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Journal | Issue | Title | |
Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
Jacqueline Avila | |||
Equinox eBooks Publishing | Comida y cultura en el mundo hispánico/Food and Culture in the Hispanic World | Comida de Película: Identidades Culturales (Movie Food: Cultural Identities) | View |
Ana Gómez-Bravo | |||
Equinox eBooks Publishing | Comida y cultura en el mundo hispánico/Food and Culture in the Hispanic World | Cocina y Mestizaje (Cooking and Intercultural Relationships) | View |
Ana Gómez-Bravo | |||
Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | ‘These stories have to be told’: Chicano rap as historical source | View |
Dianne Violeta Mausfeld | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? | View |
Roberto Kolb-Neuhaus | |||
Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
Mark Evans | |||
Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | The Roots of Digital Cumbia in Sound System Culture: Sonideros, Villeros, and the Transformation of Colombian Cumbia | View |
Moses Iten | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
Ross Lipman | |||
Equinox eBooks Publishing | The History of European Jazz | 33. Azerbaijan | View |
Rain Sultanov | |||
Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Before #MeToo: Hearing Vulnerability | View |
Diane Hughes, Mark Evans | |||
Equinox eBooks Publishing | Project-Based Language Learning and CALL | 9. Transcultural Language Learning with Cinema, Social Justice and Teletandem | View |
Martha Guadalupe Hernández Alvarado, Anton Brinckwirth | |||
Sociolinguistic Studies | Vol 2 No. 3 (2008) Monolingualism | Portraying language diversity through a monolingual lens: On the unbalanced representation of Spanish and English in a corpus of American films | View |
Peter R. Petrucci | |||
Journal of Film Music | Vol 4 No. 2 (2011) | Charlotte Greenspan. “Pick Yourself Up”: Dorothy Fields and the American Musical | View |
Melissa Ursula Dawn Goldsmith | |||
Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
Anaïs Fléchet | |||
Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Tolerating Babel: The Bible, Film, and the Family in U.S. Biopolitics | View |
Erin Runions | |||
Popular Music History | Vol 10 No. 3 (2015) | The multi-layered transnationalism of Fran Palermo | View |
Ewa Mazierska, Bence Kránicz | |||
Perfect Beat | Vol 13 No. 2 (2012) | Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) | View |
Jon Fitzgerald, Philip Hayward, David Brennan | |||
Perfect Beat | Vol 2 No. 3 (1995) | A MOUSE, A FROG, THE HAWAIIAN GUITAR AND WORLD MUSIC AESTHETICS Vishwa Mohan Bhatt and Ry Cooder Meet by the River | View |
ADRIAN MCNEIL | |||
Religious Studies and Theology | Vol 36 No. 1 (2017) | Through Indigenous Eyes: A Comparison of Two Tohono O’odham Photographic Collections Documenting Pilgrimages to Magdalena | View |
Seth Schermerhorn, Lillia McEnaney | |||
Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
Simone Varriale | |||
Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 1 (2007) | Border Crossing with the Uninvited in Matthew’s Wedding Feast Parable and Jacques Tourneur’s I Walked with a Zombie | View |
Mario DeGiglio-Bellemare | |||
Journal of Film Music | Vol 2 No. 2-4 (2009) | The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony | View |
Beth E. Levy | |||
Popular Music History | Vol 8 No. 1 (2013) | A mysterious music in the air: cultural origins of the loudspeaker | View |
Kyle Devine | |||
Perfect Beat | Vol 4 No. 3 (1999) | STRICTLY BALLROOM The Rumba in Pre-World War Two Japan | View |
SHUHEI HOSOKAWA | |||
Essays in the Philosophy of Humanism | Vol 24 No. 2 (2016) | Reconstructing Photohumanism: Pluralistic Humanism, Democracy, and the Anthropocene | View |
Tibor Solymosi | |||
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