Latest Issue: Vol 6, No 1 (2019) RSS2 logo

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Issue Title
 
Vol 6, No 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City Abstract
John O'Flynn, Áine Mangaoang
 
Vol 3, No 2 (2016) Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music Abstract
Jonathan P. J. Stock
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics South African Dialogue Abstract
Warrick Moses
 
Vol 1, No 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) Details
Tony Mitchell
 
Vol 2, No 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire Abstract
Tony Lewis
 
Vol 1, No 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts Abstract
Duncan Wheeler, Lucy O'Brien
 
Vol 4, No 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century Abstract
Michael B. Bakan
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music Abstract
Kendra Salois
 
Vol 1, No 2 (2014) Thirty Years of World Music Abstract
Timothy D. Taylor
 
Vol 2, No 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) Details
William Ross Hagen
 
Vol 3, No 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) Details
Alf Arvidsson
 
Vol 1, No 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) Details
Jonathan P. J. Stock
 
Vol 2, No 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) Details
Henry Johnson
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort Abstract
Darren Chetty, Patrick Turner
 
Vol 1, No 1 (2014) Under African Skies. 2012. Directed by Joe Berlinger. Sony Legacy. Blu-ray and DVD. Details
Brian F. Wright
 
Vol 4, No 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright Abstract
Caspar Melville
 
Vol 3, No 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ Abstract
Philip Hayward, Matt Hill
 
Vol 3, No 1 (2016) We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal Abstract
Catherine Hoad
 
Vol 4, No 1 (2017) Website Review: Afropop Worldwide: http://www.afropop.org Electric Jive: http://electricjive.blogspot.co.uk Details
Jez Collins
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Website review: Nomadic Wax. http://nomadicwax.com Abstract
Francisco D. Lara
 
Vol 2, No 1 (2015) When Digital is Physical and Ethnomusicologists are File Sharers Abstract
Denis Crowdy
 
Vol 2, No 1 (2015) World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices Abstract
Diane Hughes, Sarah Keith
 
Vol 2, No 2 (2015) World Music, World Circuit: In Conversation with Nick Gold Abstract
Simone Krüger
 
Vol 4, No 1 (2017) “A Highland Thing”: Heavy Metal and the Construction of Cultural Difference in Madagascar Abstract
Markus Verne
 
Vol 4, No 2 (2017) “Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries Abstract
Malvina Silba
 
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