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Issue Title
Vol 3, No 2 (2016) Editors’ Introduction Abstract
Simone Krüger Bridge, Sarah Baker
Vol 4, No 2 (2017) Editors’ Introduction Details
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Editors’ Introduction Details
Simone Krüger Bridge, Nicholas Tochka
Vol 6, No 1 (2019) Editors’ Introduction Details   PDF   HTML
Simone Krüger Bridge, Nicholas Tochka, Abi Dunnett
Vol 6, No 2 (2019) Editors’ Introduction Details   PDF   HTML
Simone Krüger Bridge, Jonathan P.J. Stock, Abi Dunnett
Vol 1, No 1 (2014) Editors’ Introduction to Inaugural Issue Abstract
Simone Krüger, Sarah Baker
Vol 1, No 1 (2014) Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). Details
Murray Forman
Vol 1, No 1 (2014) Eurovision Song Contest 2013. Malmö, Sweden. Details
Paul Jordan
Vol 2, No 2 (2015) Exposing the Politics of French Rap on Prime-Time Television: De L’encre by Hamé and Ekoué Abstract
Olivier Bourderionnet
Vol 1, No 2 (2014) Falu Bakrania. 2013. Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain. Durham, NC: Duke University Press. 245pp. ISBN 978-0-8223-5317-1 (pbk) Details
Iris Yellum
Vol 2, No 2 (2015) Felicia McCarren. 2013. French Moves: The Cultural Politics of le Hip Hop. Oxford and New York: Oxford University Press. 240pp. ISBN 978-0-19993-997-8 (pbk) Details
Marc Kaiser
Vol 2, No 1 (2015) Franco Fabbri and Goffredo Plastino, eds. 2014. Made in Italy: Studies in Popular Music. London: Routledge. 256pp. ISBN 978-0-415-89976-5 (hbk) Details
Motti Regev
Vol 1, No 2 (2014) From Delocalization to Performances of Japaneseness: Shifting Identities in Transnational Popular Music in and after Japan’s Period of “Gross National Cool” Abstract
Chris Tonelli
Vol 6, No 2 (2019) From Home-Studios to Mobile Phones: Recent Trends in Popular Music Recording and Sharing in Papua New Guinea Abstract   PDF   HTML
Oli Wilson
Vol 3, No 2 (2016) From South Korea to the Southern Hemisphere: K-Pop below the Equator Abstract
Stephen Epstein
Vol 6, No 1 (2019) From Worldbeat to Localbeat: Towards a Theory of the Transformation of Music from the Borrowed to the Local Abstract   PDF   HTML
Wonderful Godwin Bere
Vol 3, No 1 (2016) Gender, Popular Music and Australian Identity: Introduction to Special Issue Abstract
Catherine Strong
Vol 1, No 2 (2014) Gregory D. Booth and Bradley Shope, eds. 2013. More than Bollywood: Studies in Indian Popular Music. New York: Oxford University Press. 384pp. ISBN 978-0- 19-992885-9 (pbk) Details
Nina Menezes
Vol 4, No 2 (2017) Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube Abstract
Simone Pereira de Sá, Simone Evangelista Cunha
Vol 1, No 1 (2014) Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). Details
Åse Ottosson
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Hip Hop Activism: Dynamic Tension between the Global and Local in Mozambique Abstract
Manuel Armando Guissemo
Vol 1, No 2 (2014) Ian Peddie, ed. 2011. Popular Music and Human Rights Volume II: World Music. Burlington: Ashgate. 218pp. ISBN 978-1-4094-6405-1 (hbk) Details
Katelyn Barney
Vol 2, No 2 (2015) Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) Abstract
Tony Mitchell
Vol 2, No 2 (2015) Ifeona Fulani, ed. 2012. Archipelagos of Sound: Transnational Caribbeanities, Women and Music and Timothy Rommen and Daniel T. Neely, eds. 2014. Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean Abstract
Samuel Dwinell
Vol 1, No 2 (2014) Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi Abstract
David Cashman
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