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| Journal | Issue | Title | |
| Journal of Film Music | Vol 2 No. 1 (2007) | Roger Hickman. Reel Music: Exploring 100 Years of Film Music | View |
| Lora Matthews | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] | View |
| James Wierzbicki | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | Nero the Nazi and Akhenaten the Lutheran: The Presentism of the Ancient World on Film | View |
| Kevin McGeough | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Easy to Cut: Modular Form in the Film Scores of Bernard Herrmann | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Jazz Research Journal | Vol 6 No. 1 (2012) | Rockin’ the jazz biopic:changing images of African American musicians in Hollywood biographical films | View |
| Simone Varriale | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Little Buddha and Gandhi Go to School: An Examination of the Use of Popular Film in Four Religious Education Classes | View |
| Barbara Maria Kameniar | |||
| Journal for the Study of Religion, Nature and Culture | Vol 5 No. 2 (2011) Imagining Ecotopia | Cinema of the Not-Yet: The Utopian Promise of Film as Heterotopia | View |
| Adrian Ivakhiv | |||
| Sociolinguistic Studies | Vol 5 No. 1 (2011) Fictionalising orality | Exploring the representation of orality: the use of vocatives in two Spanish-speaking films, Machuca and Volver | View |
| María Palma-Fahey | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal for the Academic Study of Religion | Vol 27 No. 3 (2014) G.I. Gurdjieff | Mountains Analogous? The Academic Urban Legend of Alejandro Jodorowsky’s Cult Film Adaptation of René Daumal’s Esoteric Novel | View |
| David Pecotic | |||
| Gender and Language | Vol 11 No. 4 (2017) Special issue: Globalisation, modernity and enregisterment in contemporary East Asia | Powerfully queered: representations of castrated male characters in Chinese martial arts films | View |
| Mie Hiramoto | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Jeff Rona, The Reel World: Scoring for Pictures San Francisco: Miller Freeman Books, Richard Bellis and The Emerging Film Composer: An Introduction to the People, Problems, and Psychology of the Film Music Business Los Angeles: Richard Bellis | View |
| Patrick Wood | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC POWER - KYLIE, BOWIE AND THE DELINQUENTS A study of the significance of the soundtrack to the financing, production and marketing of the Australian feature film The Delinquents. | View |
| DIANA JAROSIEWICZ | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Communicating Marginalized Masculinities: Identity Politics in TV, Film and New Media | View |
| Steffi Krause | |||
| Perfect Beat | Vol 9 No. 1 (2008) | Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing | View |
| TONY MITCHELL | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Implicit Religion | Vol 19 No. 3 (2016) | Survivor, Warrior, Mother, Savior: The Evolution of the Female Hero In Apocalyptic Science Fiction Film of the Late Cold War | View |
| George Faithful | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 4. "Magical Mystery Tour": Suburbia and Utopia in Music and Films of The Beatles | View |
| Jonathan Goss | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative | View |
| Melissa Ursula Dawn Goldsmith | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Slobin, Mark, ed. 2008. Global Soundtracks: Worlds of Film Music. Connecticut: Wesleyan | View |
| Mark Evans | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. | View |
| Bradford Lee Eden | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD | View |
| Linda Schubert | |||
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