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| Journal | Issue | Title | |
| Journal of World Popular Music | Vol 8 No. 2 (2021) | Rebels Without a Cause? Polish Rock and Metal Music After 1989 | View |
| Andrzej Mądro | |||
| Perfect Beat | Vol 10 No. 1 (2009) Television special | Local interpretation: Music Video, Heritage and Community in Contemporary Vanuatu | View |
| Phil Hayward | |||
| Popular Music History | Vol 6 No. 3 (2011) | Making a scene: The Bergen wave in popular music, 1990–2008 | View |
| Stig Tenold | |||
| Perfect Beat | Vol 2 No. 3 (1995) | AUSTRALIAN JAZZ IN POST-WAR EUROPE A case study in musical displacement1 | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Music festivals and regional development policy: towards a festival ecology | View |
| Chris Gibson | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | The lost history of jazz on early Australian popular music television | View |
| Liz Giuffre | |||
| Perfect Beat | Vol 17 No. 2 (2016) | Melbourne popular music in the museum: Locating the academy in the sonic city | View |
| Marcus Breen | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Angel Romero y Ruiz, World Music Central.org. www.worldmusiccentral.org | View |
| Deborah Justice | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Film Music---What's in a Name? | View |
| William H. Rosar | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
| David Machin, Theo van Leeuwen | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Philip Hayward, ed. Terror Tracks: Music, Sound and Horror Cinema, London: Equinox, 2009. ISBN: 9781845532024 and Neil Lerner, ed. Music in the Horror Film: Listening to Fear, New York: Routledge, 2010. ISBN: 9780415992039. | View |
| Tony Fonseca | |||
| Popular Music History | Vol 10 No. 1 (2015) | Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | View |
| Richard Witts | |||
| Perfect Beat | Vol 12 No. 2 (2011) | Introduction: New Perspectives on Popular Music in Asia | View |
| Shelley Brunt | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Ryan Thomas Skinner. 2015. Bamako Sounds: The Afropolitan Ethics of Malian Music | View |
| Yair Hashachar | |||
| Implicit Religion | Vol 17 No. 3 (2014) | Christian Themes in the Heavy Metal Music of Black Sabbath? | View |
| John J Johnson | |||
| Perfect Beat | Vol 1 No. 1 (1992) | It Ain't Necessarily So: The Music Industry and Pop Culture -- the case for an Australian Study | View |
| Marcus Breen | |||
| Perfect Beat | Vol 19 No. 1 (2018) | Michael Austin, ed. 2016. Music Video Games: Performance, Politics, and Play | View |
| Sebastian Diaz-Gasca | |||
| Equinox eBooks Publishing | Dragon Headz | 5. Music from the Ditch: Weapons of Attitude | View |
| Adam de Paor-Evans | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | View |
| Roger Hickman | |||
| Perfect Beat | Vol 1 No. 1 (1992) | MUSIC VIDEO, MARKETING AND MISADVENTURE A career study of The Hummingbirds and the role of music video in marketing their product. | View |
| MELISSA BATTERSBY, MERET VALTWIES | |||
| Perfect Beat | Vol 11 No. 1 (2010) | Realms of re-enchantment: socio-cultural investigations of festival music space | View |
| Mark Jennings | |||
| Popular Music History | Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music | Manele, symbolic geography and music cosmopolitanism in Romania | View |
| Ruxandra Trandafoiu | |||
| Perfect Beat | Vol 12 No. 1 (2011) | ‘Sounding Japan’: traditional musical instruments, cultural nationalism and educational reform | View |
| Henry Johnson | |||
| Perfect Beat | Vol 20 No. 1 (2019) | Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. | View |
| Anna Szemere | |||
| PentecoStudies | Vol 20 No. 1 (2021) | BUTLER, Melvin L. Island Gospel: Pentecostal Music and Identity in Jamaica and the United States. | View |
| Pauline Muir | |||
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