

VOL 4, NO 2 (2011)
Table of Contents
Articles
Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials |
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Nicol William Snedden | 83-114 |
Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* |
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Sarah Reichardt Ellis | 115-124 |
Modular Structures in Film Music: The Answer to Synchronization Problems? |
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Bartlomiej P Walus | 125-154 |
Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* |
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Jörg Jewanski | 155-169 |
Reviews
Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical |
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Melissa Ursula Dawn Goldsmith | 171-175 |
Bruce Johnson, ed. Earogenous Zones: Sound, Sexuality, and Cinema |
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Tony Fonseca | 176-179 |
Philip Furia and Laurie Patterson. The Songs of Hollywood |
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Jennifer L. Roth-Burnette | 180-182 |
Briefly Noted
D. Kern Holoman. The Orchestra: A Very Short Introduction |
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Melissa Ursula Dawn Goldsmith | 183-184 |
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