Vol 6, No 1 (2013)

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Table of Contents


Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf PDF
Alexis Luko 5-30
Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form PDF
Janina Müller , Tobias Plebuch 31-48
Modal Interchange and Semantic Resonance in Themes by John Williams PDF
Tom Schneller 49-74
“Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas PDF
Tim Summers 75-86


Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier PDF
Mark Durrand 87-89
Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York PDF
Roger Hickman 90-92

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