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Issue Title
 
Vol 1, No 1 (2014) Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course Abstract
Andrew Killick
 
Vol 2, No 1 (2015) Sílvia Martínez and Héctor Fouce, eds. 2013. Made in Spain: Studies in Popular Music. Routledge Global Popular Music Series. New York and London: Routledge. 240pp. ISBN 978-0-415-50640-3 (hbk) Details
Duncan Wheeler
 
Vol 1, No 2 (2014) Simon Broughton, ed., Songlines. Publisher: Songlines Publishing Limited. 8 issues a year. 1999– Details
Thomas Wagner
 
Vol 6, No 2 (2019) Simone Krüger Bridge. 2018. Trajectories and Themes in World Popular Music: Globalization, Capitalism, Identity Abstract   PDF   HTML
Neil Deane, Elke Schuch
 
Vol 5, No 2 (2018): Special Issue: Hip Hop Activism and Representational Politics Solution or a “Fake Sense of Integration”? Contradictions of Rap as a Resource within the Danish Welfare State’s Integration Project Abstract
Kristine Ringsager
 
Vol 4, No 2 (2017) Some Notes on Popular Music in my (Professional) Life Abstract
Bruno Nettl
 
Vol 3, No 1 (2016) Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene Abstract
Lauren Istvandity
 
Vol 6, No 1 (2019) Sounding Dublin: Mapping Popular Music Experience in the City Abstract   PDF   HTML
John O'Flynn, Áine Mangaoang
 
Vol 3, No 2 (2016) Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music Abstract
Jonathan P. J. Stock
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics South African Dialogue Abstract
Warrick Moses
 
Vol 1, No 1 (2014) Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) Details
Tony Mitchell
 
Vol 2, No 1 (2015) Taporak’s Travels: Paths of Transmission of a Piece of Music from a Remote Island Repertoire Abstract
Tony Lewis
 
Vol 1, No 2 (2014) The Cultural and Gender Politics of Enunciation: Locating the Singer-Songwriter within and beyond Male Anglo-American Contexts Abstract
Duncan Wheeler, Lucy O'Brien
 
Vol 4, No 2 (2017) The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century Abstract
Michael B. Bakan
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics The “Schizophrenic Nation”: Ethics of Critique in Morocco’s Post-Arab Spring Popular Music Abstract
Kendra Salois
 
Vol 1, No 2 (2014) Thirty Years of World Music Abstract
Timothy D. Taylor
 
Vol 2, No 1 (2015) Thomas Burkhalter. 2013. Local Music Scenes and Globalization: Transnational Platforms in Beirut. New York: Routledge. 304pp. ISBN 978-0-415-80813-2 (hbk) Details
William Ross Hagen
 
Vol 3, No 1 (2016) Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) Details
Alf Arvidsson
 
Vol 1, No 2 (2014) Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk) Details
Jonathan P. J. Stock
 
Vol 2, No 2 (2015) Tōru Mitsui, ed. 2014. Made in Japan: Studies in Popular Music. New York: Routledge. 254pp. ISBN 978-0-415-63757-2 (hbk) Details
Henry Johnson
 
Vol 5, No 1 (2018): Hip Hop Activism and Representational Politics Towards a Hip Hop Pedagogy of Discomfort Abstract
Darren Chetty, Patrick Turner
 
Vol 1, No 1 (2014) Under African Skies. 2012. Directed by Joe Berlinger. Sony Legacy. Blu-ray and DVD. Details
Brian F. Wright
 
Vol 4, No 1 (2017) Valuing Tradition: Mali’s Jeliw, European Publishers and Copyright Abstract
Caspar Melville
 
Vol 3, No 2 (2016) Voodoo Threads: The Cultural Trajectory of Dr. John’s ‘I Walk on Gilded Splinters’ Abstract
Philip Hayward, Matt Hill
 
Vol 3, No 1 (2016) We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal Abstract
Catherine Hoad
 
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