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| Journal | Issue | Title | |
| Journal of Film Music | Vol 1 No. 1 (2002) | Hugo Friedhofer. Broken Arrow, CD Brigham Young University Film Archives FMA-HF105, [1999], CD | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
| David Cooper | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Sociolinguistic Studies | Vol 2 No. 3 (2008) Monolingualism | Portraying language diversity through a monolingual lens: On the unbalanced representation of Spanish and English in a corpus of American films | View |
| Peter R. Petrucci | |||
| Religions of South Asia | Vol 1 No. 1 (2007) June 2007 | Review of Filming the Gods: Religion and Indian Cinema, by Rachel Dwyer | View |
| Lynn Foulston | |||
| Journal of Research Design and Statistics in Linguistics and Communication Science | Vol 1 No. 2 (2014) | Exploring the translation of animated films: quantifying audiences’ perception of characters that speak in different varieties of English, Spanish and Catalan | View |
| Laia Darder | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | David Cooper. Bernard Herrmann’s Vertigo: A Film Score Handbook. Westport, CT: Greenwood Press, 2001. & Bernard Herrmann’s The Ghost andMrs. Muir: A Film Score Guide Lanham, MD: Scarecrow Press, 2005 | View |
| Tom Schneller | |||
| Journal for the Academic Study of Religion | Vol 30 No. 2 (2017) | Terry Lindvall, J. Dennis Bounds and Chris Lindvall, Divine Film Comedies: Biblical Narratives, Film Sub-Genres, and the Comic Spirit. New York: Routledge, 2016, pp. viii + 212, ISBN: 978-1-138-95613-1 (pbk) | View |
| Anton Karl Kozlovic | |||
| Journal for the Study of Religion, Nature and Culture | Vol 4 No. 4 (2010) Vol 4. No 4 (2010): Avatar and Nature Spirituality | Spirituality and Resistance: Ursula Le Guin’s The Word for World is Forest and the Film Avatar | View |
| David Barnhill | |||
| Equinox eBooks Publishing | Public Information Films | Chapter 1: Cultural issues relating to Public Information Films in the English speaking world and other countries and communities. | View |
| Anthony Baldry | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Kate Daubney. Max Steiner’s Now Voyager: A Film Score Guide Westport, CT: Greenwood Press, 2000. | View |
| Charles Leinberger | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. | View |
| Lori Stevens | |||
| Journal for the Academic Study of Religion | Vol 33 No. 1 (2020) | The Smoke of Satan on the Silver Screen: The Catholic Horror Film, Vatican II, and the Revival of Demonology | View |
| Bernard Doherty | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music | View |
| K. J. Donnelly | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Being a Christian in the Catholic Way: Protestant and Catholic Versions of the Jesus Films and the Evangelization of Poland | View |
| Esther Peperkamp | |||
| Journal for the Study of Religion, Nature and Culture | Vol 7 No. 1 (2013) | Ken Burns (dir.), The National Parks: America’s Best Idea (Florentine Films and WETA Television, 2009), DVD, $99.99. | View |
| Lynn Ross-Bryant | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Four Stories | View | ||
| Ingmar Bergman | |||
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Christopher Deacy, Faith in Film: Religious Themes in Contemporary Cinema. Ashgate, Aldershot, 2005, pp. 170, ISBN 0754651584 (hbk). | View |
| Anton Karl Kozlovic | |||
| Equinox eBooks Publishing | Public Information Films | Chapter 2: Multimodal text analysis of cultural diversity: bias, prejudice and opinion shaping in Public Information Films | View |
| Anthony Baldry | |||
| International Journal for the Study of New Religions | Vol 4 No. 2 (2013) | Cinema of the Occult: New Age, Satanism, Wicca, and Spiritualism in Film, by Carrol L. Fry. Bethlehem. Lehigh University Press, 2008. 301pp., hb., $62.50/ £39.95. ISBN-13: 9780934223959. | View |
| Carole M. Cusack | |||
| Journal for the Academic Study of Religion | Vol 22 No. 1 (2009) | Christopher Deacy and Gaye Williams Ortiz, Theology and Film: Challenging the Sacred/Secular Divide. Blackwell, Malden, MA, 2008, pp. xiv+245, ISBN 978-1-4051- 4438-4 (pbk) | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Marcia J. Citron. When Opera Meets Film, Cambridge and New York: Cambridge University Press, 2010 [xviii, 324p. ISBN 9780521895750. 55.00€ or $95.00 (hbk)] Cambridge Studies in Opera. | View |
| James L. Zychowicz | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
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