

Table of Contents
Editorial
Bernard Herrmann: The Beethoven of Film Music? |
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William H. Rosar | 121-150 |
Articles
The Mystery of Herrmann's Music for Selznick's Portrait of Jennie |
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Thomas DeMary | 153-182 |
A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie |
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Ronald Burbella | 183-184 |
Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still |
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E. Todd Flegel | 185-215 |
Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much |
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James Wierzbicki | 217-238 |
Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo |
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David Cooper | 239-248 |
Self Borrowing in the Music of Bernard Herrmann |
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William Wrobel | 249-271 |
Reviews
Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann |
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Richard Littlefield | 273-281 |
Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative |
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Melissa Ursula Dawn Goldsmith | 283-287 |
Sound and Vision: 60 Years of Motion Picture Soundtracks |
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Jon Burlingame | 289-292 |
Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book |
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Eric Hung | 293-295 |
Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music |
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K. J. Donnelly | 297-300 |
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