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Issue Title
 
Vol 1, No 1 (2014) Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club Abstract
Lucy Durán
 
Vol 3, No 2 (2016) Patrick W. Galbraith and Jason G. Karlin, eds. 2012. Idols and Celebrity in Japanese Media Culture. Basingstoke: Palgrave Macmillan. 256pp. ISBN 978-0-230-29830-9 (hbk) Abstract
Keisuke Yamada
 
Vol 1, No 1 (2014) Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. Details
Emília Barna
 
Vol 3, No 2 (2016) Paul Sullivan. 2014. Remixology: Tracing the Dub Diaspora. London: Reaktion Books. 264pp. ISBN 978-1-780-23199-0 (pbk) Abstract
Jeff Wragg
 
Vol 6, No 1 (2019) Peter Gough. Sounds of the New Deal: The Federal Music Project in the West Abstract
Daniel Margolies
 
Vol 4, No 2 (2017) Pop-Rock as Musical Cosmopolitanism Abstract
Motti Regev
 
Vol 6, No 1 (2019) Popular Song Afterlives: Oral Transmission and Mundane Creativity in Street Performances of Chinese Pop Classics Abstract
Samuel Horlor
 
Vol 4, No 2 (2017) Questionable Tastes: Women, Love Songs and Gender Subalternity Abstract
Carolina Spataro
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Radio Review: Arnaud Contreras, “L’Air rebelle” (The Air of Rebellion) Abstract
John Mullen
 
Vol 6, No 1 (2019) Rehearsing the Éthnik-Jazz Aesthetic: Insights from Practices with Athenian Musicians Abstract
Ioannis Tsioulakis
 
Vol 4, No 2 (2017) Relentless Denial: Female Homosexuality in Tango Abstract
Mercedes Liska
 
Vol 1, No 2 (2014) Robert Faulkner. 2013. Icelandic Men and Me: Sagas of Singing, Self and Everyday Life. Farnham: Ashgate. 252pp. Contains audio CD. ISBN 978-1-4094-4976-8 (hbk) Details
Tony Mitchell
 
Vol 3, No 2 (2016) Rosario Dello Iacovo. 2014. Curre Curre Guagliò: Storie dei 99 Posse. Milan: Baldini & Castoldi. 304pp. ISBN 978-88-6852-666-5 (pbk) Abstract
Marcello Messina
 
Vol 3, No 2 (2016) Rosemary Overell. 2014. Affective Intensities in Extreme Music Scenes: Cases from Australia and Japan. Basingstoke: Palgrave Macmillan. 224pp. ISBN 9781-137-40676-7 (hbk) Abstract
Daniel Wilson
 
Vol 1, No 2 (2014) Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography, Identity. Champaign, IL: University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk) Details
Sheila Whiteley
 
Vol 1, No 2 (2014) Ruth Hellier, ed. 2013. Women Singers in Global Contexts: Music, Biography. Identity. University of Illinois Press. 264pp. ISBN 978-0-2520-37245 (pbk). Details
Sheila Whiteley
 
Vol 1, No 1 (2014) Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea Abstract
Oli Wilson
 
Vol 3, No 1 (2016) She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s Abstract
Catherine Strong, Ian Rogers
 
Vol 1, No 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course Abstract
Andrew Killick
 
Vol 2, No 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) Details
Duncan Wheeler
 
Vol 1, No 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– Details
Thomas Wagner
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project Abstract
Kristine Ringsager
 
Vol 4, No 2 (2017) Some Notes on Popular Music in my (Professional) Life Abstract
Bruno Nettl
 
Vol 3, No 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene Abstract
Lauren Istvandity
 
Vol 6, No 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City Abstract
John O'Flynn, Áine Mangaoang
 
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