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Journal | Issue | Title | |
Jazz Research Journal | Vol 7 No. 1 (2013) | The ‘grave disease’: interwar British writers look at ragtime and jazz | View |
Robert Lawson-Peebles | |||
Journal of World Popular Music | Vol 2 No. 2 (2015) | Andrew Weintraub. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press. 258pp. ISBN 978- 0-195-395666-2 (pbk) | View |
Heather Strohschein | |||
Equinox eBooks Publishing | The History of European Jazz | 11. Norway | View |
Bjorn Stendahl | |||
Equinox eBooks Publishing | The Holy in a Pluralistic World | 3. Religious League of Humanity and Universal Protestant Senate: Rudolf Otto’s Interreligious Critique of Nathan Söderblom and the Ecumenical Movement | View |
Ulrich Rosenhagen | |||
Popular Music History | Vol 4 No. 1 (2009) | Gordon Stretton: a study in multiple identities | View |
Jeff Daniels, Howard Rye | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
Roger Hickman | |||
Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
Alexander Yudin | |||
Equinox eBooks Publishing | The Holy in a Pluralistic World | 5. Rudolf Otto and the Problem of Categories | View |
Gregory Alles | |||
Popular Music History | Vol 7 No. 1 (2012) | Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | View |
Richard Ekins | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
Nathan Platte | |||
Implicit Religion | Vol 19 No. 2 (2016) | Prohibition and Eugenics: Implicit Religions That Failed | View |
Robert H Nelson | |||
Comparative Islamic Studies | Vol 4 No. 4.1 / 4.2 (2008) | A Twentieth Century Indian Sufi Views Hinduism: The Case of Khwaja Hasan Nizami (1879-1955) | View |
Marcia Hermansen | |||
Gender and Language | Vol 4 No. 1 (2010) | Will Ms ever be as frequent as Mr? A corpus-based comparison of gendered terms across four diachronic corpora of British English | View |
Paul Baker | |||
Gender and Language | Vol 1 No. 1 (2013) V1: Corpus approaches to Gender and Language | Will Ms ever be as frequent as Mr? A corpus-based comparison of gendered terms across four diachronic corpora of British English | View |
Paul Baker | |||
Popular Music History | Vol 7 No. 3 (2012) | Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. | View |
Richard Witts | |||
Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
Ronald Rodman | |||
Equinox eBooks Publishing | The History of European Jazz | 36. Django Reinhardt and jazz manouche | View |
Michael Dregni | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Historical overview of the development of jazz in Portugal, in the first half of the twentieth century | View |
Pedro Cravinho | |||
Equinox eBooks Publishing | The History of European Jazz | 4. Germany | View |
Martin Pfleiderer | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
William H. Rosar | |||
Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
Helen Vera Southall | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns | View |
Michael Beckerman, William H. Rosar | |||
PentecoStudies | Vol 11 No. 2 (2012) | Spirit and Church in the Ecclesiology of Lewi Pethrus | View |
Torbjörn Aronson | |||
Journal of Skyscape Archaeology | Vol 4 No. 1 (2018) | The Wrath of Zemi: Arawak Hurricane Prediction in the Caribbean | View |
Renzo S. Duin | |||
Fieldwork in Religion | Vol 14 No. 1 (2019) | Social Generation as a Lens: A Qualitative Take on Generational Theory | View |
Frederique A. Demeijer, Hijme C. Stoffels | |||
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