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Table of Contents
Articles
| “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey |
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| Paul A. Merkley, FRSC | 1-34 |
| Whose Classical Music? Reflections on Film Adaptation |
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| Lawrence Kramer | 35-42 |
| “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) |
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| Anthony Bushard | 43-62 |
Interviews
| The Manchurian Candidate (1962): An Interview with David Amram |
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| William H. Rosar | 63-74 |
Reviews
| James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] |
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| David Cooper | 79-81 |
| Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] |
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| Eric Hung | 83-86 |
| Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] |
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| Tom Schneller | 87-93 |
Briefly Noted
| Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. |
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| Styra Avins | 94-95 |
| Roger Hickman. Reel Music: Exploring 100 Years of Film Music |
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| Lora Matthews | 96-97 |
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