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| Journal | Issue | Title | |
| Implicit Religion | Vol 23 No. 2 (2020) New Directions in the Study of Scientology | ‘Do not dare speak of Scientology in France!’ | View |
| Bernadette Rigal-Cellard | |||
| Journal for the Academic Study of Religion | Vol 24 No. 3 (2011) Religion and Celebrity | Editorial Introduction | View |
| Carole Cusack | |||
| Popular Music History | Vol 3 No. 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | View |
| Christine Adams | |||
| Popular Music History | Vol 6 No. 3 (2011) | Sean Campbell and Colin Coulter. Why Pamper Life’s Complexities?: Essays on The Smiths. Manchester: Manchester University Press, 2010. ISBN 978-0-7190-7841- 5. £65.00 (hbk). £15.99 (pbk). | View |
| James McGrath | |||
| Writing & Pedagogy | Vol 4 No. 1 (2012) | TV Writing and the Creative Writing Workshop Shaping Practice across Disciplinary Boundaries | View |
| Douglas Heil | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
| Megan Woller | |||
| Implicit Religion | Vol 23 No. 3 (2020) | The Trials and Tribulations of Luke Skywalker: How The Walt Disney Co. and Lucasfilm Have Failed to Confront Joseph Campbell’s Troublesome Legacy | View |
| Leonardo Ambasciano | |||
| Equinox eBooks Publishing | Critical Theory and Early Christianity | Index of Modern Authors | View |
| Matthew Whitlock | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 3 (2008) | The Disobedient Subject: Advaita Vedanta and the Disruption of Authorized Subject Positionings in Christopher Isherwood’s Life-Writing | View |
| Victor E Marsh | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | God in the Saddle: Silent Western Films as Protestant Sermons | View |
| Terry Lindvall | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. | View |
| James Parsons | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Equinox eBooks Publishing | The History of European Jazz | 39. Film | View |
| Selwyn Harris | |||
| Implicit Religion | Vol 23 No. 2 (2020) New Directions in the Study of Scientology | Apostate Memoirs and the Study of Scientology in the Twenty-First Century | View |
| Carole M. Cusack | |||
| Popular Music History | Vol 9 No. 1 (2014) | Let it be? Exploring The Beatles grey market, 1970–1995 | View |
| Holly Tessler | |||
| Gender and Language | Vol 14 No. 1 (2020) | ‘Should Latinas go blond?’ Media representation and the regulation of Latina bodies and Latinas’ social and cultural practices in a beauty magazine | View |
| Deyanira Rojas-Sosa | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Singing Voice and its Use to Evoke Unease, Discomfort and Violence | View |
| Liz Giuffre, Mark Thorley | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Implicit Religion | Vol 18 No. 1 (2015) | The Ritualization of Consumer Capitalism: Catherine Bell's Ritual Theory, Ritual Practice in the Age of Starbucks | View |
| George Gonzalez | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 4 No. 3 (2008) | The Guru and His Queer Disciple: The Guru-Disciple Relationship as the Locus of Christopher Isherwood’s Advaita Vedanta | View |
| Pravrajika Vrajaprana | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann | View |
| Richard Littlefield | |||
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