Latest Issue: Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space RSS2 logo

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Issue Title
 
Vol 2, No 2 (2015) Le Mystère de Marcel Cellier: Transfer Processes in Early World Music Abstract
Britta Sweers
 
Vol 2, No 2 (2015) Marley. 2012. Directed by Kevin MacDonald. Universal Pictures. DVD Details
Paul Long
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers Abstract
Iljung Kim
 
Vol 6, No 2 (2019) Academia Against Popular Culture: Popular Culture Against Academia Abstract
Esther Clinton
 
Vol 1, No 1 (2014) Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu Abstract
Aaron Corn
 
Vol 2, No 2 (2015) Alfredo Colman. 2015. The Paraguayan Harp: From Colonial Transplant to National Emblem. Lanham, MD: Lexington Books. 185pp. ISBN 978-0-7391-9819-3 (hbk) Details
Felipe Arocena
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy Abstract
Brian D’Aquino, Oana Pârvan
 
Vol 2, No 2 (2015) Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) Details
Heather Strohschein
 
Vol 2, No 2 (2015) Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org Details
Deborah Justice
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Archival Activism: Deciphering State-Sanctioned Histories and Reporting of Canadian Hip Hop Abstract
Mark V. Campbell, Maya Stitski
 
Vol 3, No 2 (2016) Banning Eyre. 2015. Lion Songs: Thomas Mapfumo and the Music that Made Zimbabwe. Durham, NC: Duke University Press. 339pp. ISBN 978-0-8223-5908-1 (hbk) Abstract
Marc Duby
 
Vol 6, No 1 (2019) Barbara Browning. A Foreign Sound Abstract
Andrew Snyder
 
Vol 3, No 2 (2016) Bart Barendregt, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s–2000s). Leiden: Brill. 375pp. ISBN 978-9-00-425986-7 (hbk) Abstract
Jun Zubillaga-Pow
 
Vol 2, No 2 (2015) BBC. 2013. World Routes: The Baroque and Beyond (Episodes 1 to 3). Produced by James Parkin, presented by Lucy Durán. BBC Radio 3 programmes, 60 minutes (each) Details
Alfredo Colman
 
Vol 2, No 2 (2015) Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival Abstract
Lonán Ó Briain
 
Vol 1, No 1 (2014) Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). Details
Bruce Johnson
 
Vol 4, No 1 (2017) Book Review: Andy Bennett and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music. London: SAGE. 664pp. ISBN 978-1-44621-0-857 (hbk) Details
Lauren Istvandity
 
Vol 4, No 2 (2017) Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest and Karen Fricker and Milija Gluhovic, eds. Performing the “New” Europe: Identities, Feelings and Politics in the Eurovision Song Contest Details
Peter Mills
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Book Review: Derek Pardue, Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal Abstract
Colin Harte
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Book Review: Elijah Wald, 'Talking ‘bout your mama' Abstract
Lee Watkins
 
Vol 4, No 2 (2017) Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain Details
Nabeel Zuberi
 
Vol 4, No 2 (2017) Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 Details
Ben Green
 
Vol 4, No 1 (2017) Book Review: Joshua John Green. 2013. Music-making in the Faroes: The Experience of Musicmaking in the Faroes and Making Metal Faroese. Vestmanna: Sprotin. 322pp. ISBN 978-9-99187-6-559 (pbk) Details
Nick Prior
 
Vol 4, No 1 (2017) Book Review: Pierre Hecker. 2012. Turkish Metal: Music, Meaning, and Morality in a Muslim Society. Farnham: Ashgate. 240pp. ISBN 978-1-40943-8-489 (hbk) Details
Stefano Barone
 
Vol 4, No 2 (2017) Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba Details
Iván Darias Alfonso
 
Vol 4, No 1 (2017) Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk) Details
Antti-Ville Kärjä
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music Abstract
Marcus O'Dair
 
Vol 4, No 1 (2017) Book Review: Shane Homan, Martin Cloonan and Jen Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York and London: Routledge. 249pp. ISBN 978-0-41582-4-514 (hbk) Details
Tom Sykes
 
Vol 4, No 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) Details
Paul Fischer
 
Vol 4, No 2 (2017) Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia Details
Dijana Jelača
 
Vol 4, No 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil Abstract
Berenice Corti, Luciana Xavier de Oliveira
 
Vol 2, No 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) Details
Yona Stamatis
 
Vol 6, No 1 (2019) Christina Sunardi. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance Abstract
Dane L. Harwood
 
Vol 2, No 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) Details
Thomas R. Hilder
 
Vol 3, No 1 (2016) Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0- 8223-5338-6 (pbk) Details
Carolyn Chong
 
Vol 3, No 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) Abstract
Jostine Loubser
 
Vol 3, No 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) Abstract
Rob Bowman
 
Vol 6, No 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk Abstract
Lewis Tennant
 
Vol 7, No 1 (2020) Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. Abstract
Mathilde Zagala
 
Vol 6, No 2 (2019) Currents and Contradictions in the Ethnomusicology of Popular Music Abstract
Harris M. Berger
 
Vol 2, No 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) Details
Peter Manuel
 
Vol 1, No 2 (2014) Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Farnham: Ashgate. 258pp. ISBN 978-1-4094-4565-4 (hbk) Details
Catherine Baker
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity David F. Garcia. 2017. Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins. Abstract
Jason Buchea
 
Vol 3, No 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) Abstract
Russell P. Skelchy
 
Vol 1, No 1 (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 Abstract
Pedro Nunes
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze Abstract
Casey Philip Wong
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Dub Essay #1 - Tikur Sound System Abstract
Tikur Sound System
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Dub Essay #2 - U.N.I.T.Y. Sound System Abstract
U.N.I.T.Y. Sound System
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Dub Essay #3 - Feminine Hi Fi Abstract
Feminine Hi Fi
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia Abstract
James Cox
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics DVD review: Udi Aloni. 2016. Junction 48 Abstract
David A McDonald
 
Vol 2, No 2 (2015) Editor's Introduction Details
Simone Krüger, Sarah Baker
 
Vol 3, No 1 (2016) Editor's Introduction Details
Simone Krüger, Sarah Baker
 
Vol 4, No 1 (2017) Editor's Introduction Details
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Vol 1, No 2 (2014) Editorial Introduction to Issue 1.2 Details
Simone Krüger, Sarah Baker
 
Vol 2, No 1 (2015) Editors' Introduction Details
Simone Krüger, Sarah Baker
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Editors' Introduction Details
Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak
 
Vol 3, No 2 (2016) Editors’ Introduction Abstract
Simone Krüger Bridge, Sarah Baker
 
Vol 4, No 2 (2017) Editors’ Introduction Details
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction Details
Simone Krüger Bridge, Nicholas Tochka
 
Vol 6, No 1 (2019) Editors’ Introduction Details
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
 
Vol 6, No 2 (2019) Editors’ Introduction Details
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
 
Vol 7, No 1 (2020) Editors’ Introduction Details
Simone Krüger Bridge, Jonathan P.J. Stock
 
Vol 1, No 1 (2014) Editors’ Introduction to Inaugural Issue Abstract
Simone Krüger, Sarah Baker
 
Vol 1, No 1 (2014) Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). Details
Murray Forman
 
Vol 1, No 1 (2014) Eurovision Song Contest 2013. Malmö, Sweden. Details
Paul Jordan
 
Vol 2, No 2 (2015) Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué Abstract
Olivier Bourderionnet
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fabian Holt and Antti-Ville Kärjä, eds. 2017. The Oxford Handbook of Popular Music in the Nordic Countries. Abstract
Arnar Eggert Thoroddsen
 
Vol 1, No 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) Details
Iris Yellum
 
Vol 2, No 2 (2015) Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) Details
Marc Kaiser
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Feminine Frequencies: An Intergenerational Dialogue between Soundwomen Abstract
Monique Charles
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Fernando Orejuela and Stephanie Shonekan, eds. 2018. Black Lives Matter and Music: Protest, Intervention, Reflection. Abstract
Kwami Coleman
 
Vol 2, No 1 (2015) Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) Details
Motti Regev
 
Vol 1, No 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” Abstract
Chris Tonelli
 
Vol 7, No 1 (2020) From Here, There and Everywhere: Recording Popular Music in the “Field” Abstract
Brent Keogh
 
Vol 6, No 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea Abstract
Oli Wilson
 
Vol 3, No 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator Abstract
Stephen Epstein
 
Vol 6, No 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local Abstract
Wonderful Godwin Bere
 
Vol 3, No 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue Abstract
Catherine Strong
 
Vol 1, No 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) Details
Nina Menezes
 
Vol 4, No 2 (2017) Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube Abstract
Simone Pereira de Sá, Simone Evangelista Cunha
 
Vol 1, No 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). Details
Åse Ottosson
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique Abstract
Manuel Armando Guissemo
 
Vol 1, No 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) Details
Katelyn Barney
 
Vol 2, No 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) Abstract
Tony Mitchell
 
Vol 2, No 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean Abstract
Samuel Dwinell
 
Vol 1, No 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi Abstract
David Cashman
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX Abstract
Pil Ho Kim, Wonseok Lee
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Inhale Determination, We Will Overcome: Eavesdrop, Mr Devious and Brasse vannie Kaap’s Representational Politics Abstract
Adam Haupt
 
Vol 4, No 1 (2017) Interview with Antti-Ville Kärjä from Music Archive Finland Abstract
Raphaël Nowak
 
Vol 4, No 2 (2017) Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time Abstract
Pablo Alabarces, Felipe Trotta
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Introduction: A Short History of Afro-Korean Music and Identity Details
Kyung Hyun Kim, CedarBough T. Saeji
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Introduction: Hip Hop, En-voicing and Agency Abstract
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Vol 6, No 2 (2019) Introduction: Reflections on the Past, Present and Future of Popular Music Scholarship Abstract
Kimberly Kattari
 
Vol 2, No 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World Abstract
Andrew Alter, Denis Crowdy, Stephen Collins
 
Vol 7, No 1 (2020) Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. Abstract
Angela Moran
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality Abstract
Karim Hammou
 
Vol 2, No 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) Details
Imani Sanga
 
Vol 3, No 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) Details
Lawrence Davies
 
Vol 1, No 2 (2014) Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) Details
Emma Baulch
 
Vol 1, No 1 (2014) Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) Details
Greg Dimitriadis
 
Vol 1, No 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) Details
Nabeel Zuberi
 
Vol 3, No 2 (2016) Jocelyne Guilbault and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC and London: Duke University Press. 286pp. ISBN 978-0-8223-5774-2 (pbk) Abstract
Kent Windress
 
Vol 3, No 2 (2016) John Collins. 2015. Fela: Kalakuta Notes, 2nd edn. Middletown, CT: Wesleyan University Press. 344pp. ISBN 978-0-8195-7539-5 (pbk) Abstract
Mike Hajimichael
 
Vol 3, No 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) Details
Donna Weston
 
Vol 3, No 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) Details
Tony Mitchell
 
Vol 2, No 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl Details
Arno van der Hoeven
 
Vol 3, No 1 (2016) Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. 202pp. ISBN 9-780-73403-777-0 (pbk) Details
André Rottgeri
 
Vol 6, No 2 (2019) Keynote: Party Music, Affect and the Politics of Modernity Abstract
Jocelyne Guilbault
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Korean Hip Hoppers’ Identity Negotiation in Non-performative Spoken Discourse Abstract
Jae-hyun Im
 
Vol 6, No 2 (2019) Lauren Shaw, ed. 2013. Song and Social Change in Latin America Abstract
Styliani Fotopoulou
 
Vol 1, No 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) Details
Matt Stahl
 
Vol 2, No 1 (2015) Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press. 328pp. ISBN 978-0-8223-5471-0 (pbk) Details
Pedro Félix
 
Vol 6, No 2 (2019) Lyrical Referencing in Australian Hip Hop Abstract
James Lewandowski-Cox
 
Vol 7, No 1 (2020) Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. Abstract
Hyunjoon Shin
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Making Music from Below in a Southern Italian Metropolis: The Neapolitan Music Scene between Commons, Latin American Rhythms, Sound Systems and Self-Produced Festivals Abstract
Roberto Sciarelli, Sergio Sciambra, Giulia Follo, Salvatore Cosentino
 
Vol 2, No 2 (2015) Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) Details
Jo Haynes
 
Vol 6, No 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music Abstract
Vincenzo Perna
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics Abstract
Saesha Senger
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change Abstract
Dave Wilson
 
Vol 1, No 2 (2014) Motti Regev. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity. 224pp. ISBN 978-0-7456-6173-5 (pbk) Details
Jason Toynbee
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Multilingual Activism in South African Hip Hop Abstract
Quentin E. Williams
 
Vol 4, No 1 (2017) Museum Review: Rock Museum, Budapest, Hungary Details
Emília Barna
 
Vol 2, No 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice Abstract
Henry Johnson
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Myoung-Sun Song. 2019. Hanguk Hip Hop, Global Rap in South Korea. Abstract
Hyun Joo Sandy Oh
 
Vol 1, No 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music Abstract
Tom Wagner
 
Vol 3, No 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television Abstract
Liz Giuffre
 
Vol 1, No 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club Abstract
Lucy Durán
 
Vol 3, No 2 (2016) Patrick W. Galbraith and Jason G. Karlin, eds. 2012. Idols and Celebrity in Japanese Media Culture. Basingstoke: Palgrave Macmillan. 256pp. ISBN 978-0-230-29830-9 (hbk) Abstract
Keisuke Yamada
 
Vol 1, No 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. Details
Emília Barna
 
Vol 3, No 2 (2016) Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) Abstract
Jeff Wragg
 
Vol 6, No 1 (2019) Peter Gough. Sounds of the New Deal: The Federal Music Project in the West Abstract
Daniel Margolies
 
Vol 4, No 2 (2017) Pop-Rock as Musical Cosmopolitanism Abstract
Motti Regev
 
Vol 6, No 2 (2019) Popular Music in the K-12 Classroom and the Quest for Education Justice Abstract
Kathryn Metz
 
Vol 6, No 2 (2019) Popular Music Studies and Interdisciplinarity Abstract
Steve Waksman
 
Vol 6, No 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics Abstract
Samuel Horlor
 
Vol 4, No 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity Abstract
Carolina Spataro
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) Abstract
John Mullen
 
Vol 6, No 2 (2019) Rainforest to Raves: Ethnomusicological Forays into Popular Music Abstract
Jeremy Wallach
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Regional Hip Hop and the Seoul Metropole: A Case Study of Underground Hip Hop in Gwangju Abstract
Amos Farooqi
 
Vol 6, No 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians Abstract
Ioannis Tsioulakis
 
Vol 4, No 2 (2017) Relentless Denial: Female Homosexuality in Tango Abstract
Mercedes Liska
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Return to the Echo Chamber: Race, Sound and the Future of Community (Excerpt) Abstract
Louis Chude-Sokei
 
Vol 2, No 1 (2015) Review of "Made in Spain" Details
Duncan Wheeler
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Rhyming Techniques and Identity in Korean Hip Hop Abstract
Jinny Park
 
Vol 1, No 2 (2014) Robert Faulkner. 2013. Icelandic Men and Me: Sagas of Singing, Self and Everyday Life. Farnham: Ashgate. 252pp. Contains audio CD. ISBN 978-1-4094-4976-8 (hbk) Details
Tony Mitchell
 
Vol 3, No 2 (2016) Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) Abstract
Marcello Messina
 
Vol 3, No 2 (2016) Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) Abstract
Daniel Wilson
 
Vol 1, No 2 (2014) Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Champaign, IL: University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk) Details
Sheila Whiteley
 
Vol 1, No 2 (2014) Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography. Identity. University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk). Details
Sheila Whiteley
 
Vol 6, No 2 (2019) Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music Abstract
Yair Hashachar
 
Vol 7, No 1 (2020) Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) Abstract
Colin Harte
 
Vol 1, No 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea Abstract
Oli Wilson
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Shadow Representations: 8-Milin’ Identity and De-Blacking Rap Music in South Korea Abstract
Robert Hamilton
 
Vol 7, No 2 (2020): Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity Shane Greene. 2016. Punk and Revolution: Seven More Interpretations of Peruvian Reality. Abstract
Emily Margot Gale
 
Vol 3, No 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s Abstract
Catherine Strong, Ian Rogers
 
Vol 1, No 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course Abstract
Andrew Killick
 
Vol 2, No 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) Details
Duncan Wheeler
 
Vol 1, No 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– Details
Thomas Wagner
 
Vol 6, No 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity Abstract
Neil Deane, Elke Schuch
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project Abstract
Kristine Ringsager
 
Vol 4, No 2 (2017) Some Notes on Popular Music in my (Professional) Life Abstract
Bruno Nettl
 
Vol 3, No 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene Abstract
Lauren Istvandity
 
Vol 6, No 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City Abstract
John O'Flynn, Áine Mangaoang
 
Vol 3, No 2 (2016) Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music Abstract
Jonathan P. J. Stock
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Sounds in the City: Street Technology and Public Space - An Introduction Details
Brian D’Aquino, Oana Pârvan
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics South African Dialogue Abstract
Warrick Moses
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space Spectral Vibrations: Discovering and Recovering Lost Bodies through Jamaican Sound Abstract
Trishauna Stewart
 
Vol 1, No 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) Details
Tony Mitchell
 
Vol 2, No 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire Abstract
Tony Lewis
 
Vol 7, No 1 (2020) The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. Abstract
Hector Fouce
 
Vol 1, No 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts Abstract
Duncan Wheeler, Lucy O'Brien
 
Vol 7, No 1 (2020) The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory Abstract
Mariana Barreto
 
Vol 4, No 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century Abstract
Michael B. Bakan
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space The Roots of Digital Cumbia in Sound System Culture: Sonideros, Villeros, and the Transformation of Colombian Cumbia Abstract
Moses Iten
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music Abstract
Kendra Salois
 
Vol 1, No 2 (2014) Thirty Years of World Music Abstract
Timothy D. Taylor
 
Vol 2, No 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) Details
William Ross Hagen
 
Vol 3, No 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) Details
Alf Arvidsson
 
Vol 1, No 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) Details
Jonathan P. J. Stock
 
Vol 2, No 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) Details
Henry Johnson
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort Abstract
Darren Chetty, Patrick Turner
 
Vol 1, No 1 (2014) Under African Skies. 2012. Directed by Joe Berlinger. Sony Legacy. Blu-ray and DVD. Details
Brian F. Wright
 
Vol 4, No 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright Abstract
Caspar Melville
 
Vol 3, No 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ Abstract
Philip Hayward, Matt Hill
 
Vol 3, No 1 (2016) We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal Abstract
Catherine Hoad
 
Vol 4, No 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk Details
Jez Collins
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com Abstract
Francisco D. Lara
 
Vol 2, No 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers Abstract
Denis Crowdy
 
Vol 2, No 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices Abstract
Diane Hughes, Sarah Keith
 
Vol 2, No 2 (2015) World Music, World Circuit: In Conversation with Nick Gold Abstract
Simone Krüger
 
Vol 4, No 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar Abstract
Markus Verne
 
Vol 4, No 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries Abstract
Malvina Silba
 
Vol 3, No 1 (2016) “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene Abstract
Rachael Gunn
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics “It’s Bigger than Hip Hop” Abstract
Adam Haupt, Quentin E. Williams, H. Samy Alim
 
Vol 4, No 1 (2017) “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 Abstract
David Baker, Lauren Istvandity
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics “Slavery’s Consequences Still Affect Us”: Sister Souljah’s No Disrespect, Black Women’s Literary Traditions and Contemporary Hip Hop Activism Abstract
Sina A. Nitzsche
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space “Sounding” the System: Noise, In/Security and the Politics of Citizenship Abstract
Sonjah N. Stanley Niaah
 
Vol 3, No 1 (2016) “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene Abstract
Catherine Strong, Evelyn Morris
 
Vol 8, No 1 (2021): Special Issue: Sounds in the City: Street Technology and Public Space “suh won’t we step inna hxr class”: journal entry feat. d’bi young anitafrika Abstract
Christxpher Oliver
 
Vol 7, No 1 (2020) “The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality Abstract
Brent Keogh, Ian Collinson
 
Vol 4, No 2 (2017) “Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil Abstract
Gustavo Alonso
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics “Yo Nací Caminando”: Community-Engaged Scholarship, Hip Hop as Postcolonial Studies, and Rico Pabón’s Knowledge of Self Abstract
J. Griffith Rollefson
 
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