

Table of Contents
Articles
Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló |
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Talya Berger , Jonathan Berger | 5-20 |
Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 |
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Carolin Beinroth , Claudia Bullerjahn | 21-35 |
Reviews
Linda M. Koldau, Mythos U-Boot |
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Arndt Niebisch | 36-37 |
Swiss Film Music: Anthology 1923–2012 |
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Michael Baumgartner | 38-40 |
Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 |
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Hannah Lewis | 41-43 |
Hannah Lewis, French Musical Culture and the Coming of Sound Cinema |
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Colin Roust | 44-46 |
James Buhler, Theories of the Soundtrack |
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Jeff Smith | 47-50 |
Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond |
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Megan Woller | 51-53 |
Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema |
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Erik Heine | 54-56 |
Ron Rodman, Tuning In: American Narrative Television Music |
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James Deaville | 57-59 |
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