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| Journal | Issue | Title | |
| Trajectories and Themes in World Popular Music | View | ||
| Simone Krüger Bridge | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity | View |
| Neil Deane, Elke Schuch | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) | View |
| Katelyn Barney | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Ian Peddie, ed. 2011. Popular Music and Human Rights (Vol. 1: British and American Music; Vol. 2: World Music). Burlington, VT: Ashgate. ISBN 978-0-7546-6852-7 (hbk). 206pp/200pp. | View |
| Don Conway-Long | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) | View |
| Jun Zubillaga-Pow | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World | View |
| Birgit Abels | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| The Making of the Musical World | View | ||
| Andrew Killick | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Editors’ Introduction to Inaugural Issue | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 3 No. 1 (2008) | Introduction to the special issue: 20 years of the Institute of Popular Music | View |
| Dave Laing | |||
| Rufus Wainwright | View | ||
| Katherine Williams | |||
| Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
| WILL STRAW | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship | View |
| Kimberly Kattari | |||
| Perfect Beat | Vol 3 No. 4 (1998) | DOMESTIC EXOTICISM A recent trend in Japanese popular music | View |
| TORU MITSUI | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices | View |
| Diane Hughes, Sarah Keith | |||
| Sounds Northern | View | ||
| Ewa Mazierska, Richard Witts, Paul Leslie Long, Jez Collins, Owen Hatherley, Matthew Cheeseman, Brian Baker, Niall Scott, Andrew Barron, Les Gillon, Kamila Rymajdo, Peter Atkinson, Ian Trowell, James Ingham, Adam de Paor-Evans, Tom Attah | |||
| Popular Music History | Vol 3 No. 3 (2008) | Ghana and the World Music Boom | View |
| John Collins | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Beyond 2.0 | View | ||
| Steve Collins, Sherman Young | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Imagining Okinawa: Japanese pop musicians and Okinawan music | View |
| Matt Gillan | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Globalization and World Music | View |
| Simone Krüger Bridge | |||
| The Lost Women of Rock Music | View | ||
| Helen Reddington, Derek Scott | |||
| Equinox eBooks Publishing | The Making of the Musical World | Preface | View |
| Andrew Killick | |||
| Popular Music History | Vol 1 No. 2 (2004) | Showgirls and stars: Black-cast revues and female performersin Britain 1903–1939 | View |
| Howard Rye | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Introduction: Why is everything curated these days? Examining the work of popular music curation | View |
| Holly Tessler | |||
| Popular Music History | Vol 5 No. 3 (2010) | Forgetting and remembering the Bhundu Boys: conditions of memory in popular music | View |
| Mike Jones | |||
| The Beatles | View | ||
| Ian Inglis | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Companion Website | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Acknowledgements | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Bibliography | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Index | View |
| Simone Krüger Bridge | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music before Neoliberalism | View |
| Simone Krüger Bridge | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE ESSENTIALISTIC, THE EXOTIC, THE EQUIVOCAL AND THE ABSURD The Cultural Production and Use of the Didjeridu in World Music | View |
| KARL NEUENFELDT | |||
| Falco and Beyond | View | ||
| Ewa Mazierska | |||
| Technomad | View | ||
| Graham St John | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics | View |
| Samuel Horlor | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | Popular Music in Postdemocracy | View |
| Simone Krüger Bridge | |||
| Equinox eBooks Publishing | The Beatles | References | View |
| Ian Inglis | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Resist or perish! Understanding the mode of resistance among young DIY Indonesian musicians | View |
| Oki Rahadianto Sutopo, Gregorius Ragil Wibawanto, Agustinus Aryo Lukisworo | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
| Robert Lawson-Peebles | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘A West Indian? You must be joking! I come out of the East End’: Kenny Lynch and English racism in the 1950s and 1960s | View |
| Jon Stratton | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Music Tree | View |
| Andrew Killick | |||
| Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
| Richard Witts | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Heavy metal as controversy and counterculture | View |
| Titus Hjelm, Keith Kahn-Harris, Mark Levine | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Malaysian composers, geopolitical spaces and cultural difference | View |
| Jonas Ureta Baes | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club | View |
| Lucy Durán | |||
| Equinox eBooks Publishing | Trajectories and Themes in World Popular Music | The Cool Culture of Neoliberal Capitalism | View |
| Simone Krüger Bridge | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Equinox eBooks Publishing | The Making of the Musical World | Popular and Traditional Musics of Indigenous Peoples | View |
| Andrew Killick | |||
| The Music of Fantasy Cinema | View | ||
| Janet K. Halfyard, Mark Brill, Philip Hayward, J. Drew Stephen, Lee Barron, Liz Giuffre, Ben Winters, Alexander G. Binns, Scott Murphy, Victoria Hancock, Jamie L. Webster | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | ‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals | View |
| Brent Keogh | |||
| Equinox eBooks Publishing | The Making of the Musical World | Latin America: A Tale of Five Continents | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | The Making of the Musical World | Back to Africa: Global Language, Local Accent | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Development: The Role of A and R - Music will Never Stop | View |
| Sally Gross | |||
| Equinox eBooks Publishing | Sounds Northern | Index | View |
| Ewa Mazierska | |||
| Equinox eBooks Publishing | Sounds Northern | Is It Really Grim Up North?: Popular Music in the North of England | View |
| Ewa Mazierska | |||
| Jazz Research Journal | Vol 4 No. 2 (2010) | Jazz in Kuala Lumpur | View |
| Gisa Jähnichen | |||
| Equinox eBooks Publishing | The Making of the Musical World | The Caribbean: Powerhouse of Popular Styles | View |
| Andrew Killick | |||
| Hidden Man | View | ||
| John Altman | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time | View |
| Pablo Alabarces, Felipe Trotta | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 3. Dying Language, Multi-Identity and Music for the Young | View |
| Pekka Suutari | |||
| Equinox eBooks Publishing | The Making of the Musical World | East Asia: Ancient Traditions and Modern Inventions | View |
| Andrew Killick | |||
| Equinox eBooks Publishing | Ludomusicology | Remixed Metaphors: Manipulating Classical Music and Its Meanings in Video Games | View |
| William Gibbons | |||
| Equinox eBooks Publishing | The Beatles | Introduction | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | Sounds Icelandic | Nurturing the roots: Músíktilraunir, Iceland’s foremost “Battle of the bands” competition | View |
| Arnar Eggert Thoroddsen | |||
| Equinox eBooks Publishing | Maldito Coronavirus! | Gone Viral: Cumbia, Sampling, and the Globalized Circulation of Disease and Culture | View |
| Daniel Margolies, J.A. Strub | |||
| Trad Dads, Dirty Boppers and Free Fusioneers | View | ||
| Duncan Heining | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Hip Nostalgia: Jazz and the Politics of Representation in Three Dramedies | View |
| Gabriel Solis | |||
| Implicit Religion | Vol 12 No. 3 (2009) | Helping Students See What Ordinarily Remains Hidden: How Implicit Religion Can Enrich Teaching | View |
| Andrew M. Wender | |||
| Equinox eBooks Publishing | Sounds Northern | 2. Another Uniquely Mancunian Offering?: Un-Convention and the Intermediation of Music Culture and Place | View |
| Paul Long, Jez Collins | |||
| Terror Tracks | View | ||
| James Wierzbicki, Scott Murphy, Michael Hannan, Kyoko Koizumi, Tony Mitchell, Jon Fitzgerald, Mark Evans, Rebecca † Coyle, Jeremy Barham, Janet K. Halfyard, Lee Barron, Ian Inglis, Karen Collins, Rebecca Coyle †, Laura Wiebe Taylor, Harry Minassian, Philip Hayward | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) | View |
| Nina Menezes | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | Historical Consciousness and the Use of the Past in a Material World | View |
| John Baines, Henriette van der Blom, Yi Chen, Tim Rood | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 1. Ancient Near East and Hittite Traditions: Introduction | View |
| Paul Collins | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 6. Egyptian and Maya Traditions: Introduction | View |
| John Baines | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 10. Chinese Traditions: Introduction | View |
| Glen Dudbridge† | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 14. Biblical Traditions: Introduction | View |
| Laura Feldt | |||
| Equinox eBooks Publishing | Historical Consciousness and the Use of the Past in the Ancient World | 17. Classical Traditions: Introduction | View |
| Henriette van der Blom, Tim Rood | |||
| Popular Music History | Vol 1 No. 1 (2004) | Editor's Introduction | View |
| Robert Strachan | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Equinox eBooks Publishing | Sounds Northern | 6. Hard Floors, Harsh Sounds and the Northern Anti-Festival: Futurama 1979-1983 | View |
| Ian Trowell | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Editors' Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Editor's Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett | |||
| Perfect Beat | Vol 19 No. 2 (2018) | Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | View |
| Emma-Jayne Reekie | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Editor's Introduction | View |
| Simone Krüger, Sarah Baker | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music Studies and Interdisciplinarity | View |
| Steve Waksman | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker, Raphaël Nowak | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Editorial Introduction to Issue 1.2 | View |
| Simone Krüger, Sarah Baker | |||
| Popular Music History | Vol 3 No. 3 (2008) | Introduction to the Special Issue | View |
| Tuulikki Pietilä | |||
| Popular Music History | Vol 10 No. 3 (2015) | Michael Brocken, The Twenty-First-Century Legacy of The Beatles: Liverpool and Popular Music Heritage Tourism. Aldershot: Ashgate, 2015. 224 pp. £70. ISBN 978-1-47243-399-2 (hbk) | View |
| Marlie Centawer | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 1 No. 1 (1992) | Editorial Introduction | View |
| Philip Hayward | |||
| Popular Music History | (0) ADVANCE ACCESS | Kirkland Fulk, ed., Sounds German: Popular Music in Postwar Germany at the Crossroads of the National and Transnational. | View |
| Wolf-Georg Zaddach | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Currents and Contradictions in the Ethnomusicology of Popular Music | View |
| Harris M. Berger | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). | View |
| Bruce Johnson | |||
| Popular Music History | Vol 1 No. 1 (2004) | History beings yesterday | View |
| Paul Oliver | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) | View |
| Tom Sykes | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Popular Music History | Vol 10 No. 2 (2015) | A critical survey of museum collections of popular music in the United Kingdom | View |
| Marion Leonard, Robert Knifton | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) | View |
| Nabeel Zuberi | |||
| Perfect Beat | Vol 11 No. 2 (2010) | Johnson, Bruce, and Martin Cloonan. 2008. Dark Side of the Tune: Popular Music and Violence. Aldershot: Ashgate. ISBN 978-0-7546-5872-6 (hbk). 254pp. | View |
| Dan Bendrups | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. | View |
| Hyunjoon Shin | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Ewa Mazierska, Popular Viennese Electronic Music, 1990–2015 | View |
| Giacomo Bottà | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) | View |
| Henry Johnson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– | View |
| Thomas Wagner | |||
| Fieldwork in Religion | Vol 12 No. 2 (2017) Special Issue: Ethics and Fieldwork | Partridge, Christopher and Marcus Moberg (eds) 2017. The Bloomsbury Handbook of Religion and Popular Music. London: Bloomsbury. xiv + 403pp. £130.00. ISBN: 978-1-4742-3733-8 (hbk). | View |
| Barbara Pemberton | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Editors’ Introduction | View |
| Simone Krüger Bridge, Sarah Baker | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music and Historiography | View |
| Charles Hamm | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 18 No. 2 (2017) | In Melbourne tonight: Pop/rock histories and futures | View |
| Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) | View |
| Jostine Loubser | |||
| Popular Music History | Vol 7 No. 1 (2012) | Resource notes | View |
| Dave Laing | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World | View |
| Andrew Alter, Denis Crowdy, Stephen Collins | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Popular Music History | Vol 1 No. 3 (2004) | Introduction to the Special Issue | View |
| David Laing | |||
| Popular Music History | Vol 4 No. 2 (2009) | Resource notes | View |
| Ditmer Weertman | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music | View |
| Marcus O'Dair | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Editors’ Introduction | View |
| Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett | |||
| Perfect Beat | Vol 4 No. 1 (1998) | EAST·WEST SYNTHESIS OR CULTURAL HEGEMONY? Questions on the Use of Indigenous Elements in Philippine Popular Music | View |
| JONAS BAES, AMAPOLA BAES | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music Resources | View |
| Andy Lineham | |||
| Popular Music History | Vol 3 No. 3 (2008) | World Music and the global music industry | View |
| Dave Laing | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | The forgotten decade: rethinking the popular music of the 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Pacific Dimensions - New Directions and Policies | View |
| PHILIP HAYWARD | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field]. | View |
| Alexandra Balandina | |||
| Perfect Beat | Vol 8 No. 4 (2008) | WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia | View |
| MARTIN CLOONAN | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Sounding Dublin: Mapping Popular Music Experience in the City | View |
| John O'Flynn, Áine Mangaoang | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 | View |
| Ben Green | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | “Icelandic Music or Music from Iceland?” The Image of Icelandic Popular Music in British Media | View |
| Margret Sigrun Sigurdardottir, Kristjan Mar Gunnarsson, Arnar Eggert Thoroddsen | |||
| Popular Music History | Vol 7 No. 3 (2012) | Minority language, majority canon | View |
| Sarah Hill | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Homan, Shane, and Tony Mitchell, eds. 2008. Sounds of Then, Sounds of Now: Popular Music in Australia. Hobart: ACYS. ISBN 978-1-875236-60-2 (hbk). 295 pp | View |
| Martin Cloonan | |||
| Popular Music History | Vol 2 No. 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | View |
| Marion Leonard | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Veblen, K. K., S. J. Messenger, M. Silverman and D. J. Elliott. 2013. Community Music Today. New York: Rowman and Littlefield Education. ISBN 978-1-60709- 320-6 (pbk). 315 pp. | View |
| Julie Rickwood | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Introduction to the special issue: Lost musical histories—Curating and documenting local popular music-making in the UK | View |
| Paul Carr | |||
| Popular Music History | (0) ADVANCE ACCESS | Giacomo Bottà, Deindustrialisation and Popular Music: Punk and ‘Post-Punk’ in Manchester, Düsseldorf, Torino and Tampere. | View |
| Melanie Schiller | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Introduction: policy and popular music | View |
| Jennifer Cattermole, Martin Cloonan, Shane Homan | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Michelle Phillipov. 2012. Death Metal and Music Criticism: Analysis at the Limits. Lanham, MD: Lexington Books. ISBN 978-0-7391-6459-4 (hbk). 158pp. | View |
| Ross Hagen | |||
| Popular Music History | Vol 2 No. 2 (2007) | Historiography and Complexities: Why is music ‘National’? | View |
| Hans Weisethaunet | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music | View |
| Vincenzo Perna | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. | View |
| Emília Barna | |||
| Popular Music History | Vol 10 No. 3 (2015) | Resource notes: Popular music collections at Beinecke Rare Book and Manuscript Library, Yale University | View |
| Timothy Young | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk | View |
| Jez Collins | |||
| Perfect Beat | Vol 3 No. 4 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Popular Music History | Vol 4 No. 1 (2009) | Resource notes: the Rockheim Project in Norway | View |
| Andy Lineham | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Introduction | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Lauren Shaw, ed. 2013. Song and Social Change in Latin America | View |
| Styliani Fotopoulou | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Introduction: Special Issue on Crossing national borders in Eastern European popular music | View |
| Ewa Mazierska, Zsolt Győri | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean | View |
| Samuel Dwinell | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Popular Music in the K-12 Classroom and the Quest for Education Justice | View |
| Kathryn Metz | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) | View |
| Imani Sanga | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. | View |
| Arnar Eggert Thoroddsen | |||
| Popular Music History | Vol 3 No. 1 (2008) | Collections at the IPM | View |
| Robert Strachan | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Perfect Beat | Vol 1 No. 1 (1992) | WORLD MUSIC, INDIGENOUS MUSIC AND MUSIC TELEVISION IN AUSTRALIA | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD | View |
| Paul Long | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Editors’ Introduction | View |
| Simone Krüger Bridge, Jonathan P.J. Stock | |||
| Perfect Beat | Vol 17 No. 1 (2016) | Introduction | View |
| Oli Wilson, Dan Bendrups, Donna Weston | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Perfect Beat | Vol 4 No. 1 (1998) | Editorial | View |
| PHILIP HAYWARD, MARK EVANS | |||
| Popular Music History | Vol 9 No. 2 (2014) | Simon Frith, Matt Brennan, Martin Cloonan and Emma Webster, The History of Live Music in Britain, Volume I: 1950–1967: From Dance Hall to the 100 Club. Farnham: Ashgate, 2013. 236 pp. £95.00. ISBN 978-1-40942-280-8 (hbk). | View |
| Tony Farsides | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) | View |
| William Ross Hagen | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Putting a premium on music: Exploring the vinyl revival in the Philippines | View |
| Monika E. Schoop | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. | View |
| Jared Mackley-Crump | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) | View |
| Yona Stamatis | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) | View |
| Peter Manuel | |||
| Perfect Beat | Vol 13 No. 1 (2012) | 'Like him or loathe him': critical reactions to André Rieu in Australia | View |
| Sarah Keith | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Gender, Popular Music and Australian Identity: Introduction to Special Issue | View |
| Catherine Strong | |||
| Popular Music History | Vol 2 No. 2 (2007) | Review of The Evolution of Jazz in Britain, 1880-1935 by Catherine Parsonage | View |
| Michael Brocken | |||
| Jazz Research Journal | Vol 1 No. 1 (2007) May 2007 | Is jazz popular music? | View |
| Simon Frith | |||
| Popular Music History | Vol 9 No. 2 (2014) | The lifetime soundtrack: Music as an archive for autobiographical memory | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 2 No. 1 (1994) | THE 'DUNEDIN SOUND' New Zealand Rock and Cultural Geography | View |
| COLIN MCLEAY | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) | View |
| Duncan Wheeler | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Popular Music History | Vol 1 No. 3 (2004) | What story should a history of popular music tell? | View |
| Allan Moore | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Interview with Antti-Ville Kärjä from Music Archive Finland | View |
| Raphaël Nowak | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Michael Lasser, City Songs and American Life, 1900–1950 | View |
| Arno van der Hoeven | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk | View |
| Lewis Tennant | |||
| Perfect Beat | Vol 15 No. 1 (2014) | The iTunization of pop: Mobile music and youth social networks | View |
| Anthony Y.H. Fung | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Ron Rodman, Tuning In: American Narrative Television Music | View |
| James Deaville | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) | View |
| Marc Duby | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain | View |
| Nabeel Zuberi | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi | View |
| David Cashman | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) | View |
| Motti Regev | |||
| Perfect Beat | Vol 2 No. 4 (1996) | DIRECTIONS IN POPULAR MUSIC STUDIES | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 4 (1996) | AMERICAN COUNTRY: POETS AND PICKERS AT THE HEART OF LONELY | View |
| GEORGE H. LEWIS | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) | View |
| Nick Prior | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) | View |
| Colin Harte | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba | View |
| Iván Darias Alfonso | |||
| Perfect Beat | Vol 2 No. 4 (1996) | TRAJECTION -AN INTRODUCTION | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Signifiers of indigeneity in Australian and New Zealand popular music | View |
| Oli Wilson | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) | View |
| Alfredo Colman | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | World Music, World Circuit: In Conversation with Nick Gold | View |
| Simone Krüger | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Stratton, Jon. 2016. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. New York: Routledge. ISBN 978-1-47242-978-0 (hbk). 232 pp. | View |
| Rachel Tollett | |||
| Health and Social Care Chaplaincy | Vol 9 No. 2 (2021) | Ecological Awareness in Practice: Spirituality, Community Health, and the Possibilities of Music Therapy | View |
| Astrid Notarangelo | |||
| Popular Music History | Vol 6 No. 3 (2011) | The making of a Yugoslav popular music industry | View |
| Dean Vuletic | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana | View |
| C. Letcher | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Perfect Beat | Vol 13 No. 1 (2012) | De Kloet, Jeroen. 2010. China with a Cut: Urban Youth and Popular Music. Amsterdam: Amsterdam University Press. ISBN 978-9-08964-162-5 (pbk). 264pp. | View |
| Andreas Steen | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea | View |
| Oli Wilson | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright | View |
| Caspar Melville | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl | View |
| Arno van der Hoeven | |||
| Popular Music History | Vol 3 No. 1 (2008) | The origins and development of The Institute of Popular Music: An interview | View |
| Dave Horn | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) | View |
| Thomas R. Hilder | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) | View |
| Iris Yellum | |||
| Perfect Beat | Vol 1 No. 3 (1993) | CO-LOCATIONS - AN INTRODUCTION | View |
| Philip Hayward | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | San Francisco State University's Music Federation: A local jazz cooperative for teachers | View |
| Meredith Morgan Eliassen | |||
| Perfect Beat | Vol 17 No. 1 (2016) | An Interview with Damian Wright: Flamenco and the discourse of World Music in Contemporary Australia | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Thirty Years of World Music | View |
| Timothy D. Taylor | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Resource notes | View |
| Andy Linehan | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
| Kheng K. Koay | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Emergences - An Introduction | View |
| PHILIP HAYWARD | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
| CORALIE JOYCE | |||
| Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
| FRED COLE, MICHAEL HANNAN | |||
| Popular Music History | Vol 1 No. 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | View |
| Morten Michelsen | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
| Helen Mitchell | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories | View |
| Lauren Istvandity | |||
| Perfect Beat | Vol 2 No. 3 (1995) | Traffic -An Introduction | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 3 No. 3 (1997) | SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | View |
| PETER DUNBAR-HALL | |||
| Popular Music History | Vol 13 No. 3 (2020) | Space to play: The sound of British female punk music and its engagement with reggae in the 1970s | View |
| Helen Reddington | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Popular music, cultural policy, and the Festival of Pacific Arts | View |
| Dan Bendrups | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil | View |
| Berenice Corti, Luciana Xavier de Oliveira | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries | View |
| Malvina Silba | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Scannell, John. 2012. James Brown. Sheffield: Equinox. ISBN 978-1-84553-743-2 (pbk). 168 pp | View |
| Anne Danielsen | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea | View |
| Oli Wilson | |||
| Perfect Beat | Vol 21 No. 2 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 2) | Hearing the inaudible: The Hong Kong experimental music scene in the COVID-19 pandemic | View |
| François Mouillot | |||
| Jazz Research Journal | Vol 14 No. 1 (2020) | ‘No radical critique ever comes from the centre’: Interview with Professor Bruce Johnson | View |
| Adam Havas | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Triumph of the maggots? Valorization of metal in the rock press | View |
| Hélène Laurin | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Make ’em laugh, make ’em cry: The use of production music in Australian reality television series Nerds FC | View |
| Jon Fitzgerald | |||
| Perfect Beat | Vol 1 No. 2 (1993) | THREE DECADES OF AUSTRALIAN POPULAR MUSIC | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Oliver, P. (ed) (1991) Black Music in Britain: Essays on the Afro-Asian Contribution to Popular Music, Buckingham (UK): Open University Press. | View |
| Tony Mitchell | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Marcus, G. (1992) Dead Elvis: A Chronicle of a Cultural Obsession, Melbourne: Viking/Penguin | View |
| Marcus Breen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Cain, T. (1990) Keynote P/us,Cambridge: CUP. Cripps, C. (1988) Popular Music in the 20th Centur, Cambridge: CUP | View |
| Roderick Nielsen | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Clarke, D. (ed) (1991) (re-issue) The Pengui:r.z Encyclopedia of Popular Music,Harrnondsworth: Viking/ Penguin | View |
| Michael Flint | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Previn, A. (1991) No Minor Chords: My Days in Hollywood, New York: Doubleday. | View |
| Carolyn Craig | |||
| Perfect Beat | Vol 12 No. 1 (2011) | Negotiation and hybridity in new Balinese music: Sanggar Bona Alit, a case study | View |
| Manolete Mora | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) | View |
| Russell P. Skelchy | |||
| Perfect Beat | Vol 1 No. 1 (1992) | TEETH-GRITTED HARMONIES Music programming and policy on Australian public radio- a case study of four Sydney stations | View |
| KATRINA McMANUS | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Perfect Beat | Vol 15 No. 2 (2014) | ‘Lookin, searchin, seekin, findin’: A new beat | View |
| Shelley Brunt, Oli Wilson, Catherine Strong | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Popular Music History | Vol 6 No. 3 (2011) | Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). | View |
| James McGrath | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Maintaining Rage: Counting down without a host for over 20 years | View |
| Liz Giuffre | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Popular Music History | Vol 3 No. 3 (2008) | Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | View |
| Dave Laing | |||
| Popular Music History | Vol 6 No. 3 (2011) | Samuel Charters. 2009. A Language of Song: Journeys in the Musical World of the African Diaspora. Durham, NC: Duke University Press. 368 pp. ISBN 978-0-8223- 4380-6. £15.99. | View |
| Dave Laing | |||
| Popular Music History | Vol 3 No. 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | View |
| Jonathan Feig | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. | View |
| Nasim Ahmadian | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) | View |
| Matt Stahl | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
| Popular Music History | Vol 5 No. 3 (2010) | National identity versus commerce: an analysis of opportunities and limitations within the Welsh music scene for composers and performing musicians | View |
| Paul Carr | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies | View |
| Nabeel Zuberi | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Red songs and the main melody: cultural nationalism and political propaganda in Chinese popular music | View |
| Qian Wang | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) | View |
| Paul Fischer | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
| Jon Burlingame | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Dub Essay #2 - U.N.I.T.Y. Sound System | View |
| U.N.I.T.Y. Sound System | |||
| Jazz Research Journal | Vol 14 No. 2 (2020) Special Issue: Diversity and Inclusion at Jazz Festivals | Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. | View |
| Jeremiah Spillane | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) | View |
| Jonathan P. J. Stock | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Perfect Beat | Vol 8 No. 3 (2007) | AOTEAROA SONGLINES | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 1 No. 2 (1993) | Sound Alliances: An Introduction | View |
| Philip Hayward | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Standing in/out: The platformization of Tencent’s TME Live in post-pandemic China | View |
| Weida Wang | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Academia Against Popular Culture: Popular Culture Against Academia | View |
| Esther Clinton | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | How musical was my valley? Exploring resources and relationships in local popular music-making between 1996 and 2006 | View |
| Anne Cleaton | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | View |
| Liz Giuffre | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Perfect Beat | Vol 8 No. 3 (2007) | GORE GOLD GUITARS The Place of Country in New Zealand | View |
| DAN BENDRUPS, HENRY JOHNSON | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia | View |
| Henry Johnson | |||
| Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
| Ewa Mazierska, Bence Kránicz | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry | View |
| Christina Ballico | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). | View |
| Åse Ottosson | |||
| Perfect Beat | Vol 17 No. 2 (2016) | On Hillsong’s continued reign over the Australian contemporary congregational song genre | View |
| Daniel Thornton | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) | View |
| Heather Strohschein | |||
| Popular Music History | Vol 11 No. 3 (2018) | A tribute to Dave Laing | View |
| Martin Cloonan | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Remixing jazz culture: Musical hybridity and collectivity in the New Europe | View |
| Kristin McGee | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil | View |
| Gustavo Alonso | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local | View |
| Wonderful Godwin Bere | |||
| Perfect Beat | Vol 2 No. 3 (1995) | DEVELOPMENTS IN PAPUA NEW GUINEA'S POPULAR MUSIC INDUSTRY The media and technological change in a country with many cultures | View |
| MALCOLM PHILPOTT | |||
| Perfect Beat | Vol 3 No. 4 (1998) | EMBODIED ACAPPELLA The Experience of Singing a Displaced Eclectic Repertoire | View |
| JULIE RICKWOOD | |||
| Fieldwork in Religion | Vol 14 No. 1 (2019) | Coggins, Owen. Mysticism, Ritual and Religion in Drone Metal | View |
| Barbara Pemberton | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Questionable Tastes: Women, Love Songs and Gender Subalternity | View |
| Carolina Spataro | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘On the programme tonight’: The Old Grey Whistle Test as tastemaker for British AOR audiences in the early 1970s | View |
| Andy Bennett | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE COMMERCIAL SPHERE An Interview with Greg Seeto | View |
| MALCOLM PHILPOTT, GREG SEETO | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Perfect Beat | Vol 4 No. 3 (1999) | PNG CONTEMPORARY AND THE ROLE OF THE FCA DENIS CROWDY Replies | View |
| DENNIS CROWDY | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Editorial introduction | View |
| Shelley Brunt, Oli Wilson | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Popular Music History | Vol 5 No. 3 (2010) | Book Review: Sean Campbell, Irish Blood, English Heart: Second-Generation Irish Musicians in England. Cork: Cork University Press, 2011. 260 pp. ISBN: 978-185918-461-5 (hbk). £35.00. ISBN 978-185918-490-5 (pbk). £20.00. | View |
| Noel McLaughlin | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream | View |
| Henry Johnson | |||
| Popular Music History | Vol 6 No. 3 (2011) | From corporates and media to state control: International perspectives on the music business | View |
| Richard Coopey | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | From South to East: Exoticism in Polish popular music of the state socialist period | View |
| Ewa Mazierska | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia | View |
| Dijana Jelača | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique | View |
| David Verbuč | |||
| Implicit Religion | Vol 7 No. 1 (2004) | Christian Musical Worship and 'Hostility to the Body': The Medieval Influence Versus the Pentecostal Revolution | View |
| Michael Amoah | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Journal of World Popular Music | Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics | Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change | View |
| Dave Wilson | |||
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. | View |
| Manuela Belén Calvo | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) | View |
| Antti-Ville Kärjä | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MORAL PANICS, NATIONAL PRIDE AND SPLIT IMAGES Music and the Press in Aotearoa/ New Zealand | View |
| TONY MITCHELL, ROY SHUKER | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | View |
| Tim Summers | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | Editorial Introduction | View |
| Kirsten Zemke | |||
| Perfect Beat | Vol 4 No. 3 (1999) | Editorial | View |
| MARK EVANS, KARL NEUENFELDT | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube | View |
| Simone Pereira de Sá, Simone Evangelista Cunha | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Dan, Henry ‘Seaman’ and Karl Neuenfeldt. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. ISBN 978-1-922059-208 (pbk). 170 pp. | View |
| Bruce Johnson | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Perfect Beat | Vol 1 No. 2 (1993) | JAWAIIAN AND LOCAL CULTURAL IDENTITY IN HAWAI'I | View |
| Andrew N. Weintraub | |||
| Perfect Beat | Vol 3 No. 3 (1997) | GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | View |
| RYUICHI TAI | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) | View |
| Felipe Arocena | |||
| Popular Music History | Vol 1 No. 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | View |
| Matt Brennan | |||
| Perfect Beat | Vol 3 No. 2 (1997) | Editorial | View |
| PHILIP HAYWARD | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Watching them walk out taller than they walked in: Sydney's venues in 2016 | View |
| Martin Cloonan | |||
| Perfect Beat | Vol 2 No. 1 (1994) | TRACING THE URBAN SONGLINES Contemporary Koori Music in Melbourne | View |
| ROBIN RYAN | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Super Smash Covers! Performance and audience engagement in Australian videogame music cover bands | View |
| Sebastian Diaz-Gasca | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | The ‘double controversy’ of Christian metal | View |
| Marcus Moberg | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Popular Music History | Vol 1 No. 2 (2004) | Was it really like that?: ‘Rock Island Line’ and the instabilities of causational popular music histories | View |
| Michael Brocken | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Religious Studies and Theology | Vol 31 No. 1 (2012) | Mashup Religion: Pop Music and Theological Invention, by John S. McClure. Baylor University Press, 2011. 240pp., pb. $24.95. ISBN-13: 9781602583573. | View |
| Jacob D. Myers | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Curating exhausted commodities: A case study of We Buy White Albums | View |
| Iain A. Taylor | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Popular Music History | Vol 4 No. 3 (2009) | ‘Mike’Disc-Courses on Hot Jazz: Discursive Strategies in the Writings of Spike Hughes, 1931-33 | View |
| Alf Arvidsson | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Chamorro country songs: Cross-Cultural translation in post-World War II Chamorro music | View |
| Michael Richard Clement Jr. | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century | View |
| Michael B. Bakan | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Bannister, M. (2006) White Boys, White Noise: Masculinities and 1980s Indie Guitar Rock. Aldershot: Ashgate. | View |
| Andy Bennett | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work. Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. | View |
| Natalie Lewandowski | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Popular Music History | Vol 10 No. 2 (2015) | No two houses of the holy: Creating cultural heritage in Nirvana: Taking Punk to the Masses | View |
| Kathleen Pirrie Adams | |||
| Popular Music History | Vol 1 No. 2 (2004) | Q and The Face: Narratives of consumption in the UK music press in the 1980s | View |
| Stephen Hill | |||
| Pomegranate: The International Journal of Pagan Studies | Vol 15 No. 1-2 (2013) | Donna Weston and Andy Bennett, eds., Pop Pagans: Paganism and Popular Music (Durham: Acumen, 2013), 246 pp., £65.00 (cloth), £19.99 (paper). | View |
| Ethan Doyle White | |||
| Popular Music History | Vol 3 No. 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | View |
| Aaron Robert Furgason | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians | View |
| Ioannis Tsioulakis | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Perfect Beat | Vol 1 No. 2 (1993) | TABARAN: INTERCULTURAL EXCHANGE, PARTICIPATION AND COLLABORATION An analysis of the joint recording project of Not Drowning, Waving and the musicians of Rabaul, Papua New Guinea | View |
| Michael Webb | |||
| Popular Music History | Vol 8 No. 3 (2013) | The greatest era of the UK pop music industry: An efficiency perspective | View |
| Lee Yoong Hon | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | Buildings matter: The recycling of Liverpool’s Whitechapel and the Casbah | View |
| Mike Brocken | |||
| Journal of World Popular Music | Vol 6 No. 1 (2019) | Barbara Browning. A Foreign Sound | View |
| Andrew Snyder | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Historical Silences, Musical Noise: Slim Dusty, Country Music and Aboriginal history | View |
| Toby Martin | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Popular Music History | Vol 11 No. 2 (2016) | Review article | View |
| Dave Laing | |||
| Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
| ADRIAN MCNEIL | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 | View |
| Pedro Nunes | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Right time, right place: The British Library’s Punk 1976–78 exhibition | View |
| J. Mark Percival | |||
| Equinox eBooks Publishing | The History of European Jazz | 10. Finland | View |
| Juha Henriksson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Motti Regev. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity. 224pp. ISBN 978-0-7456-6173-5 (pbk) | View |
| Jason Toynbee | |||
| Popular Music History | Vol 13 No. 3 (2020) | A sonic step closer: Master-tape preservation at the Alexander Turnbull Library | View |
| Michael Brown | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | View |
| Tony Mitchell | |||
| Popular Music History | Vol 4 No. 1 (2009) | Nicola Dibben, Björk. London: Equinox, 2009. ix + 221 pp. ISBN 978-0-253-22065-3 (pbk) | View |
| Chloë Mullett | |||
| Popular Music History | Vol 9 No. 2 (2014) | Resource Notes | View |
| Brock Silversides | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) | View |
| Emma Baulch | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | View |
| Carl Clements | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Perfect Beat | Vol 3 No. 2 (1997) | INDIGENISATION AND SOCIO-POLITICAL IDENTITY IN THE KANEKA MUSIC OF NEW CALEDONIA | View |
| DAVID GOLDSWORTHY | |||
| Perfect Beat | Vol 16 No. 1-2 (2015) | An interview with Rebekah Duke: Melbourne’s inner-northern live music venues and social scenes | View |
| Samuel Charles Whiting | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | When Digital is Physical and Ethnomusicologists are File Sharers | View |
| Denis Crowdy | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] | View |
| Eric Hung | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) | View |
| Jo Haynes | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Playing bluegrass in Australia across country and folk scenes | View |
| Miriam Amy Jones | |||
| Perfect Beat | Vol 4 No. 3 (1999) | THE PEDAGOGY, CULTURE AND APPROPRIATION OF JAZZ IN PAPUA NEW GUINEA | View |
| DENNIS CROWDY, MICHAEL GODDARD | |||
| Perfect Beat | Vol 18 No. 2 (2017) | Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. | View |
| Alison Blair | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) | View |
| Rob Bowman | |||
| Popular Music History | Vol 10 No. 3 (2015) | ‘Only one can rule the night’: Fairs and music in post-1945 Britain | View |
| Ian Trowell | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality | View |
| Brent Keogh, Ian Collinson | |||
| Journal of World Popular Music | Vol 1 No. 2 (2014) | No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music | View |
| Tom Wagner | |||
| Popular Music History | Vol 4 No. 1 (2009) | Historical approaches to Merseybeat: delivery, affinity and diversity | View |
| Ian Inglis | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism | View |
| Julie Rickwood | |||
| Perfect Beat | Vol 21 No. 1 (2021) Special Issue: COVID-19, Music and the Asia-Pacific (Part 1) | Riffing on course redesign: Leveraging pedagogy for teaching music online | View |
| Benjamin Phipps | |||
| Popular Music History | Vol 8 No. 1 (2013) | Polyvocality and forgotten proverbs (and persons): Ravi Shankar, George Harrison and Shambhu Das | View |
| Jeffrey W. Cupchik | |||
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar | View |
| Markus Verne | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) | View |
| Alf Arvidsson | |||
| Perfect Beat | Vol 14 No. 1 (2013) | Introduction | View |
| Denis Crowdy, Mark Evans | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | View |
| Donna Weston | |||
| Journal of World Popular Music | Vol 3 No. 1 (2016) | She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | View |
| Catherine Strong, Ian Rogers | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Review: Coplan, D. (2008) In Township Tonight! South Africa’s Black City Music and Theatre. (Second Edition) Chicago: University of Chicago Press | View |
| Robert G H Burns | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Journal of World Popular Music | Vol 2 No. 1 (2015) | Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice | View |
| Henry Johnson | |||
| Popular Music History | Vol 9 No. 3 (2014) | Keeping themselves alive: Identifying and analysing Queen’s musical development, 1973–1980 | View |
| Nick Braae | |||
| Journal of Contemporary Archaeology | Vol 6 No. 2 (2019) | Archaeology, Heritage and Performance in the Perth Popular Music Scene | View |
| Sean Winter, B'geella Romano | |||
| Perfect Beat | Vol 11 No. 1 (2010) | State of play: Live original music venues in Western Australia | View |
| Dawn Bennett | |||
| Journal of World Popular Music | Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics | Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) | View |
| John Mullen | |||
| Popular Music History | (0) ADVANCE ACCESS | Alain-Philippe Durand, ed., Hip-Hop en Français: An Exploration of Hip-hop Culture in the Francophone World. | View |
| James G. McNally | |||
| Perfect Beat | Vol 4 No. 1 (1998) | FROM A DISTANCE Aboriginal Music in the Maningrida Community and on their Internet Site | View |
| MURRAY GARDE | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Cultural protectionism in a deregulated and diversifying broadcasting environment: Getting more Māori music on air | View |
| Jennifer Cattermole | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Human machine music: an analysis of creative practices among Australian ‘live electronica’ musicians | View |
| Barry Hill, Jon Fitzgerald | |||
| Popular Music History | Vol 9 No. 3 (2014) | Reviews in brief | View |
| Dave Laing | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Editorial: The Global Circulations of Jazz | View |
| Stéphane Dorin | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. | View |
| Kwami Coleman | |||
| Perfect Beat | Vol 11 No. 2 (2010) | St. John, Graham. 2009. Technomad: Global Raving Countercultures. London: Equinox. ISBN 978-1-84553-626-8 (pbk). 312pp. | View |
| Ed Montano | |||
| Implicit Religion | Vol 17 No. 2 (2014) | Music as an Aid to Philosophizing about Religion | View |
| Peter Donovan | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | The meaning of the music venue: Historicizing the Click Club | View |
| Paul Long, Sarah Raine | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
| Lora Matthews | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
| Tom Schneller | |||
| Perfect Beat | Vol 1 No. 2 (1993) | AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry | View |
| Diane Langman | |||
| Popular Music History | Vol 8 No. 3 (2013) | Georgina Gregory. Send in the Clones. Sheffield: Equinox, 2012. 172pp. £16.99. ISBN 978-1-84553-245-1 (paperback). | View |
| Sarah Davis | |||
| Perfect Beat | Vol 15 No. 2 (2014) | All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett | View |
| Catherine Strong | |||
| Popular Music History | Vol 1 No. 3 (2004) | Reviews of Speak to Me: The Legacy of Pink Floyd's The Dark Side of the Moon edited by J. Reising and The Music and Art of Radiohead by J. Tate | View |
| Giles Hooper | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. | View |
| Jason Buchea | |||
| Perfect Beat | Vol 13 No. 1 (2012) | Keam, Glenda, and Tony Mitchell, eds. 2011. Home, Land and Sea: Situating Music in Aotearoa New Zealand. Auckland: Pearson. ISBN 978-1-44251-632-8 (pbk). 320 pp. | View |
| Matthew Bannister | |||
| Popular Music History | Vol 4 No. 3 (2009) | The Vaughan Williams Memorial Library | View |
| Andy Lineham | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Scene and heard: Collecting the Dunedin Sound | View |
| Amanda Patricia Mills | |||
| Popular Music History | Vol 5 No. 3 (2010) | Resource notes | View |
| Brian Hickman | |||
| Popular Music History | Vol 1 No. 1 (2004) | "Sing Me a Song of Araby" and "My Blue Heaven": New Folksong, Hybridization and the Expansion of the Japanese Recording Industry in the Late 1920s | View |
| Toru Mitsui | |||
| Perfect Beat | Vol 2 No. 1 (1994) | EAST OF HONOLULU Hawaiian Music In Japan From the 1920s to the 1940s | View |
| SHUHEI HOSOKAWA | |||
| Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
| SHUHEI HOSOKAWA | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Amadeus Stevens: Early Years and Family History | View |
| Zolona E. Stevens Moss † | |||
| Popular Music History | Vol 3 No. 3 (2008) | Globalization and commercialization of Caribbean music | View |
| Mike Alleyne | |||
| Journal of World Popular Music | Vol 3 No. 2 (2016) | Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) | View |
| Daniel Wilson | |||
| Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
| Rain Sultanov | |||
| Perfect Beat | Vol 8 No. 4 (2008) | Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate | View |
| JON STRATTON | |||
| Perfect Beat | Vol 18 No. 1 (2017) | Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp | View |
| Catherine Hoad | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Popular Music History | Vol 4 No. 1 (2009) | Scottish indie music and BBC radio’s Beat Patrol (1995–2000) | View |
| J. Mark Percival | |||
| Perfect Beat | Vol 13 No. 1 (2012) | New age music and Japanese tradition: Kitaro Live in Yakushiji | View |
| Kimi Coaldrake | |||
| Jazz Research Journal | Vol 2 No. 2 (2008) | Review article: I. Anderson, This Is Our Music: Free Jazz, the Sixties, and American Culture, S.Saul, Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties, I. Monson, Freedom Sounds: Civil Rights Call Out to Jazz and Africa | View |
| Charles Hersch, | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Star-spangled Shamisen: In search of the Jimi Hendrix of the… [insert instrument here] | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju | View |
| Amos Farooqi | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
| Ruxandra Trandafoiu | |||
| Equinox eBooks Publishing | Sensual Religion | 8. North American Indigenous Song, the Sacred and the Senses | View |
| Byron Dueck | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) | View |
| Linda K. Schubert | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
| Perfect Beat | Vol 15 No. 1 (2014) | Indigenizing a ‘canon’: The entry of ‘My Island Home’, ‘Baba Waiar’ and ‘Kulba Yaday’ into the repertoire of community choirs | View |
| Julie Rickwood | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | (Re-)valuing rock music: Curatorship in the production of garage rock reissue compilation albums | View |
| José Vicente Neglia | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | The politics, aesthetics and dissonance of music in everyday life | View |
| Roger Fagge | |||
| Popular Music History | Vol 2 No. 3 (2007) PMH 2.3 | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | View |
| Dave Laing | |||
| Journal for the Academic Study of Religion | Vol 31 No. 3 (2018) Special Issue: Religion at the Australian Royal Commission into Institutional Responses to Child Sexual Abuse | Maria S. Guarino, Listen with the Ear of the Heart: Music and Monastery Life in Weston Priory | View |
| Sarah Penicka-Smith | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
| Michael Baumgartner | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Popular Music History | Vol 4 No. 3 (2009) | Sarah Hill, ‘Blewytirhwng?’ The Place of Welsh Pop Music. Aldershot and Burlington, VT: Ashgate, 2007. 248 pp. ISBN 978-0-7546-5898-6 (hbk). £50.00. | View |
| Rebecca Edwards | |||
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