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Journal Issue Title
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Journal of World Popular Music Vol 6 No. 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity View
Neil Deane, Elke Schuch
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
The Making of the Musical World View
Andrew Killick
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Rufus Wainwright View
Katherine Williams
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Journal of World Popular Music Vol 6 No. 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship View
Kimberly Kattari
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
Equinox eBooks Publishing The Making of the Musical World Preface View
Andrew Killick
 
Popular Music History Vol 1 No. 2 (2004) Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 View
Howard Rye
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Introduction: Why is everything curated these days? Examining the work of popular music curation View
Holly Tessler
 
The Beatles View
Ian Inglis
 
Popular Music History Vol 5 No. 3 (2010) Forgetting and remembering the Bhundu Boys: conditions of memory in popular music View
Mike Jones
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Companion Website View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Acknowledgements View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Bibliography View
Simone Krüger Bridge
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Index View
Simone Krüger Bridge
 
Journal of Film Music Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s View
Alessandro Bratus
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music before Neoliberalism View
Simone Krüger Bridge
 
Falco and Beyond View
Ewa Mazierska
 
Perfect Beat Vol 2 No. 1 (1994) THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music View
KARL NEUENFELDT
 
Technomad View
Graham St John
 
Journal of World Popular Music Vol 6 No. 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics View
Samuel Horlor
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Popular Music in Postdemocracy View
Simone Krüger Bridge
 
Equinox eBooks Publishing The Beatles References View
Ian Inglis
 
Jazz Research Journal Vol 7 No. 1 (2013) The ‘grave disease’: interwar British writers look at ragtime and jazz View
Robert Lawson-Peebles
 
Popular Music History Vol 5 No. 3 (2010) ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s View
Jon Stratton
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians View
Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo
 
Equinox eBooks Publishing The Making of the Musical World The Music Tree View
Andrew Killick
 
Popular Music History Vol 7 No. 3 (2012) Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. View
Richard Witts
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Heavy metal as controversy and counterculture View
Titus Hjelm, Keith Kahn-Harris, Mark Levine
 
Perfect Beat Vol 12 No. 1 (2011) Malaysian composers, geopolitical spaces and cultural difference View
Jonas Ureta Baes
 
Journal of World Popular Music Vol 1 No. 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club View
Lucy Durán
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music The Cool Culture of Neoliberal Capitalism View
Simone Krüger Bridge
 
Implicit Religion Vol 13 No. 2 (2010) The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon View
Rupert Till
 
Equinox eBooks Publishing The Making of the Musical World Popular and Traditional Musics of Indigenous Peoples View
Andrew Killick
 
The Music of Fantasy Cinema View
Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster
 
Jazz Research Journal Vol 8 No. 1-2 (2014) ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals View
Brent Keogh
 
Equinox eBooks Publishing The Making of the Musical World Latin America: A Tale of Five Continents View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World Back to Africa: Global Language, Local Accent View
Andrew Killick
 
Equinox eBooks Publishing Elements of Music Management Music Development: The Role of A and R - Music will Never Stop View
Sally Gross
 
Equinox eBooks Publishing Sounds Northern Index View
Ewa Mazierska
 
Equinox eBooks Publishing Sounds Northern Is It Really Grim Up North?: Popular Music in the North of England View
Ewa Mazierska
 
Jazz Research Journal Vol 4 No. 2 (2010) Jazz in Kuala Lumpur View
Gisa Jähnichen
 
Equinox eBooks Publishing The Making of the Musical World The Caribbean: Powerhouse of Popular Styles View
Andrew Killick
 
Hidden Man View
John Altman
 
Journal of World Popular Music Vol 4 No. 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time View
Pablo Alabarces, Felipe Trotta
 
Equinox eBooks Publishing Cultural Mapping and Musical Diversity 3. Dying Language, Multi-Identity and Music for the Young View
Pekka Suutari
 
Equinox eBooks Publishing The Making of the Musical World East Asia: Ancient Traditions and Modern Inventions View
Andrew Killick
 
Equinox eBooks Publishing Ludomusicology Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games View
William Gibbons
 
Equinox eBooks Publishing The Beatles Introduction View
Ian Inglis
 
Equinox eBooks Publishing The Beatles Index View
Ian Inglis
 
Equinox eBooks Publishing Sounds Icelandic Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition View
Arnar Eggert Thoroddsen
 
Equinox eBooks Publishing Maldito Coronavirus! Gone Viral: Cumbia, Sampling, and the Globalized Circulation of Disease and Culture View
Daniel Margolies, J.A. Strub
 
Trad Dads, Dirty Boppers and Free Fusioneers View
Duncan Heining
 
Jazz Research Journal Vol 12 No. 1 (2018) Special Issue: Jazz in Television Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies View
Gabriel Solis
 
Implicit Religion Vol 12 No. 3 (2009) Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching View
Andrew M. Wender
 
Equinox eBooks Publishing Sounds Northern 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place View
Paul Long, Jez Collins
 
Equinox eBooks Publishing Hidden Man All in the Family View
John Altman
 
Equinox eBooks Publishing Hidden Man School Days View
John Altman
 
Equinox eBooks Publishing Hidden Man We're Jamming View
John Altman
 
Equinox eBooks Publishing Hidden Man Some Legends 1 (Peter Green, Nick Drake, John Martyn, Harry Nilsson, Tim Hardin, Tim Buckley, Muddy Waters, Jimi Hendrix) View
John Altman
 
Equinox eBooks Publishing Hidden Man The London Beat View
John Altman
 
Equinox eBooks Publishing Hidden Man Forty Eight Years (and Counting) of Python View
John Altman
 
Equinox eBooks Publishing Hidden Man Whispering Wheels, You Sexy Thing, Muhammad Ali, and Freddie Mercury and the Sausages View
John Altman
 
Equinox eBooks Publishing Hidden Man BBC, Early Commercials, Bowie, Dietrich, Jule Styne and Early Van View
John Altman
 
Equinox eBooks Publishing Hidden Man Sir Van the Man View
John Altman
 
Equinox eBooks Publishing Hidden Man Some More Legends 2 (Paul Kossoff, Bob Marley, Peter Cook, Dudley Moore, John Ogdon, Spike Milligan, Mick Jagger, George Harrison) View
John Altman
 
Equinox eBooks Publishing Hidden Man An Intrusion and an Explanation View
John Altman
 
Equinox eBooks Publishing Hidden Man Records View
John Altman
 
Equinox eBooks Publishing Hidden Man Television View
John Altman
 
Equinox eBooks Publishing Hidden Man Movies (1) View
John Altman
 
Equinox eBooks Publishing Hidden Man Some More Legends 3 (Classic Movie and Jazz Stars Including Orson Welles, Ava Gardner, Fred Astaire, Chet Baker) View
John Altman
 
Equinox eBooks Publishing Hidden Man Movies (2) View
John Altman
 
Equinox eBooks Publishing Hidden Man Commercials View
John Altman
 
Equinox eBooks Publishing Hidden Man Going Live View
John Altman
 
Equinox eBooks Publishing Hidden Man LA Life View
John Altman
 
Equinox eBooks Publishing Hidden Man Amy View
John Altman
 
Equinox eBooks Publishing Hidden Man Some More Legends 4 (Michael Jackson, Quincy Jones, Prince, Mike Stoller, Mark Ronson, Sacha Baron Cohen) View
John Altman
 
Equinox eBooks Publishing Hidden Man What Was That All About? View
John Altman
 
Equinox eBooks Publishing Hidden Man Shanghai, Honeymoons and Chat Shows (Or How I Came to be on a Massage Table Next to Rafa Nadal), Paris and Vladivostok View
John Altman
 
Equinox eBooks Publishing Hidden Man Awards and Recognition View
John Altman
 
Equinox eBooks Publishing Hidden Man The Ones That Got Away View
John Altman
 
Equinox eBooks Publishing Hidden Man Today and Beyond View
John Altman
 
Terror Tracks View
James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka
 
Perfect Beat Vol 12 No. 2 (2011) Introduction: New Perspectives on Popular Music in Asia View
Shelley Brunt
 
Journal of World Popular Music Vol 1 No. 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) View
Nina Menezes
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World Historical Consciousness and the Use of the Past in a Material World View
John Baines, Henriette van der Blom, Yi Chen, Tim Rood
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 1. Ancient Near East and Hittite Traditions: Introduction View
Paul Collins
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 6. Egyptian and Maya Traditions: Introduction View
John Baines
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 10. Chinese Traditions: Introduction View
Glen Dudbridge†
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 14. Biblical Traditions: Introduction View
Laura Feldt
 
Equinox eBooks Publishing Historical Consciousness and the Use of the Past in the Ancient World 17. Classical Traditions: Introduction View
Henriette van der Blom, Tim Rood
 
Equinox eBooks Publishing Sounds Northern 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 View
Ian Trowell
 
Popular Music History Vol 1 No. 1 (2004) Editor's Introduction View
Robert Strachan
 
Journal of World Popular Music Vol 2 No. 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org View
Deborah Justice
 
Journal of World Popular Music Vol 2 No. 1 (2015) Editors' Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 4 No. 1 (2017) Editor's Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Perfect Beat Vol 19 No. 2 (2018) Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes View
Emma-Jayne Reekie
 
Journal of World Popular Music Vol 6 No. 2 (2019) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Journal of World Popular Music Vol 2 No. 2 (2015) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 3 No. 1 (2016) Editor's Introduction View
Simone Krüger, Sarah Baker
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music Studies and Interdisciplinarity View
Steve Waksman
 
Journal of World Popular Music Vol 4 No. 2 (2017) Some Notes on Popular Music in my (Professional) Life View
Bruno Nettl
 
Journal of World Popular Music Vol 4 No. 2 (2017) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Journal of World Popular Music Vol 1 No. 2 (2014) Editorial Introduction to Issue 1.2 View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 3 No. 3 (2008) Introduction to the Special Issue View
Tuulikki Pietilä
 
Popular Music History Vol 10 No. 3 (2015) Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) View
Marlie Centawer
 
Perfect Beat Vol 16 No. 1-2 (2015) Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp View
Åse Ottosson
 
Perfect Beat Vol 1 No. 1 (1992) Editorial Introduction View
Philip Hayward
 
Popular Music History (0) ADVANCE ACCESS Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. View
Wolf-Georg Zaddach
 
Journal of World Popular Music Vol 6 No. 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music View
Harris M. Berger
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Continuity and change in popular music curation: Exhibiting the musical past in Liverpool View
Sara Cohen
 
Journal of World Popular Music Vol 1 No. 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). View
Bruce Johnson
 
Popular Music History Vol 1 No. 1 (2004) History beings yesterday View
Paul Oliver
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) View
Tom Sykes
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. View
Judith Bernanke
 
Journal of World Popular Music Vol 6 No. 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music View
Jeremy Wallach
 
Popular Music History Vol 10 No. 2 (2015) A critical survey of museum collections of popular music in the United Kingdom View
Marion Leonard, Robert Knifton
 
Journal of World Popular Music Vol 1 No. 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) View
Nabeel Zuberi
 
Perfect Beat Vol 11 No. 2 (2010) Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. View
Dan Bendrups
 
Journal of World Popular Music Vol 7 No. 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. View
Hyunjoon Shin
 
Popular Music History Vol 1 No. 2 (2004) ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies View
Chris McDonald
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Listening again to popular music as history View
Paul Leslie Long, Nicholas Gebhardt
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 View
Giacomo Bottà
 
Journal of World Popular Music Vol 4 No. 2 (2017) Pop-Rock as Musical Cosmopolitanism View
Motti Regev
 
Journal of World Popular Music Vol 2 No. 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) View
Henry Johnson
 
Journal of World Popular Music Vol 1 No. 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– View
Thomas Wagner
 
Fieldwork in Religion Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). View
Barbara Pemberton
 
Journal of World Popular Music Vol 3 No. 2 (2016) Editors’ Introduction View
Simone Krüger Bridge, Sarah Baker
 
Popular Music History Vol 1 No. 1 (2004) Popular Music and Historiography View
Charles Hamm
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) View
Lauren Istvandity
 
Perfect Beat Vol 18 No. 2 (2017) In Melbourne tonight: Pop/rock histories and futures View
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt
 
Journal of Film Music Vol 1 No. 1 (2002) Film Music---What's in a Name? View
William H. Rosar
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) View
Jostine Loubser
 
Popular Music History Vol 7 No. 1 (2012) Resource notes View
Dave Laing
 
Perfect Beat Vol 10 No. 1 (2009) Television special Dialing In: The Sound of Television in the Pacific Region View
Mark Evans
 
Journal of World Popular Music Vol 2 No. 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World View
Andrew Alter, Denis Crowdy, Stephen Collins
 
Perfect Beat Vol 12 No. 1 (2011) Revisionist Popular Music History View
Roy Shuker
 
Popular Music History Vol 1 No. 3 (2004) Introduction to the Special Issue View
David Laing
 
Popular Music History Vol 4 No. 2 (2009) Resource notes View
Ditmer Weertman
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music View
Marcus O'Dair
 
Journal of World Popular Music Vol 6 No. 1 (2019) Editors’ Introduction View
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Perfect Beat Vol 4 No. 1 (1998) EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music View
JONAS BAES, AMAPOLA BAES
 
Popular Music History Vol 1 No. 1 (2004) Popular Music Resources View
Andy Lineham
 
Popular Music History Vol 2 No. 1 (2007) April 2007 The forgotten decade: rethinking the popular music of the 1970s View
Andy Bennett
 
Popular Music History Vol 3 No. 3 (2008) World Music and the global music industry View
Dave Laing
 
Perfect Beat Vol 2 No. 1 (1994) Pacific Dimensions - New Directions and Policies View
PHILIP HAYWARD
 
Popular Music History Vol 1 No. 1 (2004) Archiving Ugandan Popular Music View
Joel Isabirye
 
Perfect Beat Vol 8 No. 4 (2008) WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia View
MARTIN CLOONAN
 
Journal of World Popular Music Vol 6 No. 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City View
John O'Flynn, Áine Mangaoang
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 View
Ben Green
 
Popular Music History Vol 7 No. 3 (2012) Minority language, majority canon View
Sarah Hill
 
Perfect Beat Vol 15 No. 1 (2014) Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. View
Julie Rickwood
 
Perfect Beat Vol 10 No. 2 (2009) Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp View
Martin Cloonan
 
Popular Music History Vol 2 No. 2 (2007) Constructing histories through material culture: Popular Music, Museums and Collecting View
Marion Leonard
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK View
Paul Carr
 
Popular Music History (0) ADVANCE ACCESS Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. View
Melanie Schiller
 
Perfect Beat Vol 14 No. 2 (2013) Introduction: policy and popular music View
Jennifer Cattermole, Martin Cloonan, Shane Homan
 
Perfect Beat Vol 13 No. 2 (2012) Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. View
Ross Hagen
 
Popular Music History Vol 2 No. 2 (2007) Historiography and Complexities: Why is music ‘National’? View
Hans Weisethaunet
 
Journal of World Popular Music Vol 6 No. 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music View
Vincenzo Perna
 
Journal of World Popular Music Vol 1 No. 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. View
Emília Barna
 
Popular Music History Vol 10 No. 3 (2015) Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University View
Timothy Young
 
Journal of World Popular Music Vol 4 No. 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk View
Jez Collins
 
Perfect Beat Vol 3 No. 4 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Jazz Research Journal Vol 1 No. 2 (2007) Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” View
Michael W. Morse
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘Well-worn grooves’: Music, materiality and biographical memory View
Iain A. Taylor
 
Popular Music History Vol 4 No. 1 (2009) Resource notes: the Rockheim Project in Norway View
Andy Lineham
 
Perfect Beat Vol 17 No. 2 (2016) Introduction View
Oli Wilson
 
Journal of World Popular Music Vol 6 No. 2 (2019) Lauren Shaw, ed. 2013. Song and Social Change in Latin America View
Styliani Fotopoulou
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music Introduction: Special Issue on Crossing national borders in Eastern European popular music View
Ewa Mazierska, Zsolt Győri
 
Journal of World Popular Music Vol 2 No. 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) View
Imani Sanga
 
Journal of World Popular Music Vol 2 No. 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean View
Samuel Dwinell
 
Journal of World Popular Music Vol 6 No. 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice View
Kathryn Metz
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. View
Arnar Eggert Thoroddsen
 
Popular Music History Vol 3 No. 1 (2008) Collections at the IPM View
Robert Strachan
 
Journal of World Popular Music Vol 7 No. 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory View
Mariana Barreto
 
Perfect Beat Vol 1 No. 1 (1992) WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA View
Tony Mitchell
 
Perfect Beat Vol 2 No. 3 (1995) HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' View
JOHN WHITEOAK
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD View
Paul Long
 
Perfect Beat Vol 17 No. 1 (2016) Introduction View
Oli Wilson, Dan Bendrups, Donna Weston
 
Journal of World Popular Music Vol 7 No. 1 (2020) Editors’ Introduction View
Simone Krüger Bridge, Jonathan P.J. Stock
 
Perfect Beat Vol 19 No. 1 (2018) Putting a premium on music: Exploring the vinyl revival in the Philippines View
Monika E. Schoop
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Perfect Beat Vol 4 No. 1 (1998) Editorial View
PHILIP HAYWARD, MARK EVANS
 
Popular Music History Vol 9 No. 2 (2014) Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). View
Tony Farsides
 
Journal of World Popular Music Vol 2 No. 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) View
William Ross Hagen
 
Journal of Film Music Vol 5 No. 1-2 (2012) Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring View
Katherine K. Preston
 
Perfect Beat Vol 18 No. 2 (2017) Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. View
Jared Mackley-Crump
 
Journal of World Popular Music Vol 2 No. 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) View
Yona Stamatis
 
Journal of World Popular Music Vol 2 No. 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) View
Peter Manuel
 
Perfect Beat Vol 13 No. 1 (2012) 'Like him or loathe him': 
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Sarah Keith
 
Journal of World Popular Music Vol 3 No. 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue View
Catherine Strong
 
Popular Music History Vol 2 No. 2 (2007) Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage View
Michael Brocken
 
Jazz Research Journal Vol 1 No. 1 (2007) May 2007 Is jazz popular music? View
Simon Frith
 
Popular Music History Vol 9 No. 2 (2014) The lifetime soundtrack: Music as an archive for autobiographical memory View
Lauren Istvandity
 
Perfect Beat Vol 2 No. 1 (1994) THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography View
COLIN MCLEAY
 
Journal of World Popular Music Vol 2 No. 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) View
Duncan Wheeler
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples View
Matthew Brown
 
Popular Music History Vol 1 No. 3 (2004) What story should a history of popular music tell? View
Allan Moore
 
Journal of World Popular Music Vol 4 No. 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland View
Raphaël Nowak
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Michael Lasser, City Songs and American Life, 1900–1950 View
Arno van der Hoeven
 
Popular Music History Vol 10 No. 2 (2015) Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney View
Gaëlle Crenn
 
Journal of World Popular Music Vol 6 No. 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk View
Lewis Tennant
 
Perfect Beat Vol 15 No. 1 (2014) The iTunization of pop: Mobile music and youth social networks View
Anthony Y.H. Fung
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) The poetics of recorded time: Listening again to popular music history View
Paul Long
 
Journal of Film Music Vol 7 No. 2 (2014) Ron Rodman, Tuning In: American Narrative Television Music View
James Deaville
 
Journal of World Popular Music Vol 3 No. 2 (2016) Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) View
Marc Duby
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain View
Nabeel Zuberi
 
Journal of World Popular Music Vol 1 No. 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi View
David Cashman
 
Journal of World Popular Music Vol 2 No. 1 (2015) Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) View
Motti Regev
 
Perfect Beat Vol 2 No. 4 (1996) DIRECTIONS IN POPULAR MUSIC STUDIES View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 4 (1996) AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY View
GEORGE H. LEWIS
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) View
Nick Prior
 
Journal of Film Music Vol 1 No. 1 (2002) Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] View
Linda Schubert
 
Popular Music History Vol 4 No. 2 (2009) Popular music, mapping, and the characterization of Liverpool View
Brett Lashua, Sara Cohen, John Schofield
 
Journal of World Popular Music Vol 7 No. 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) View
Colin Harte
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba View
Iván Darias Alfonso
 
Perfect Beat Vol 2 No. 4 (1996) TRAJECTION -AN INTRODUCTION View
PHILIP HAYWARD
 
Perfect Beat Vol 11 No. 1 (2010) Signifiers of indigeneity in Australian and New Zealand popular music View
Oli Wilson
 
Journal of World Popular Music Vol 7 No. 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” View
Brent Keogh
 
Perfect Beat Vol 11 No. 1 (2010) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 2 No. 2 (2015) BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) View
Alfredo Colman
 
Perfect Beat Vol 17 No. 2 (2016) Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. View
Rachel Tollett
 
Journal of World Popular Music Vol 2 No. 2 (2015) World Music, World Circuit: In Conversation with Nick Gold View
Simone Krüger
 
Health and Social Care Chaplaincy Vol 9 No. 2 (2021) Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy View
Astrid Notarangelo
 
Popular Music History Vol 6 No. 3 (2011) The making of a Yugoslav popular music industry View
Dean Vuletic
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi View
Linda Maria Koldau
 
Perfect Beat Vol 20 No. 1 (2019) Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. View
Anna Szemere
 
Perfect Beat Vol 14 No. 2 (2013) Youth, radio and Australian popular music policy View
Chris K. Wilson
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 6 No. 2 (2013) Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana View
C. Letcher
 
Perfect Beat Vol 12 No. 1 (2011) ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform View
Henry Johnson
 
Perfect Beat Vol 13 No. 1 (2012) De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. View
Andreas Steen
 
Perfect Beat Vol 8 No. 3 (2007) THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 View
ROY SHUKER
 
Journal of World Popular Music Vol 6 No. 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea View
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Journal of World Popular Music Vol 2 No. 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl View
Arno van der Hoeven
 
Journal of World Popular Music Vol 4 No. 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright View
Caspar Melville
 
Perfect Beat Vol 12 No. 2 (2011) The success of hopelessness: the evolution of Korean indie music View
Hyunjoon Shin
 
Popular Music History Vol 3 No. 1 (2008) The origins and development of The Institute of Popular Music: An interview View
Dave Horn
 
Jazz Research Journal Vol 6 No. 1 (2012) Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films View
Simone Varriale
 
Journal of World Popular Music Vol 2 No. 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) View
Thomas R. Hilder
 
Journal of World Popular Music Vol 1 No. 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) View
Iris Yellum
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) San Francisco State University's Music Federation: A local jazz cooperative for teachers View
Meredith Morgan Eliassen
 
Perfect Beat Vol 1 No. 3 (1993) CO-LOCATIONS - AN INTRODUCTION View
Philip Hayward
 
Popular Music History Vol 2 No. 3 (2007) PMH 2.3 Resource notes View
Andy Linehan
 
Perfect Beat Vol 17 No. 1 (2016) An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia View
Brent Keogh
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. View
Kheng K. Koay
 
Journal of World Popular Music Vol 1 No. 2 (2014) Thirty Years of World Music View
Timothy D. Taylor
 
Perfect Beat Vol 2 No. 2 (1995) Emergences - An Introduction View
PHILIP HAYWARD
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) Experiential knowledge: Dance as source for popular music historiography View
Beate Peter
 
Perfect Beat Vol 4 No. 1 (1998) MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones View
CORALIE JOYCE
 
Perfect Beat Vol 4 No. 1 (1998) THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan View
FRED COLE, MICHAEL HANNAN
 
Popular Music History Vol 1 No. 1 (2004) Histories and complexities: Popular Music History Writing and Danish Rock View
Morten Michelsen
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Perfect Beat Vol 18 No. 1 (2017) Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories View
Lauren Istvandity
 
Journal of Film Music Vol 5 No. 1-2 (2012) Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera View
Jacqueline Avila
 
Perfect Beat Vol 8 No. 3 (2007) SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand View
NABEEL ZUBERI
 
Perfect Beat Vol 2 No. 3 (1995) Traffic -An Introduction View
PHILIP HAYWARD
 
Popular Music History Vol 2 No. 1 (2007) April 2007 BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 View
David Simonelli
 
Perfect Beat Vol 3 No. 3 (1997) SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song View
PETER DUNBAR-HALL
 
Popular Music History Vol 13 No. 3 (2020) Space to play: The sound of British female punk music and its engagement with reggae in the 1970s View
Helen Reddington
 
Perfect Beat Vol 14 No. 2 (2013) Popular music, cultural policy, and the Festival of Pacific Arts View
Dan Bendrups
 
Journal of World Popular Music Vol 4 No. 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil View
Berenice Corti, Luciana Xavier de Oliveira
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries View
Malvina Silba
 
Perfect Beat Vol 15 No. 2 (2014) Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp View
Anne Danielsen
 
Journal of World Popular Music Vol 1 No. 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea View
Oli Wilson
 
Perfect Beat Vol 10 No. 1 (2009) Television special Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC View
Jon Fitzgerald
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) Triumph of the maggots? Valorization of metal in the rock press View
Hélène Laurin
 
Jazz Research Journal Vol 14 No. 1 (2020) ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson View
Adam Havas
 
Perfect Beat Vol 1 No. 2 (1993) THREE DECADES OF AUSTRALIAN POPULAR MUSIC View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. View
Tony Mitchell
 
Perfect Beat Vol 1 No. 2 (1993) Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin View
Marcus Breen
 
Perfect Beat Vol 1 No. 2 (1993) Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP View
Roderick Nielsen
 
Perfect Beat Vol 1 No. 2 (1993) Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin View
Michael Flint
 
Perfect Beat Vol 1 No. 2 (1993) Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. View
Carolyn Craig
 
Journal of Film Music Vol 7 No. 2 (2014) Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 View
Carolin Beinroth, Claudia Bullerjahn
 
Perfect Beat Vol 12 No. 1 (2011) Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study View
Manolete Mora
 
Perfect Beat Vol 1 No. 1 (1992) TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations View
KATRINA McMANUS
 
Journal of World Popular Music Vol 3 No. 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) View
Russell P. Skelchy
 
Journal of Film Music Vol 6 No. 1 (2013) Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier View
Mark Durrand
 
Perfect Beat Vol 15 No. 2 (2014) ‘Lookin, searchin, seekin, findin’: A new beat View
Shelley Brunt, Oli Wilson, Catherine Strong
 
Jazz Research Journal Vol 7 No. 1 (2013) Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century View
Helen Vera Southall
 
Perfect Beat Vol 10 No. 1 (2009) Television special Maintaining Rage: Counting down without a host for over 20 years View
Liz Giuffre
 
Popular Music History Vol 6 No. 3 (2011) Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). View
James McGrath
 
Popular Music History Vol 8 No. 3 (2013) Soccer sounds: Popular music and football in Britain View
Dave Laing, Andy Linehan
 
Popular Music History Vol 3 No. 3 (2008) Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). View
Dave Laing
 
Popular Music History Vol 6 No. 3 (2011) Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. View
Dave Laing
 
Popular Music History Vol 3 No. 3 (2008) Improvised performance in World Music: Finding the violin in unexpected places View
Jonathan Feig
 
Journal of Film Music Vol 4 No. 1 (2011) Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. View
James Wierzbicki
 
Journal of World Popular Music Vol 1 No. 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) View
Matt Stahl
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Popular Music History Vol 5 No. 3 (2010) National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians View
Paul Carr
 
Perfect Beat Vol 19 No. 1 (2018) Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies View
Nabeel Zuberi
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Sound and Vision: 60 Years of Motion Picture Soundtracks View
Jon Burlingame
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Perfect Beat Vol 13 No. 2 (2012) Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music View
Qian Wang
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) View
Paul Fischer
 
Journal of Film Music Vol 5 No. 1-2 (2012) The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” View
Michael V. Pisani
 
Journal of World Popular Music Vol 1 No. 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) View
Jonathan P. J. Stock
 
Journal of Film Music Vol 5 No. 1-2 (2012) Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film View
Erin Michelle Brooks
 
Perfect Beat Vol 1 No. 2 (1993) Sound Alliances: An Introduction View
Philip Hayward
 
Perfect Beat Vol 8 No. 3 (2007) AOTEAROA SONGLINES View
TONY MITCHELL
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 View
Anne Cleaton
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Ektoplazm.com: Psychedelic trance, internet curation and free music distribution View
Christopher David Charles
 
Journal of World Popular Music Vol 3 No. 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television View
Liz Giuffre
 
Journal of World Popular Music Vol 6 No. 2 (2019) Academia Against Popular Culture: Popular Culture Against Academia View
Esther Clinton
 
Perfect Beat Vol 8 No. 3 (2007) GORE GOLD GUITARS The Place of Country in New Zealand View
DAN BENDRUPS, HENRY JOHNSON
 
Perfect Beat Vol 16 No. 1-2 (2015) Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry View
Christina Ballico
 
Perfect Beat Vol 19 No. 1 (2018) Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia View
Henry Johnson
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Popular Music History Vol 10 No. 3 (2015) The multi-layered transnationalism of Fran Palermo View
Ewa Mazierska, Bence Kránicz
 
Journal of World Popular Music Vol 1 No. 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). View
Åse Ottosson
 
Perfect Beat Vol 17 No. 2 (2016) On Hillsong’s continued reign over the Australian contemporary congregational song genre View
Daniel Thornton
 
Journal of Film Music Vol 7 No. 2 (2014) Hannah Lewis, French Musical Culture and the Coming of Sound Cinema View
Colin Roust
 
Journal of Film Music Vol 5 No. 1-2 (2012) Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda View
William H. Rosar
 
Journal of World Popular Music Vol 2 No. 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) View
Heather Strohschein
 
Popular Music History Vol 11 No. 3 (2018) A tribute to Dave Laing View
Martin Cloonan
 
Jazz Research Journal Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) Remixing jazz culture: Musical hybridity and collectivity in the New Europe View
Kristin McGee
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book View
Eric Hung
 
Journal of World Popular Music Vol 4 No. 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil View
Gustavo Alonso
 
Perfect Beat Vol 2 No. 3 (1995) DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures View
MALCOLM PHILPOTT
 
Journal of World Popular Music Vol 6 No. 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local View
Wonderful Godwin Bere
 
Perfect Beat Vol 3 No. 4 (1998) EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire View
JULIE RICKWOOD
 
Fieldwork in Religion Vol 14 No. 1 (2019) Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal View
Barbara Pemberton
 
Journal of World Popular Music Vol 6 No. 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music View
Yair Hashachar
 
Popular Music History Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s View
Andy Bennett
 
Journal of World Popular Music Vol 4 No. 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity View
Carolina Spataro
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto View
MALCOLM PHILPOTT, GREG SEETO
 
Perfect Beat Vol 4 No. 3 (1999) SCREEN SCORES View
JON FITZGERALD
 
Perfect Beat Vol 4 No. 3 (1999) PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies View
DENNIS CROWDY
 
Perfect Beat Vol 20 No. 1 (2019) Editorial introduction View
Shelley Brunt, Oli Wilson
 
Perfect Beat Vol 18 No. 1 (2017) Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream View
Henry Johnson
 
Popular Music History Vol 5 No. 3 (2010) Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. View
Noel McLaughlin
 
Popular Music History Vol 3 No. 3 (2008) Traditional music and the World Music marketplace: A producer’s experience View
Joe Boyd,
 
Popular Music History Vol 6 No. 3 (2011) From corporates and media to state control: International perspectives on the music business View
Richard Coopey
 
Popular Music History Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music From South to East: Exoticism in Polish popular music of the state socialist period View
Ewa Mazierska
 
Journal of World Popular Music Vol 4 No. 2 (2017) Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia View
Dijana Jelača
 
Implicit Religion Vol 7 No. 1 (2004) Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution View
Michael Amoah
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television View
Mark Brill
 
Journal of World Popular Music Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change View
Dave Wilson
 
Journal of World Popular Music Vol 4 No. 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) View
Antti-Ville Kärjä
 
Journal of Film Music Vol 6 No. 1 (2013) “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas View
Tim Summers
 
Perfect Beat Vol 3 No. 4 (1998) MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand View
TONY MITCHELL, ROY SHUKER
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics Editorial Introduction View
Kirsten Zemke
 
Perfect Beat Vol 4 No. 3 (1999) Editorial View
MARK EVANS, KARL NEUENFELDT
 
Journal of World Popular Music Vol 4 No. 2 (2017) Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube View
Simone Pereira de Sá, Simone Evangelista Cunha
 
Journal of Film Music Vol 4 No. 1 (2011) The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie View
Ronald Rodman
 
Perfect Beat Vol 15 No. 2 (2014) Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. View
Bruce Johnson
 
Perfect Beat Vol 1 No. 2 (1993) JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I View
Andrew N. Weintraub
 
Popular Music History Vol 1 No. 3 (2004) Down beats and rolling stones:the American jazz press decides to cover rock in 1967 View
Matt Brennan
 
Perfect Beat Vol 3 No. 3 (1997) GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 View
RYUICHI TAI
 
Journal of World Popular Music Vol 2 No. 2 (2015) Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) View
Felipe Arocena
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Bernard Herrmann: The Beethoven of Film Music? View
William H. Rosar
 
Perfect Beat Vol 17 No. 2 (2016) Watching them walk out taller than they walked in: Sydney's venues in 2016 View
Martin Cloonan
 
Perfect Beat Vol 3 No. 2 (1997) Editorial View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 1 (1994) TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne View
ROBIN RYAN
 
Perfect Beat Vol 19 No. 1 (2018) Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands View
Sebastian Diaz-Gasca
 
Perfect Beat Vol 19 No. 1 (2018) Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play View
Sebastian Diaz-Gasca
 
Popular Music History Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) The ‘double controversy’ of Christian metal View
Marcus Moberg
 
Journal of Film Music Vol 4 No. 1 (2011) Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) View
Nathan Platte
 
Popular Music History Vol 1 No. 2 (2004) Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories View
Michael Brocken
 
Perfect Beat Vol 3 No. 4 (1998) FLOWING Theories and Taboos in Popular Music Studies View
ANDREW MURPHIE
 
Religious Studies and Theology Vol 31 No. 1 (2012) Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. View
Jacob D. Myers
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann View
Richard Littlefield
 
Journal of Film Music Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu View
Timothy Koozin
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Curating exhausted commodities: A case study of We Buy White Albums View
Iain A. Taylor
 
Journal of Film Music Vol 5 No. 1-2 (2012) “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score View
Nathan Platte
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Popular Music History Vol 4 No. 3 (2009) ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 View
Alf Arvidsson
 
Popular Music History Vol 4 No. 2 (2009) Nowhere man: urban life and the virtualization of popular music View
Paul Graves-Brown
 
Popular Music History Vol 2 No. 1 (2007) April 2007 Constructing an avant-garde: Australian popular music and the experience of pleasure View
Jon Stratton
 
Perfect Beat Vol 16 No. 1-2 (2015) Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music View
Michael Richard Clement Jr.
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. View
Andy Bennett
 
Perfect Beat Vol 16 No. 1-2 (2015) Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. View
Natalie Lewandowski
 
Journal of World Popular Music Vol 4 No. 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century View
Michael B. Bakan
 
Popular Music History Vol 10 No. 2 (2015) No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses View
Kathleen Pirrie Adams
 
Popular Music History Vol 3 No. 2 (2008) Afraid of Technology?: Major label response to advancements in digital technology View
Aaron Robert Furgason
 
Popular Music History Vol 1 No. 2 (2004) Q and The Face: Narratives of consumption in the UK music press in the 1980s View
Stephen Hill
 
Perfect Beat Vol 2 No. 2 (1995) MODERN PNG MUSIC View
PETER DUNBAR HALL
 
Perfect Beat Vol 2 No. 2 (1995) It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso View
IAN MAXWELL
 
Perfect Beat Vol 2 No. 2 (1995) Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge View
BRUCE JOHNSON
 
Perfect Beat Vol 2 No. 2 (1995) Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press View
PHILIP HAYWARD
 
Perfect Beat Vol 2 No. 2 (1995) From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney View
TOM BURVILL
 
Perfect Beat Vol 2 No. 2 (1995) Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus View
MICHAEL FLINT
 
Pomegranate: The International Journal of Pagan Studies Vol 15 No. 1-2 (2013) Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). View
Ethan Doyle White
 
Perfect Beat Vol 1 No. 2 (1993) TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea View
Michael Webb
 
Journal of World Popular Music Vol 6 No. 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians View
Ioannis Tsioulakis
 
Popular Music History Vol 8 No. 3 (2013) The greatest era of the UK pop music industry: An efficiency perspective View
Lee Yoong Hon
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah View
Mike Brocken
 
Journal of World Popular Music Vol 6 No. 1 (2019) Barbara Browning. A Foreign Sound View
Andrew Snyder
 
Popular Music History Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history View
Toby Martin
 
Popular Music History Vol 6 No. 3 (2011) Adopting the rights-based model: Music multinationals and local music industries since 1945 View
Gerben Bakker
 
Journal for the Academic Study of Religion Vol 20 No. 2 (2007) Brand of Choice: Why Hillsong Music is Winning Sales and Souls View
E.H. McIntyre
 
Popular Music History Vol 11 No. 2 (2016) Review article View
Dave Laing
 
Journal of Film Music Vol 3 No. 2 (2010) Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content View
Michael Remson
 
Perfect Beat Vol 2 No. 3 (1995) A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River View
ADRIAN MCNEIL
 
Journal of World Popular Music Vol 1 No. 1 (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 View
Pedro Nunes
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Right time, right place: The British Library’s Punk 1976–78 exhibition View
J. Mark Percival
 
Equinox eBooks Publishing The History of European Jazz 10. Finland View
Juha Henriksson
 
Popular Music History Vol 13 No. 3 (2020) A sonic step closer: Master-tape preservation at the Alexander Turnbull Library View
Michael Brown
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) View
Tony Mitchell
 
Journal of World Popular Music Vol 1 No. 2 (2014) Motti Regev. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity. 224pp. ISBN 978-0-7456-6173-5 (pbk) View
Jason Toynbee
 
Popular Music History Vol 9 No. 2 (2014) Resource Notes View
Brock Silversides
 
Popular Music History Vol 4 No. 1 (2009) Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) View
Chloë Mullett
 
Jazz Research Journal Vol 2 No. 2 (2008) John Coltrane and the integration of Indian concepts in jazz improvisation View
Carl Clements
 
Perfect Beat Vol 16 No. 1-2 (2015) An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes View
Samuel Charles Whiting
 
Perfect Beat Vol 3 No. 2 (1997) INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA View
DAVID GOLDSWORTHY
 
Journal of World Popular Music Vol 1 No. 2 (2014) Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) View
Emma Baulch
 
Journal of Film Music Vol 5 No. 1-2 (2012) Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema View
Tobias Plebuch
 
Journal of World Popular Music Vol 6 No. 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity View
Jocelyne Guilbault
 
Journal of World Popular Music Vol 2 No. 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers View
Denis Crowdy
 
Journal of Film Music Vol 2 No. 1 (2007) Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] View
Eric Hung
 
Journal of World Popular Music Vol 2 No. 2 (2015) Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) View
Jo Haynes
 
Perfect Beat Vol 18 No. 2 (2017) Playing bluegrass in Australia across country and folk scenes View
Miriam Amy Jones
 
Perfect Beat Vol 4 No. 3 (1999) THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA View
DENNIS CROWDY, MICHAEL GODDARD
 
Perfect Beat Vol 18 No. 2 (2017) Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. View
Alison Blair
 
Journal of World Popular Music Vol 3 No. 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) View
Rob Bowman
 
Popular Music History Vol 10 No. 3 (2015) ‘Only one can rule the night’: Fairs and music in post-1945 Britain View
Ian Trowell
 
Popular Music History Vol 4 No. 1 (2009) Historical approaches to Merseybeat: delivery, affinity and diversity View
Ian Inglis
 
Journal of World Popular Music Vol 7 No. 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality View
Brent Keogh, Ian Collinson
 
Perfect Beat Vol 20 No. 2 (2020) Special Issue: Music and Politics ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism View
Julie Rickwood
 
Journal of World Popular Music Vol 1 No. 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music View
Tom Wagner
 
Popular Music History Vol 8 No. 1 (2013) Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das View
Jeffrey W. Cupchik
 
Popular Music History Vol 3 No. 2 (2008) ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground View
Peter Webb
 
Journal of World Popular Music Vol 4 No. 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar View
Markus Verne
 
Popular Music History Vol 6 No. 3 (2011) Making a scene: The Bergen wave in popular music, 1990–2008 View
Stig Tenold
 
Journal of World Popular Music Vol 3 No. 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) View
Alf Arvidsson
 
Perfect Beat Vol 14 No. 1 (2013) Introduction View
Denis Crowdy, Mark Evans
 
Journal of World Popular Music Vol 3 No. 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) View
Donna Weston
 
Perfect Beat Vol 10 No. 1 (2009) Television special Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press View
Robert G H Burns
 
Journal of World Popular Music Vol 3 No. 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s View
Catherine Strong, Ian Rogers
 
Popular Music History Vol 9 No. 3 (2014) Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 View
Nick Braae
 
Journal of World Popular Music Vol 2 No. 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice View
Henry Johnson
 
Journal of World Popular Music Vol 2 No. 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music View
Britta Sweers
 
Journal of Contemporary Archaeology Vol 6 No. 2 (2019) Archaeology, Heritage and Performance in the Perth Popular Music Scene View
Sean Winter, B'geella Romano
 
Perfect Beat Vol 11 No. 1 (2010) State of play: Live original music venues in Western Australia View
Dawn Bennett
 
Journal of World Popular Music Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) View
John Mullen
 
Perfect Beat Vol 15 No. 1 (2014) Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air View
Jennifer Cattermole
 
Perfect Beat Vol 13 No. 2 (2012) Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians View
Barry Hill, Jon Fitzgerald
 
Popular Music History (0) ADVANCE ACCESS Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. View
James G. McNally
 
Perfect Beat Vol 4 No. 1 (1998) FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site View
MURRAY GARDE
 
Popular Music History Vol 9 No. 3 (2014) Reviews in brief View
Dave Laing
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. View
Kwami Coleman
 
Jazz Research Journal Vol 10 No. 1-2 (2016) Editorial: The Global Circulations of Jazz View
Stéphane Dorin
 
Perfect Beat Vol 11 No. 2 (2010) St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. View
Ed Montano
 
Equinox eBooks Publishing The History of European Jazz 39. Film View
Selwyn Harris
 
Implicit Religion Vol 17 No. 2 (2014) Music as an Aid to Philosophizing about Religion View
Peter Donovan
 
Popular Music History Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK The meaning of the music venue: Historicizing the Click Club View
Paul Long, Sarah Raine
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” View
Lora Matthews
 
Journal of Film Music Vol 2 No. 1 (2007) Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] View
Tom Schneller
 
Perfect Beat Vol 1 No. 2 (1993) AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry View
Diane Langman
 
Perfect Beat Vol 15 No. 2 (2014) All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett View
Catherine Strong
 
Popular Music History Vol 8 No. 3 (2013) Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). View
Sarah Davis
 
Popular Music History Vol 1 No. 3 (2004) Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate View
Giles Hooper
 
Perfect Beat Vol 13 No. 1 (2012) Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp. View
Matthew Bannister
 
Popular Music History Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation Scene and heard: Collecting the Dunedin Sound View
Amanda Patricia Mills
 
Popular Music History Vol 4 No. 3 (2009) The Vaughan Williams Memorial Library View
Andy Lineham
 
Journal of World Popular Music Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. View
Jason Buchea
 
Popular Music History Vol 5 No. 3 (2010) Resource notes View
Brian Hickman
 
Popular Music History Vol 1 No. 1 (2004) "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s View
Toru Mitsui
 
Perfect Beat Vol 2 No. 1 (1994) EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s View
SHUHEI HOSOKAWA
 
Perfect Beat Vol 4 No. 3 (1999) STRICTLY BALLROOM The Rumba in Pre-World War Two Japan View
SHUHEI HOSOKAWA
 
Journal of World Popular Music Vol 4 No. 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 View
David Baker, Lauren Istvandity
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Leith Amadeus Stevens: Early Years and Family History View
Zolona E. Stevens Moss †
 
Popular Music History Vol 3 No. 3 (2008) Globalization and commercialization of Caribbean music View
Mike Alleyne
 
Journal of World Popular Music Vol 3 No. 2 (2016) Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) View
Daniel Wilson
 
Perfect Beat Vol 8 No. 4 (2008) Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate View
JON STRATTON
 
Perfect Beat Vol 18 No. 1 (2017) Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp View
Catherine Hoad
 
Equinox eBooks Publishing The History of European Jazz 33. Azerbaijan View
Rain Sultanov
 
Popular Music History Vol 4 No. 1 (2009) Scottish indie music and BBC radio’s Beat Patrol (1995–2000) View
J. Mark Percival
 
Perfect Beat Vol 13 No. 1 (2012) New age music and Japanese tradition: Kitaro Live in Yakushiji View
Kimi Coaldrake
 
Popular Music History Vol 13 No. 3 (2020) In my tomb: Unveiling the Beach Boys state historical landmark View
Dale Carter
 
Jazz Research Journal Vol 2 No. 2 (2008) Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa View
Charles Hersch,
 
Perfect Beat Vol 19 No. 1 (2018) Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] View
Brent Keogh
 
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