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| Journal | Issue | Title | |
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
| Rebecca FÜlÖP | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. | View |
| Christine Lee Gengaro | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Ian Conrich, and Estella Tincknell, eds., Film’s Musical Moments Music and the Moving Image. Edinburgh: Edinburgh University Press, 2006. [xiii, 226 pp. ISBN: 0748623450. $36.00 (trade paper)] Illustrations, bibliography, index. | View |
| Judith Bernanke | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Rebecca Coyle, ed., Reel Tracks: Australian Feature Film Music and Cultural Identities Eastleigh, Eng.: John Libbey Publishing, 2005. [vii, 257 pp. ISBN: 0861966589. $29.95 (trade paper)] Music examples, illustrations, bibliography, filmography, index. | View |
| Kheng K. Koay | |||
| Journal for the Academic Study of Religion | Vol 30 No. 3 (2017) | Laura Copier and Caroline Vander Stichele (eds). Close Encounters between Bible and Film: An Interdisciplinary Engagement. Atlanta, GA: SBL Press, 2016, pp. viii + 333, ISBN: 9781628371581 (pbk). | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. | View |
| Paul A. Merkley | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. | View |
| Tony Fonseca | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Mark Slobin, ed. Global Soundtracks: Worlds of Film Music, Middletown, CT: Wesleyan University Press, 2008 [xxiii, 387 p. ISBN 9780819568823. $34.95 (trade paper)]. | View |
| James Wierzbicki | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] | View |
| Nicholas Reyland | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | James Wierzbicki: Louis and Bebe Barron’s Forbidden Planet: A Film Score Guide.Lanham, MD: Scarecrow Press, 2005 [xii, 183 p. ISBN: 0810856700.] | View |
| David Cooper | |||
| Journal for the Academic Study of Religion | Vol 30 No. 1 (2017) | Stephen C. Meyer, Epic Sound: Music in Postwar Hollywood Biblical Films. Bloomington, IN: Indiana University Press, 2015, pp. xiv + 273, ISBN: 978-0-253-01451-1 (pbk). | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Theodor W. Adorno, and Hanns Eisler. Komposition für den Film, mit einem Nachwort von Johannes C. Gall und einer DVD “Hanns Eislers Rockefeller–Filmmusik– Projekt 1940–1942” Ed. Johannes C. Gall. Frankfurt am Main: Suhrkamp, 2006. | View |
| James Parsons | |||
| Perfect Beat | Vol 4 No. 3 (1999) | SCREEN SCORES | View |
| JON FITZGERALD | |||
| Equinox eBooks Publishing | Hidden Man | Movies (2) | View |
| John Altman | |||
| Equinox eBooks Publishing | Desperado | Theme for Trumpet | View |
| Tomasz Stańko | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Annette Davison, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s.; Larry M. Timm, The Soul of Cinema: An Appreciation of Film Music; Gillian B. Anderson, et al eds., “Music and Moving Image.” | View |
| Lora Matthews | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. | View |
| Michael Remson | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | Gods, Monsters, and Musclemen | View |
| Kevin McGeough | |||
| Consuming Passions | View | ||
| Judith Williamson | |||
| Equinox eBooks Publishing | Hidden Man | Awards and Recognition | View |
| John Altman | |||
| Quintessential Tarantino | View | ||
| Edwin Page | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Guest Editors' Preface | View |
| Birgit Meyer, Stephen Hughes | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | The Importance of Popular Culture | View |
| Kevin McGeough | |||
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