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Journal Issue Title
 
Trajectories and Themes in World Popular Music View
Simone Krüger Bridge
 
Journal of World Popular Music Vol 1 No. 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course View
Andrew Killick
 
Equinox eBooks Publishing The Making of the Musical World American Popular Music and the World View
Andrew Killick
 
Journal of World Popular Music Vol 1 No. 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) View
Katelyn Barney
 
Perfect Beat Vol 13 No. 2 (2012) Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. View
Don Conway-Long
 
Journal of World Popular Music Vol 3 No. 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) View
Jun Zubillaga-Pow
 
Perfect Beat Vol 2 No. 4 (1996) SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music View
Andrew MURPHIE
 
The Making of the Musical World View
Andrew Killick
 
Journal of World Popular Music Vol 1 No. 1 (2014) Editors’ Introduction to Inaugural Issue View
Simone Krüger, Sarah Baker
 
Popular Music History Vol 3 No. 1 (2008) Introduction to the special issue: 20 years of the Institute of Popular Music View
Dave Laing
 
Rufus Wainwright View
Katherine Williams
 
Perfect Beat Vol 4 No. 1 (1998) GLOBAL PERSPECTIVES View
WILL STRAW
 
Perfect Beat Vol 17 No. 2 (2016) Melbourne popular music in the museum: Locating the academy in the sonic city View
Marcus Breen
 
Perfect Beat Vol 3 No. 4 (1998) DOMESTIC EXOTICISM A recent trend in Japanese popular music View
TORU MITSUI
 
Journal of World Popular Music Vol 2 No. 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices View
Diane Hughes, Sarah Keith
 
Sounds Northern View
Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah
 
Popular Music History Vol 3 No. 3 (2008) Ghana and the World Music Boom View
John Collins
 
Beyond 2.0 View
Steve Collins, Sherman Young
 
Popular Music History Vol 5 No. 1 (2010) Bernard Herrmann—‘pop’ composer? View
Edward Green
 
Popular Music History Vol 3 No. 3 (2008) The Archive of Contemporary Music, New York View
Andy Linehan
 
Equinox eBooks Publishing Trajectories and Themes in World Popular Music Globalization and World Music View
Simone Krüger Bridge
 
Popular Music History Vol 6 No. 3 (2011) From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 View
Klaus Nathaus
 
Equinox eBooks Publishing The Making of the Musical World Preface View
Andrew Killick
 
Perfect Beat Vol 10 No. 2 (2009) Imagining Okinawa: Japanese pop musicians and Okinawan music View
Matt Gillan
 
The Lost Women of Rock Music View
Helen Reddington, Derek Scott
 
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