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| Journal | Issue | Title | |
| Perfect Beat | Vol 1 No. 3 (1993) | SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom | View |
| Meret Valtwies | |||
| Equinox eBooks Publishing | Ritual and Democracy | 3. Making Ritual Enactments Political: Free Speech after the Charlie Hebdo Attacks | View |
| Zaki Nahaboo | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
| Veronica Stewart, Diane Hughes | |||
| Gender and Language | Vol 8 No. 3 (2014) | Language Learning, Gender and Desire: Japanese Women on the Move Kimie Takahashi (2013) Bristol: Channel View Publications, 200pp. | View |
| Keiko Todo | |||
| Popular Music History | Vol 5 No. 1 (2010) | Resources & Herrmann research | View |
| Bill Wrobel | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Films, Frames and Videogames: Religious Insights into Media | View |
| Anna Piskorowski-Adams | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar | View |
| David Barnhill | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Sound and Vision: 60 Years of Motion Picture Soundtracks | View |
| Jon Burlingame | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “He Could’ve Been a Contender”: Thematic Integration in Leonard Bernstein’s Score for On The Waterfront (1954) | View |
| Anthony Bushard | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
| David Cooper | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. | View |
| Michael Remson | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. | View |
| Tony Fonseca | |||
| Journal of World Popular Music | Vol 1 No. 1 (2014) | Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). | View |
| Åse Ottosson | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Industry and Craftsmanship in Popular Cinema: An Initial Exploration of Vassil Kojucharov’s Archive | View |
| Alessandro Bratus | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Implicit Religion | Vol 20 No. 1 (2017) Special Issue: Theorizing Religion and Nationalism | Sacredness as a Resource, Sacralization as a Strategy: Field Marshal Mannerheim and Finnish Fields of Media and Cultural Production | View |
| Jere Kyyrö | |||
| Journal for the Academic Study of Religion | Vol 30 No. 2 (2017) | James R. Lewis and Kjersti Hellesøy (eds.), Handbook of Scientology. Leiden and Boston, MA: Brill, 2016, pp. 592, ISBN: 9789004328716 | View |
| Stefano Bigliardi | |||
| CALICO Journal | Vol 17 No. 3 (2000) | Digital Versatile Disc (DVD): The New Medium for Interactive Video | View |
| Michael D. Bush | |||
| Equinox eBooks Publishing | Ritual and Democracy | 5. How to Do Things with Rituals, or Disrupting Protestant Lutheran Theology: Converting Refugees and the Eucharist | View |
| Gitte Buch-Hansen | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Listening again to popular music as history | View |
| Paul Leslie Long, Nicholas Gebhardt | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | 'You’ve Got a Friend in Me': Singing Voices in the Toy Story Films | View |
| Natalie Lewandowski, Penny Spirou | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | Opening Pandora's Film | View |
| Bron Taylor, Adrian Ivakhiv | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
| David Cooper | |||
| Equinox eBooks Publishing | The Beatles | Index | View |
| Ian Inglis | |||
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