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| Journal | Issue | Title | |
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodrama Made Good: Ennoblement by Deletion in Edgar Stillman Kelley’s Score to Ben-Hur | View |
| Luke Hannington | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| PentecoStudies | Vol 12 No. 2 (2013) | Pype, Katrien, The Making of the Pentecostal Melodrama: Religion, Media, and Gender in Kinshasa. Anthropology of the Media, vol. 6. New York: Berghahn Books, 2012. 348pp. Hbk. ISBN 9780857454942. $95.00/£60.00. | View |
| Moritz Fischer | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Ben-Hur Legacy | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
| Anne Dhu McLucas | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
| Roger Hickman | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Corsican Brothers and the Legacy of its Tremulous “Ghost Melody” | View |
| Michael V. Pisani | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] | View |
| Anjelica Fenner, | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal for the Study of Religion, Nature and Culture | Vol 8 No. 1 (2014) | Review of Cave | View |
| Alice B Kehoe | |||
| Journal for the Academic Study of Religion | Vol 30 No. 3 (2017) | Laura Copier and Caroline Vander Stichele (eds). Close Encounters between Bible and Film: An Interdisciplinary Engagement. Atlanta, GA: SBL Press, 2016, pp. viii + 333, ISBN: 9781628371581 (pbk). | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Towards a Theory of Musicodramatic Practice in Film: Questions of Method | View |
| David Revill | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Popular Music History | Vol 12 No. 2 (2019) Special Issue: Listening again to popular music as history (Part 1) | Laura Niebling, Rockumentary: Theorie, Geschichte und Industrie | View |
| Nathalie Weidhase | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Juxtaposing teatro de revista and cine: Music in the 1930s comedia ranchera | View |
| Jacqueline Avila | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Muslim Martyrs and Pagan Vampires: Popular Video Films and the Propagation of Religion in Northern Nigeria | View |
| Matthias Krings | |||
| Popular Music History | Vol 2 No. 1 (2007) April 2007 | Constructing an avant-garde: Australian popular music and the experience of pleasure | View |
| Jon Stratton | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
| Tom Schneller | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Wavering Sonorities and the Nascent Film Noir Musical Style | View |
| Roger Hickman | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Devotional Transformation: Miracles, Mechanical Artifice, and Spectatorship in Indian Cinema | View |
| Ravi Vasudevan | |||
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