View |
| Julie Rickwood | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Perfect Beat | Vol 4 No. 4 (2000) | John Whiteoak (1999) Playing Ad Lib: Improvisatory Music in Australia 1836-1970, Sydney: Currency Press | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk | View |
| Jez Collins | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Popular Music History | Vol 8 No. 3 (2013) | David Treece, Brazilian Jive: From Samba to Bossa and Rap. London: Reaktion Books, 2013. 232 pp. ISBN 978-1-7023-085-6. £14.95 (pbk). | View |
| Holly Holmes | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
| Andrew Alter, Denis Crowdy, Stephen Collins | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie | View |
| Nathalie Weidhase | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Introduction | View |
| Oli Wilson | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. | View |
| Jared Mackley-Crump | |||
| Popular Music History | Vol 10 No. 1 (2015) | Introduction to the special issue: Listening to the North of England | View |
| Ewa Mazierska | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Popular Music History | Vol 4 No. 1 (2009) | Resource notes: the Rockheim Project in Norway | View |
| Andy Lineham | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
| Imani Sanga | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Philip Tagg. ‘Scotch Snaps: The Big Picture’. Online video documentary located at http://www.youtube.com/watch?v=3BQAD5uZsLY and also http://tagg.org/ptavmat.htm (1 hour 15 mins) | View |
| Bruce Johnson | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. | View |
| Emília Barna | |||
| Popular Music History | Vol 3 No. 1 (2008) | Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | View |
| Dave Laing | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
| GEORGE H. LEWIS | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Editorial Introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 3 No. 2 (2008) | Resource notes | View |
| Janne Mäkelä | |||
| Equinox eBooks Publishing | Sounds Northern | 7. Scrap Value: Sleaford Mods, Invisible Britain and the Edge of the North | View |
| Brian Baker | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Being, Space/Time and Blackness | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | What is a Human Being? | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Symbolism, Ritual and Power | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Empire, Race and Freedom | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Rationality, Orality and Language | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Metaphilosophy | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Africana Philosophy Today | View |
| Oludamini Ogunnaike | |||
| Equinox eBooks Publishing | Exploring Africana Philosophy | Further Reading and Bibliography | View |
| Oludamini Ogunnaike | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
| Megan Woller | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Roy Shuker. 2010. Wax Trash and Vinyl Treasures: Record Collecting as a Social Practice. Burlington, VT: Ashgate. ISBN 978-0-7546-6782-7 (hbk). 223pp. | View |
| Robert W. Fry | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Kotarba, Joe, Bryce Merrill, J. Patrick Williams and Phillip Vannini. 2013. Understanding Society through Popular Music. 2nd ed. New York: Routledge. ISBN 978- 0415-64194-4 (hbk), ISBN 978-0415-64195-1 (pbk). 206 pp. | View |
| Sarah Elizabeth Raine | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Popular Music History | Vol 3 No. 2 (2008) | Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705. Farnham, Surrey: Ashgate, 2008. 209 pp. £55.00. ISBN 978 0-7456-6526-7 (hbk) | View |
| Bruce Johnson | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
| COLIN MCLEAY | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 | View |
| Emma Baulch | |||
| Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
| Michael Brocken | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Popular Music History | Vol 5 No. 2 (2010) | Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 | View |
| Kari Kallioniemi | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Introduction | View |
| Oli Wilson, Dan Bendrups, Donna Weston | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Fieldwork in Religion | Vol 4 No. 2 (2009) Fieldwork in Religion 4:2 2009 | EVANS, Mark. 2006. Open Up the Doors: Music in the Modern Church. London: Equinox. xiv + 209 pp. ISBN 1845531868 (hbk); 1845531876 (pbk). £50.00 (hbk); £15.00 (pbk). | View |
| George D. Chryssides | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) | View |
| William Ross Hagen | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Popular Music History | Vol 5 No. 1 (2010) | Introduction to the special issue: The music of Bernard Herrmann | View |
| Dave Laing | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. | View |
| Rachel Tollett | |||
| Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
| Sarah Keith | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
| Raphaël Nowak | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) | View |
| Thomas R. Hilder | |||
| International Journal for the Study of New Religions | Vol 5 No. 1 (2014) | Pop Cult: Religion and Popular Music, by Rupert Till. Continuum, 2010. 230pp., Hb. $120.00, ISBN-13: 9780826445926; Pb. $34.95, ISBN-13: 9780826432360. | View |
| Carole M. Cusack | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Popular Music History | Vol 7 No. 2 (2012) | Kirk Curnutt, Brian Wilson. Icons of Pop Music. Sheffield and Bristol, CT: Equinox, 2012. xvi + 176 pp. 11 b&w illustrations, discography, bibliography, index. ISBN-13: 978-1-90804-991-9, £50, $90 (hbk); ISBN-13: 978-1-84553-663-3, £14.99, $24.95 (pbk). | View |
| Dale Carter | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Emergences - An Introduction | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: Steve Lannin and Matthew Caley. Pop Fiction: The Song in Cinema. Bristol and Portland: Intellect, 2005. [173 p. ISBN: 184150078X. $30.00 (trade paper)] Music examples, illustrations, index. | View |
| Jennifer Matthews | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba | View |
| Iván Darias Alfonso | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– | View |
| Thomas Wagner | |||
| Perfect Beat | Vol 11 No. 1 (2010) | O’Flynn, John. 2009. The Irishness of Irish Music. Hampshire: Ashgate. ISBN 978-0- | View |
| Helen O'Shea | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Lipsitz, George. 2007. Footsteps in the Dark: The Hidden Histories of Popular Music. | View |
| Roy Shuker | |||
| Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
| PHILIP HAYWARD | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] | View |
| James Wierzbicki | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
| Paul Long | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Johannes Brusila, Bruce Johnson and John Richardson, eds. 2016. Memory, Space, Sound | View |
| Michael Ahlers | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Michael Lasser, City Songs and American Life, 1900–1950 | View |
| Arno van der Hoeven | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
| Kheng K. Koay | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Health and Social Care Chaplaincy | Vol 9 No. 2 (2021) | Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy | View |
| Astrid Notarangelo | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Introduction | View |
| Mark Evans, Denis Crowdy | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
| Meredith Morgan Eliassen | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Academia Against Popular Culture: Popular Culture Against Academia | View |
| Esther Clinton | |||
| Popular Music History | (0) ADVANCE ACCESS | Emily Abrams Ansari, The Sound of a Superpower: Musical Americanism and the Cold War. | View |
| Asya Draganova | |||
| Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
| Shelley Brunt, Oli Wilson, Catherine Strong | |||
| Popular Music History | (0) ADVANCE ACCESS | Karen Tongson, Why Karen Carpenter Matters. | View |
| Jenny Cubin | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia | View |
| Henry Johnson | |||
| Popular Music History | Vol 8 No. 3 (2013) | How English became the language of pop in Denmark | View |
| Henrik Smith-Sivertsen | |||
| Jazz Research Journal | Vol 3 No. 2 (2009) | Review of Elijah Wald, How The Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
| Arno van der Hoeven | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur | View |
| Luke Hannington | |||
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate | View |
| SHANE HOMAN | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Andy Bennett and Jon Stratton, eds. 2010. Britpop and the English Music Tradition. Farnham: Ashgate. ISBN 978-0-7546-6805-3 (hbk). 225pp. £55.00. | View |
| Gwen Bouvier | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Martin Cloonan | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Popular Music History | Vol 3 No. 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | View |
| Christine Adams | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
| Helen Mitchell | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Introduction | View |
| Mark Evans, Denis Crowdy | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana | View |
| C. Letcher | |||
| Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
| Dave Laing | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal | View |
| Barbara Pemberton | |||
| Perfect Beat | Vol 13 No. 1 (2012) | De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. | View |
| Andreas Steen | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books | View |
| APRIL K. HENDERSON | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) | View |
| Iris Yellum | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries | View |
| Malvina Silba | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. | View |
| Christina Ballico | |||
| Popular Music History | Vol 7 No. 1 (2012) | Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | View |
| Paula Hearsum | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Gardner, Abigail. 2015. PJ Harvey and Music Video Performance. Ashgate Popular and Folk Music series. London: Routledge. ISBN 978-1-4724-2418-1 (hbk); ISBN 978-1-4724-2419-8 (ebk); ISBN 978-1-4724-2420-4 (epub). 192 pp | View |
| Ariane Gruet-Pelchat | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
| KATRINA McMANUS | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp | View |
| Anne Danielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| Popular Music History | Vol 6 No. 3 (2011) | Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). | View |
| James McGrath | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) | View |
| Jonathan P. J. Stock | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change | View |
| Dave Wilson | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Popular Music History | Vol 5 No. 3 (2010) | Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. | View |
| Noel McLaughlin | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
| Carolina Spataro | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
| Rebecca FÜlÖP | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). | View |
| Ethan Doyle White | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| Popular Music History | Vol 11 No. 3 (2018) | Editors’ introduction | View |
| Shane Homan, Catherine Strong | |||
| Popular Music History | Vol 11 No. 3 (2018) | Experiencing Progressive Rock by Robert G. H. Burns | View |
| Sam Vallen | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
| Jon Burlingame | |||
| Popular Music History | Vol 7 No. 3 (2012) | Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). | View |
| Helen Reddington | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Catherine Hoad | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Perfect Beat | Vol 3 No. 2 (1997) | Editorial | View |
| PHILIP HAYWARD | |||
| Popular Music History | Vol 8 No. 1 (2013) | Matt Stahl, Unfree Masters: Recording Artists and the Politics of Work. Durham, NC: Duke University Press, 2012. 312 pp. ISBN 978-0-8223-53430 (hbk). | View |
| Jason Toynbee | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Popular Music History | Vol 7 No. 2 (2012) | Introduction: making things whole again—the Take That reunion | View |
| Tim Wise | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Moberg, M. 2015. Christian Metal: History, Ideology, Scene. London: Bloomsbury. xii + 188pp. £21.99. ISBN: 978-1-4726-7983-6 (pbk). | View |
| Liam M. Sutherland | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Turner, Katherine L. 2016. This is the Sound of Irony: Music, Politics and Popular Culture. Farnham, Surrey: Ashgate. ISBN 978-1-4724-4259-8 (hbk). 257 pp. | View |
| Melvin Backstrom | |||
| Perfect Beat | Vol 1 No. 2 (1993) | JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I | View |
| Andrew N. Weintraub | |||
| Religious Studies and Theology | Vol 31 No. 1 (2012) | Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. | View |
| Jacob D. Myers | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) | View |
| Alfredo Colman | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Brocken, Michael. 2015. The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Farnham: Ashgate. ISBN 978-1-4724-3399-2 (hbk). 236 pp | View |
| Leonieke Bolderman | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. | View |
| Andy Bennett | |||
| Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
| ROBIN RYAN | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) | View |
| Heather Strohschein | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) | View |
| Matt Stahl | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The extreme metal ‘connoisseur’ | View |
| Nicola Allett | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Popular Music History | Vol 5 No. 3 (2010) | Resource notes | View |
| Brian Hickman | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. | View |
| Nancy Guy | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Popular Music History | Vol 4 No. 3 (2009) | Michael Brocken, Other Voices: Hidden Histories of Liverpool’s Popular Music Scenes, 1930s–1970s and Marion Leonard and Robert Strachan, eds, The Beat Goes On: Liverpool, Popular Music and the Changing City | View |
| James McGrath | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia | View |
| Dijana Jelača | |||
| Implicit Religion | Vol 10 No. 1 (2007) | Review of Traces of the Spirit: The Religious Dimensions of Popular Music by Robin Sylvan | View |
| François Gauthier | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
| Dave Laing | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto | View |
| MALCOLM PHILPOTT, GREG SEETO | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. | View |
| Natalie Lewandowski | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Perfect Beat | Vol 2 No. 4 (1996) | MUSIC ARCHIVE FOR THE PACIFIC | View |
| MICHAEL HANNAN | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
| Gustavo Alonso | |||
| Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
| Dave Laing | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Amadeus Stevens: Early Years and Family History | View |
| Zolona E. Stevens Moss † | |||
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Popular Music History | Vol 8 No. 1 (2013) | Resource notes | View |
| Andy Linehan | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
| JULIE RICKWOOD | |||
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie | View |
| Alison Blair | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Perfect Beat | Vol 4 No. 3 (1999) | Editorial | View |
| MARK EVANS, KARL NEUENFELDT | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
| Lora Matthews | |||
| Popular Music History | Vol 7 No. 2 (2012) | Roland Boer, Nick Cave: A Study of Love, Death and Apocalypse. Sheffield and Bristol, CT: Equinox, 2012. 212pp. ISBN 978-1-908049-67-4, £55.00 (hbk); ISBN 978-1- 781790-34-2, £17.00 (pbk). | View |
| Nathan Wiseman-Trowse | |||
| Perfect Beat | Vol 3 No. 3 (1997) | Editorial | View |
| MARK EVANS | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Perfect Beat | Vol 4 No. 4 (2000) | Editorial | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. | View |
| Alison Blair | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. | View |
| Roger Landes | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Popular Music History | Vol 7 No. 3 (2012) | Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). | View |
| Chris Ealham | |||
| Journal for the Academic Study of Religion | Vol 29 No. 3 (2016) | Monique Ingalls, Carolyn Landau and Tom Wagner (eds.), Christian Congregational Music: Performance, Identity and Experience. Surrey: Ashgate, 2013, pp. xiii + 228, ISBN: 978-1-4094-6602-4 (hbk). | View |
| Sarah Penicka-Smith | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
| RYUICHI TAI | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | When Digital is Physical and Ethnomusicologists are File Sharers | View |
| Denis Crowdy | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
| Robert G H Burns | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
| Eric Hung | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp. | View |
| Matthew Bannister | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube | View |
| Simone Pereira de Sá, Simone Evangelista Cunha | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) | View |
| Alf Arvidsson | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table | View |
| Declan Martin | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Journal for the Academic Study of Religion | Vol 31 No. 3 (2018) Special Issue: Religion at the Australian Royal Commission into Institutional Responses to Child Sexual Abuse | Maria S. Guarino, Listen with the Ear of the Heart: Music and Monastery Life in Weston Priory | View |
| Sarah Penicka-Smith | |||
| 1 - 497 of 497 Items | |||
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