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| Journal | Issue | Title | |
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Looking at the Screen through the Spindle Hole: A Phonographic Approach to Italian Cinema of the 1960s | View |
| Alessandro Bratus | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | Evil Seductresses, Feisty Housewives, and the Temptation of Victor Mature | View |
| Kevin McGeough | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Remastered and Remaindered: Debussy’s Music, Nat King Cole’s Song, and David O. Selznick’s attempt at High Art on a Low Budget* | View |
| Sarah Reichardt Ellis | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Operatic Stothart: Leitmotifs and Tonal Organization in Two Versions of Rose Marie | View |
| Ronald Rodman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
| Anne Dhu McLucas | |||
| Equinox eBooks Publishing | Religion and Sight | 4. Sensing Reelism: Portals to Multiple Realities and Relationships in World, Indigenous, and Documentary Cinema | View |
| Louise Child | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Dialing In: The Sound of Television in the Pacific Region | View |
| Mark Evans | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 2 No. 2-3 (2006) | Interview with Adele Horne, Director of The Tailenders (2006) | View |
| Elizabeth Castelli | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Planes of illusion: music soundtrack, rendition and attribution in Sanctum< (2011) | View |
| Jon Fitzgerald, Philip Hayward, David Brennan | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | "A Brilliant New Symphonic Effect": The "New" Early Music in Stothart's Score for Romeo and Juliet (1936) | View |
| Linda K. Schubert | |||
| Implicit Religion | Vol 17 No. 4 (2014) | The Greatest Adventure Awaiting Humankind: Destination Moon and Faith in the Future | View |
| Catherine L. Newell | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | The Singing Voice in Contemporary Cinema | View |
| Diane Hughes, Mark Evans | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 7 No. 2 (2011) | Exploring Sacred and Secular Serpent Symbolism in Cecil B. DeMille’s The Ten Commandments (1956) | View |
| Anton Karl Kozlovic | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | From Despicable to Happy: Animated Vocality in the Evolution of Felonius Gru | View |
| Veronica Stewart, Diane Hughes | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager | View |
| Charles Leinberger | |||
| Bulletin for the Study of Religion | Vol 42 No. 4 (2013) Bulletin for the Study of Religion | A Cinematic Approach to Teaching the Synoptic Problem | View |
| Jeffrey Staley | |||
| Equinox eBooks Publishing | Ludomusicology | Suture and Peritexts: Music Beyond Gameplay and Diegesis | View |
| Michiel Kamp | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Ben-Hur Legacy | View |
| Roger Hickman | |||
| Persona and Shame | View | ||
| Ingmar Bergman, Keith Bradfield | |||
| Writers at the Movies | View | ||
| Jim Shephard | |||
| Equinox eBooks Publishing | Mosaics | Glad to be Gay | View |
| Duncan Heining | |||
| Equinox eBooks Publishing | Hinduism in Five Minutes | 20. How has Hinduism Changed with India’s Modernization? | View |
| Richard Weiss | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | The Manchurian Candidate (1962): An Interview with David Amram | View |
| William H. Rosar | |||
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