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| Journal | Issue | Title | |
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music in the Films: The Promotion of Film Music in the Concert Hall | View |
| Leith Stevens † | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Problem of Music in a Historical Film | View |
| Herbert Stothart | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Music in Films: A Critical Review of Literature, 1980-1996 | View |
| Robynn J. Stilwell | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Motion in Music—Motion in Painting: The Use of Music in the Films of Oskar Fischinger* | View |
| Jörg Jewanski | |||
| Equinox eBooks Publishing | Identifying Roots | Kunta Kinte in American TV, Film, and Music | View |
| Richard Newton | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993) | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal of Film Music | Vol 4 No. 2 (2011) | Modular Structures in Film Music: The Answer to Synchronization Problems? | View |
| Bartlomiej P Walus | |||
| Popular Music History | Vol 5 No. 1 (2010) | Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann | View |
| Jonathan Waxman | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Anahid Kassabian: Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music. New York and London: Routledge, 2001 [viii, 189 p. ISBN: 0415928532] | View |
| James Wierzbicki | |||
| Equinox eBooks Publishing | The Beatles in Perspective | 4. "Magical Mystery Tour": Suburbia and Utopia in Music and Films of The Beatles | View |
| Jonathan Goss | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo | View |
| David Cooper | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | K. J. Donnelly, Pop Music in British Cinema: A Chronicle London: British Film Institute, 2001. [vii, 274 pp. ISBN 0851708625. $25.50 (trade paper)] BFI Film Classics. Filmographies, illustrations, appendices, indices. | View |
| Bradford Lee Eden | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music Studies in the mid-1990s: George Burt's Art and Royal S. Brown's Reading | View |
| David Neumeyer | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Randall D. Larson: Music from the House of Hammer: Music in the Hammer Horror Films, 1950–1980.London: Scarecrow Press, Inc., 1996 [xvi, 193 p.ISBN: 0810829754.] | View |
| Rebecca FÜlÖP | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: James Buhler, David Neumeyer, and Rob Deemer. Hearing the Movies: Music and Sound in Film History. Oxford and New York: Oxford University Press, 2010. [xxiv, 470 p. ISBN 0195327793. $54.95 (trade paper)] | View |
| Roger Hickman | |||
| Drawn to Sound | View | ||
| Rebecca Coyle †, Janet K. Halfyard, Paul Wells, Kyoko Koizumi, Ian Inglis, Philip Hayward, Neil Lerner, Janice Esther Tulk, Daniel Goldmark, Jon Fitzgerald, Philip Hayward, Kentaro Imada, Sarah P. Morris, Aki Yamasaki | |||
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