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Table of Contents
Editorial
| Bernard Herrmann: The Beethoven of Film Music? |
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| William H. Rosar | 121-150 |
Articles
| The Mystery of Herrmann's Music for Selznick's Portrait of Jennie |
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| Thomas DeMary | 153-182 |
| A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie |
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| Ronald Burbella | 183-184 |
| Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still |
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| E. Todd Flegel | 185-215 |
| Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much |
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| James Wierzbicki | 217-238 |
| Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo |
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| David Cooper | 239-248 |
| Self Borrowing in the Music of Bernard Herrmann |
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| William Wrobel | 249-271 |
Reviews
| Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann |
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| Richard Littlefield | 273-281 |
| Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative |
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| Melissa Ursula Dawn Goldsmith | 283-287 |
| Sound and Vision: 60 Years of Motion Picture Soundtracks |
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| Jon Burlingame | 289-292 |
| Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book |
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| Eric Hung | 293-295 |
| Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music |
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| K. J. Donnelly | 297-300 |
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