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Table of Contents
Editorial
| Editorial |
PDF
|
| Ian Sapiro , Laura Anderson | 99-100 |
Articles
| Digitizing, Organizing and Managing an Audio-Visual Archive: The Trevor Jones Archive at the University of Leeds |
PDF
|
| David Cooper , Ian Sapiro , Laura Anderson , Sarah Hall | 101-110 |
| Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive |
PDF
|
| Alessandro Bratus | 111-126 |
| The Barry Gray Archive |
PDF
|
| François Evans | 127-134 |
| The British Library’s Francis Chagrin Collection: Joining the Dots |
PDF
|
| Alexis Bennett | 135-146 |
| Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops |
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| Emilio Audissino | 147-163 |
| Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana |
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|
| C. Letcher | 165-174 |
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