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Table of Contents
Articles
| Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” |
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| Michael W. Morse | 153-172 |
| David Murray: the making of a progressive musician |
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| Tim Wall | 173-203 |
| Being bop: how the press shaped the cult of bebop |
PDF
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| Thomas Turner | 205-224 |
| The parallax of art and commerce: UK jazz musicians on marketing |
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| Michael James Macaulay | 225-238 |
Reviews
| Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. |
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|
| Matthew Butterfield | 239-249 |
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