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Journal Issue Title
 
International Journal of Speech Language and the Law Vol 3 No. 1 (1996) Evaluation of a foreign speaker in forensic phonetics: a report View
Niels O. Schiller, Olaf Koster
 
Comparative Islamic Studies Vol 1 No. 2 (2005) Theorizing Charismatic Authority in Early Islamic Law* View
Jonathan E. Brockopp
 
Journal of Film Music Vol 2 No. 2-4 (2009) Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity View
William H. Rosar
 
Journal of Film Music Vol 6 No. 2 (2013) Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops View
Emilio Audissino
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Self Borrowing in the Music of Bernard Herrmann View
William Wrobel
 
Journal of Film Music Vol 1 No. 1 (2002) Music in Films: A Critical Review of Literature, 1980-1996 View
Robynn J. Stilwell
 
Journal of Film Music Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift Music for Martians: Schillinger's Two Tonics and Harmony of Fourths in Leigh Steven's Score for War of the Worlds (1953) View
William H. Rosar
 
Equinox eBooks Publishing New Age in Norway Index View
Ingvild Gilhus
 
Journal of Film Music Vol 4 No. 2 (2011) Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* View
Jörg Jewanski
 
Journal of Film Music Vol 1 No. 1 (2002) Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD View
Linda Schubert
 
Journal of Film Music Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music View
K. J. Donnelly
 
Journal of Film Music Vol 4 No. 1 (2011) Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. View
Tony Fonseca
 
Journal of Film Music Vol 4 No. 2 (2011) Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical View
Melissa Ursula Dawn Goldsmith
 
Equinox eBooks Publishing The Birth of the Academic Article References View
David Banks
 
Journal of Cognitive Historiography Vol 1 No. 1 (2014) Data from Dead Minds? Dream and Healing in the Isis / Sarapis Cult During the Graeco-Roman Age View
Panayotis Pachis
 
Journal of Film Music Vol 2 No. 2-4 (2009) Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood View
Helen Mitchell
 
Religious Studies and Theology Vol 40 No. 2 (2021) Special Issue: Canadian Jewish Women Writers Of the Body: Lineage and Threshold in Anne Michaels’s Correspondences, All We Saw and Infinite Gradation View
Connie T. Braun
 
Equinox eBooks Publishing Translocal Lives and Religion 1. From Comparative to Connected Religion: Translocal Aspects of Orientalism and the Study of Religion View
Philippe Bornet
 
Journal of Film Music Vol 5 No. 1-2 (2012) Music Theory Through the Lens of Film View
Frank Lehman
 
Journal of Film Music Vol 6 No. 1 (2013) Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form View
Janina Müller, Tobias Plebuch
 
Journal of Film Music Vol 2 No. 2-4 (2009) The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony View
Beth E. Levy
 
Journal for the Study of Religion, Nature and Culture Vol 9 No. 3 (2004) Ecotheology 9.3 December 2004 'Nature', Post/Modernity and the Migration of the Sublime View
Richard H. Roberts
 
Religions of South Asia Vol 6 No. 2 (2012) Special Issue: “Tradition and the Reuse of Indic Texts” Comparative Philology and the Ṛg-Veda: 1.32.1, 3.33.6-7 View
Jesse Lundquist
 
Journal for Research into Freemasonry and Fraternalism Vol 4 No. 1 (2013) Vol. 4. No 1 - 2 (2013) : Women and Freemasonry ‘Its members are of all sorts…’, the Male Element of Early Co-freemasonry in England View
Diane Clements
 
Journal of Film Music Vol 3 No. 2 (2010) A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" View
David Cooper, Ian Sapiro
 
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