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Table of Contents
Articles
| Not with a Bang . . . Silence, Noise and Musical Nihilism in Béla Tarr’s A torinói ló |
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| Talya Berger , Jonathan Berger | 5-20 |
| Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 |
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| Carolin Beinroth , Claudia Bullerjahn | 21-35 |
Reviews
| Linda M. Koldau, Mythos U-Boot |
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| Arndt Niebisch | 36-37 |
| Swiss Film Music: Anthology 1923–2012 |
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| Michael Baumgartner | 38-40 |
| Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 |
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| Hannah Lewis | 41-43 |
| Hannah Lewis, French Musical Culture and the Coming of Sound Cinema |
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| Colin Roust | 44-46 |
| James Buhler, Theories of the Soundtrack |
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| Jeff Smith | 47-50 |
| Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond |
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| Megan Woller | 51-53 |
| Frank Lehman, Hollywood Harmony: Musical Wonder and the Sound of Cinema |
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| Erik Heine | 54-56 |
| Ron Rodman, Tuning In: American Narrative Television Music |
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| James Deaville | 57-59 |
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