Notification Feed
Open Access
Subscription Access
Table of Contents
Editorial
| Bernard Herrmann: The Beethoven of Film Music? |
PDF
|
| William H. Rosar | 121-150 |
Articles
| The Mystery of Herrmann's Music for Selznick's Portrait of Jennie |
PDF
|
| Thomas DeMary | 153-182 |
| A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie |
PDF
|
| Ronald Burbella | 183-184 |
| Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still |
PDF
|
| E. Todd Flegel | 185-215 |
| Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much |
PDF
|
| James Wierzbicki | 217-238 |
| Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo |
PDF
|
| David Cooper | 239-248 |
| Self Borrowing in the Music of Bernard Herrmann |
PDF
|
| William Wrobel | 249-271 |
Reviews
| Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann |
PDF
|
| Richard Littlefield | 273-281 |
| Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative |
PDF
|
| Melissa Ursula Dawn Goldsmith | 283-287 |
| Sound and Vision: 60 Years of Motion Picture Soundtracks |
PDF
|
| Jon Burlingame | 289-292 |
| Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book |
PDF
|
| Eric Hung | 293-295 |
| Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music |
PDF
|
| K. J. Donnelly | 297-300 |
Equinox Publishing Ltd - 415 The Workstation 15 Paternoster Row, Sheffield, S1 2BX United Kingdom
Telephone: +44 (0)114 221-0285 - Email: info@equinoxpub.com