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Issue Title
 
Vol 2, No 1 (2015) Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World Abstract
Andrew Alter, Denis Crowdy, Stephen Collins
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics J. Griffith Rollefson. 2017. Flip the Script: European Hip Hop and the Politics of Postcoloniality Abstract
Karim Hammou
 
Vol 2, No 1 (2015) Jason Toynbee and Byron Dueck, eds. 2011. Migrating Music. London and New York: Routledge. 256pp. ISBN 978-0-415-63359-8 (pbk) Details
Imani Sanga
 
Vol 3, No 1 (2016) Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) Details
Lawrence Davies
 
Vol 1, No 2 (2014) Jeremy Wallach, Harris M. Berger and Paul D. Greene, eds. 2011. Metal Rules the Globe: Heavy Metal Music around the World. Durham, NC: Duke University Press. 381pp. ISBN 978-0-8223-4733-0 (pbk) Details
Emma Baulch
 
Vol 1, No 1 (2014) Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) Details
Greg Dimitriadis
 
Vol 1, No 1 (2014) Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) Details
Nabeel Zuberi
 
Vol 3, No 2 (2016) Jocelyne Guilbault and Roy Cape. 2014. Roy Cape: A Life on the Calypso and Soca Bandstand. Durham, NC and London: Duke University Press. 286pp. ISBN 978-0-8223-5774-2 (pbk) Abstract
Kent Windress
 
Vol 3, No 2 (2016) John Collins. 2015. Fela: Kalakuta Notes, 2nd edn. Middletown, CT: Wesleyan University Press. 344pp. ISBN 978-0-8195-7539-5 (pbk) Abstract
Mike Hajimichael
 
Vol 3, No 1 (2016) Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) Details
Donna Weston
 
Vol 3, No 1 (2016) Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) Details
Tony Mitchell
 
Vol 2, No 1 (2015) Joop van den Bremen, Streektaalmuziek in Nederland [Regional language music in the Netherlands]. http://www.streektaalzang.nl Details
Arno van der Hoeven
 
Vol 3, No 1 (2016) Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. 202pp. ISBN 9-780-73403-777-0 (pbk) Details
André Rottgeri
 
Vol 1, No 2 (2014) Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk) Details
Matt Stahl
 
Vol 2, No 1 (2015) Lila Ellen Gray. 2013. Fado Resounding: Affective Politics and Urban Life. Durham, NC: Duke University Press. 328pp. ISBN 978-0-8223-5471-0 (pbk) Details
Pedro Félix
 
Vol 2, No 2 (2015) Marc A. Hertzmann.2013. Making Samba: a New History of Race and Music in Brazil. Durham and London: Duke University Press. 392 pp. ISBN: 978-0-8223-5430-7 (pbk) Details
Jo Haynes
 
Vol 6, No 1 (2019) Martha Tupinambá de Ulhôa, Cláudia Azevedo and Felipe Trotta, eds. Made in Brazil: Studies in Popular Music Abstract
Vincenzo Perna
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics Abstract
Saesha Senger
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Milosz Miszczynski and Adriana Helbig, eds. 2017. Hip Hop at Europe’s Edge: Music, Agency, and Social Change Abstract
Dave Wilson
 
Vol 1, No 2 (2014) Motti Regev. 2013. Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity. Cambridge: Polity. 224pp. ISBN 978-0-7456-6173-5 (pbk) Details
Jason Toynbee
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Multilingual Activism in South African Hip Hop Abstract
Quentin E. Williams
 
Vol 4, No 1 (2017) Museum Review: Rock Museum, Budapest, Hungary Details
Emília Barna
 
Vol 2, No 1 (2015) Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice Abstract
Henry Johnson
 
Vol 1, No 2 (2014) No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music Abstract
Tom Wagner
 
Vol 3, No 1 (2016) Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television Abstract
Liz Giuffre
 
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