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Issue Title
 
Vol 4, No 1 (2017) Book Review: Steve Collins and Sherman Young. 2014. Beyond 2.0: The Future of Music. Sheffield: Equinox. 162pp. ISBN 978-1-84553-9-382 (pbk) Details
Paul Fischer
 
Vol 4, No 2 (2017) Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia Details
Dijana Jelača
 
Vol 4, No 2 (2017) Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil Abstract
Berenice Corti, Luciana Xavier de Oliveira
 
Vol 2, No 1 (2015) Brett Lashua, Karl Spracklen and Stephen Wagg, eds. 2014. Sounds and the City: Popular Music, Place, and Globalization. Hampshire, UK: Palgrave Macmillan. 323pp. ISBN 978-1-137-28310-8 (hbk) Details
Yona Stamatis
 
Vol 6, No 1 (2019) Christina Sunardi. Stunning Males and Powerful Females: Gender and Tradition in East Javanese Dance Abstract
Dane L. Harwood
 
Vol 2, No 1 (2015) Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissenschaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk) Details
Thomas R. Hilder
 
Vol 3, No 1 (2016) Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0- 8223-5338-6 (pbk) Details
Carolyn Chong
 
Vol 3, No 2 (2016) Christopher Ballantine. 2012. Marabi Nights: Jazz, ‘Race’ and Society in Early Apartheid South Africa, 2nd edn. Scottsville: University of Kwazulu-Natal Press. 280pp. ISBN 978-1869142377 (pbk) Abstract
Jostine Loubser
 
Vol 3, No 2 (2016) Christopher J. Smith. 2013. The Creolization of American Culture: William Sidney Mount and the Roots of Blackface Minstrelsy. Champaign, IL: University of Illinois Press. 352pp. ISBN 978-0-252-03776-4 (hbk) Abstract
Rob Bowman
 
Vol 6, No 1 (2019) Christopher Partridge. Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-punk Abstract
Lewis Tennant
 
Vol 2, No 2 (2015) Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Lanham, MD: Scarecrow Press. 210pp. ISBN 978-0- 8108-7749-8 (hbk) Details
Peter Manuel
 
Vol 1, No 2 (2014) Dalibor Mišina. 2013. Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique. Farnham: Ashgate. 258pp. ISBN 978-1-4094-4565-4 (hbk) Details
Catherine Baker
 
Vol 3, No 2 (2016) David Novak. 2013. Japanoise: Music and the Edge of Circulation. Durham, NC and London: Duke University Press. 292pp. ISBN 978-0-8223-5392-8 (pbk) Abstract
Russell P. Skelchy
 
Vol 1, No 1 (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 Abstract
Pedro Nunes
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Double Entendre Got Bodied: Strategic Ambivalence and Latinx Young Men Rappin’ under the White Gaze Abstract
Casey Philip Wong
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics DVD Review: Benj Binks, Discovering the Roots of Hip Hop in the Heart of Asia Abstract
James Cox
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics DVD review: Udi Aloni. 2016. Junction 48 Abstract
David A McDonald
 
Vol 2, No 2 (2015) Editor's Introduction Details
Simone Krüger, Sarah Baker
 
Vol 3, No 1 (2016) Editor's Introduction Details
Simone Krüger, Sarah Baker
 
Vol 4, No 1 (2017) Editor's Introduction Details
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
Vol 1, No 2 (2014) Editorial Introduction to Issue 1.2 Details
Simone Krüger, Sarah Baker
 
Vol 2, No 1 (2015) Editors' Introduction Details
Simone Krüger, Sarah Baker
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Editors' Introduction Details
Simone Krüger Bridge, Nicholas Tochka, Raphaël Nowak
 
Vol 3, No 2 (2016) Editors’ Introduction Abstract
Simone Krüger Bridge, Sarah Baker
 
Vol 4, No 2 (2017) Editors’ Introduction Details
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
 
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