Revise Search
| Journal | Issue | Title | |
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical | View |
| Melissa Ursula Dawn Goldsmith | |||
| Journal for the Academic Study of Religion | Vol 33 No. 2 (2020) Special Issue on Modern Thinking in Islam | S. Brent Plate (ed.), Film and Religion: Critical Concepts in Media and Cultural Studies. | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. | View |
| Paul A. Merkley | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Implicit Religion | Vol 12 No. 2 (2009) | Religion as Entertainment, C.K.Robertson (ed.). Bern: Peter Lang, 2002. ISBN-13: 9780820456546, 301 pp, pb £21.00 | View |
| Chris Baker | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 1 (2008) | Preface | View |
| Elizabeth Castelli | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Daniel Goldmark, Lawrence Kramer, and Richard Leppert, eds., Beyond the Soundtrack: Representing Music in Cinema Berkeley, Los Angeles, and London: University of California Press, 2007. [xiii, 324 pp. ISBN: 0520250703. $24.95 (trade paper)] Music examples | View |
| Matthew Brown | |||
| Popular Music History | Vol 4 No. 3 (2009) | Sam Taylor-Wood, Nowhere Boy (2009). | View |
| Spencer Leigh | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Leith Stevens: Piano Prodity--Jazz Band Conductor--Composer for Radio, Films and Television | View |
| Mark Brill | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
| Alessandro Cecchi, Maurizio Corbella | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Popular Music History | Vol 5 No. 3 (2010) | ‘Girls, girls, girls’?: The Los Angeles metal scene and the politics of gender in Decline of Western Civilization Part II: The Metal Years | View |
| Nedim Hassan | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
| Rebecca FÜlÖP | |||
| Popular Music History | Vol 4 No. 3 (2009) | Holly George-Warren, Public Cowboy No 1: The Life and Times of Gene Autry. New York and Oxford: Oxford University Press, 2007. 312 pp. ISBN 13-9780-195372670 (pbk). $17.95. | View |
| Phil Hardy | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie | View |
| Nathalie Weidhase | |||
| Journal for the Study of Religion, Nature and Culture | Vol 10 No. 2 (2016) Indigenous Knowledge, Indigenous Spirituality, and the Future of Humans in Nature | Re-imagining Nature and American Indian Identity in Film | View |
| Ulrike Wiethaus | |||
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