Vol 2, No 1 (2007)

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Table of Contents


“Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey PDF
Paul A. Merkley, FRSC 1-34
Whose Classical Music? Reflections on Film Adaptation PDF
Lawrence Kramer 35-42
“He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) PDF
Anthony Bushard 43-62


The Manchurian Candidate (1962): An Interview with David Amram PDF
William H. Rosar 63-74


David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 PDF
Tom Schneller 75-78
James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] PDF
David Cooper 79-81
Daniel Goldmark: Tunes for ’Toons: Music and the Hollywood Cartoon.Berkeley: University of California Press, 2005 [xviii, 225 p. ISBN: 0520236173.] PDF
Eric Hung 83-86
Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] PDF
Tom Schneller 87-93

Briefly Noted

Louis Kaufman and Annette Kaufman: A Fiddler’s Tale: How Hollywood and Vivaldi Discovered Me. PDF
Styra Avins 94-95
Roger Hickman. Reel Music: Exploring 100 Years of Film Music PDF
Lora Matthews 96-97

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