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VOL 4, NO 2 (2011)
Table of Contents
Articles
| Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials |
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| Nicol William Snedden | 83-114 |
| Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* |
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| Sarah Reichardt Ellis | 115-124 |
| Modular Structures in Film Music: The Answer to Synchronization Problems? |
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| Bartlomiej P Walus | 125-154 |
| Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* |
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| Jörg Jewanski | 155-169 |
Reviews
| Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical |
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| Melissa Ursula Dawn Goldsmith | 171-175 |
| Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema |
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| Tony Fonseca | 176-179 |
| Philip Furia and Laurie Patterson. The Songs of Hollywood |
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| Jennifer L. Roth-Burnette | 180-182 |
Briefly Noted
| D. Kern Holoman. The Orchestra: A Very Short Introduction |
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| Melissa Ursula Dawn Goldsmith | 183-184 |
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