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| Journal | Issue | Title | |
| Journal of Film Music | Vol 7 No. 2 (2014) | Danielle Birkett and Dominic McHugh, eds., Adapting the Wizard of Oz: Musical Versions from Baum to MGM and Beyond | View |
| Megan Woller | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) | View |
| Linda K. Schubert | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Problem of Music in a Historical Film | View |
| Herbert Stothart | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Ben-Hur Legacy | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “I have been compromised. I am now fighting against it.” Ligeti vs. Kubrick and the music for 2001: A Space Odyssey | View |
| Julia Heimerdinger | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Philip Furia and Laurie Patterson. The Songs of Hollywood | View |
| Jennifer L. Roth-Burnette | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| Religious Studies and Theology | Vol 38 No. 1-2 (2019) Special Issue: Festschrift for Michel Desjardins | Michel Desjardins: An Angel of Academia | View |
| Erica Hurwitz Andrus | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | “‘An effort to decide’: More Research into Kubrick’s Music Choices for 2001: A Space Odyssey” | View |
| Kate McQuiston | |||
| Popular Music History | Vol 7 No. 2 (2012) | Resource notes | View |
| Andy Linehan | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical | View |
| Melissa Ursula Dawn Goldsmith | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book | View |
| Eric Hung | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
| David Cooper | |||
| Implicit Religion | Vol 19 No. 3 (2016) | Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War | View |
| George Faithful | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
| Beth E. Levy | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Review of Catching Light; Looking for God in the Movies by Roy M. Anker | View |
| Paul Nathanson | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Bulletin for the Study of Religion | Vol 42 No. 4 (2013) Bulletin for the Study of Religion | A Cinematic Approach to Teaching the Synoptic Problem | View |
| Jeffrey Staley | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| International Journal of Speech Language and the Law | Vol 26 No. 2 (2019) | Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker | View |
| Dominic Watt, Peter S. Harrison, Lily Cabot-King | |||
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