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| Journal | Issue | Title | |
| Journal of Film Music | Vol 1 No. 1 (2002) | Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager | View |
| Charles Leinberger | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. | View |
| Charles Leinberger | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Rerecording Max Steiner: Brandenburg Philharmonic Orchestra/Richard Kaufman. Naxos, 2005. Moscow Symphony Orchestra and Chorus / William Stromberg. Naxos, 2004; Moscow Symphony Orchestra/William Stromberg. Naxos 2004 | View |
| Brian C. Thompson | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | "'Leitmotif': On the Application of a Word to Film Music" | View |
| Stephen C. Meyer | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index | View |
| Tom Schneller | |||
| Equinox eBooks Publishing | Books as Bodies and as Sacred Beings | Author Index | View |
| James Watts, Yohan Yoo | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Equinox eBooks Publishing | Levantine Entanglements | 1. The Region of the Levant and the Importance of the Local Perspective | View |
| Terje Stordalen, Øystein LaBianca | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | The Mystery of Herrmann's Music for Selznick's Portrait of Jennie | View |
| Thomas DeMary | |||
| Linguistics and the Human Sciences | Vol 6 No. 1-3 (2010) | Editors’ introduction: Functional and corpus perspectives in contrastive discourse analysis | View |
| Maite Taboada, Susana Doval Suárez, Elsa González Álvarez | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archetypes in the Archive: Finding ‘South Africa’ in the Production of Dario Marianelli’s Score for Goodbye Bafana | View |
| C. Letcher | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Popular Music History | Vol 5 No. 1 (2010) | Resources & Herrmann research | View |
| Bill Wrobel | |||
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