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Journal | Issue | Title | |
International Journal of Speech Language and the Law | Vol 3 No. 1 (1996) | Evaluation of a foreign speaker in forensic phonetics: a report | View |
Niels O. Schiller, Olaf Koster | |||
Comparative Islamic Studies | Vol 1 No. 2 (2005) | Theorizing Charismatic Authority in Early Islamic Law* | View |
Jonathan E. Brockopp | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
William H. Rosar | |||
Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
Emilio Audissino | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
William Wrobel | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
Robynn J. Stilwell | |||
Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) | View |
William H. Rosar | |||
Equinox eBooks Publishing | New Age in Norway | Index | View |
Ingvild Gilhus | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
Jörg Jewanski | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD | View |
Linda Schubert | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
K. J. Donnelly | |||
Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
Tony Fonseca | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical | View |
Melissa Ursula Dawn Goldsmith | |||
Equinox eBooks Publishing | The Birth of the Academic Article | References | View |
David Banks | |||
Journal of Cognitive Historiography | Vol 1 No. 1 (2014) | Data from Dead Minds? Dream and Healing in the Isis / Sarapis Cult During the Graeco-Roman Age | View |
Panayotis Pachis | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood | View |
Helen Mitchell | |||
Equinox eBooks Publishing | Critical Theory and Early Christianity | 2. Walter Benjamin and Early Christian Texts | View |
Matthew Whitlock | |||
Religious Studies and Theology | Vol 40 No. 2 (2021) Special Issue: Canadian Jewish Women Writers | Of the Body: Lineage and Threshold in Anne Michaels’s Correspondences, All We Saw and Infinite Gradation | View |
Connie T. Braun | |||
Equinox eBooks Publishing | Translocal Lives and Religion | 1. From Comparative to Connected Religion: Translocal Aspects of Orientalism and the Study of Religion | View |
Philippe Bornet | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Theory Through the Lens of Film | View |
Frank Lehman | |||
Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
Janina Müller, Tobias Plebuch | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
Beth E. Levy | |||
Journal for the Study of Religion, Nature and Culture | Vol 9 No. 3 (2004) Ecotheology 9.3 December 2004 | 'Nature', Post/Modernity and the Migration of the Sublime | View |
Richard H. Roberts | |||
Religions of South Asia | Vol 6 No. 2 (2012) Special Issue: “Tradition and the Reuse of Indic Texts” | Comparative Philology and the Ṛg-Veda: 1.32.1, 3.33.6-7 | View |
Jesse Lundquist | |||
Journal for Research into Freemasonry and Fraternalism | Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry | ‘Its members are of all sorts…’, the Male Element of Early Co-freemasonry in England | View |
Diane Clements | |||
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