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| Journal | Issue | Title | |
| Perfect Beat | Vol 12 No. 1 (2011) | Revisionist Popular Music History | View |
| Roy Shuker | |||
| Perfect Beat | Vol 2 No. 3 (1995) | HAWAIIAN MUSIC AND JAZZING Some Comments on 'Aloha Australia - Hawaiian Music in Australia (1920-55)' | View |
| JOHN WHITEOAK | |||
| Popular Music History | Vol 1 No. 1 (2004) | Archiving Ugandan Popular Music | View |
| Joel Isabirye | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | Cultural Mapping and Musical Diversity | View |
| Britta Sweers, Sarah Ross | |||
| Popular Music History | Vol 1 No. 1 (2004) | Popular Music Resources | View |
| Andy Lineham | |||
| Equinox eBooks Publishing | Bikutsi | Musical Changes towards Beti Music by Modern Dance Bands in Yaoundé in the 1970s | View |
| Anja Brunner | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Venue Stories | View | ||
| Fraser Mann, Robert Edgar, Helen Pleasance, Emma Warren, Beth Hughes, Polly Hancock, Kevin Narrainen, PunkGirlDiaries ., Ruth Miller, Peter Atkinson, Jon Stewart, Anna Maria Barry, Abigail Gaines, Ed Garland, Julianne Regan, Penelope Wickson, Matt Colbeck, Penny Kiley, Dawn Amber Harvey, Chris Inglis, Tom Hingley, Alan G. Smith, Anna Elias, Amy McCarthy, Tom Jackson, Mark Davyd, David Lewis Gedge, Vim Renault, Lene Cortina, Tarryn Watkins | |||
| Equinox eBooks Publishing | Cultural Mapping and Musical Diversity | 4. Mapping 'Inconvenient' Music Heritage | View |
| Ana Hofman | |||
| Perfect Beat | Vol 3 No. 4 (1998) | FLOWING Theories and Taboos in Popular Music Studies | View |
| ANDREW MURPHIE | |||
| Equinox eBooks Publishing | Silence | The Future of Music: Credo | View |
| John Cage | |||
| Equinox eBooks Publishing | Stockhausen on Music | Four Criteria of Electronic Music | View |
| Karlheinz Stockhausen | |||
| Equinox eBooks Publishing | The Day is So Long and the Wages So Small | A Different Kind of Music | View |
| Samuel Charters | |||
| Equinox eBooks Publishing | Turkish Folk Music between Ghent and Turkey | Turkish Folk Music in Theory and Practice | View |
| Liselotte Sels | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Development: The Role of A and R - Music will Never Stop | View |
| Sally Gross | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | View |
| Michael W. Morse | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Music in the Films: The Promotion of Film Music in the Concert Hall | View |
| Leith Stevens † | |||
| The History of European Jazz | View | ||
| Francesco Martinelli, Alyn Shipton, Duncan Heining, George McKay, Selwyn Harris, Michael Heffley, Gabriele Coen, Michael Dregni, Rainer Lotz, Xavier Prevost, Cormac Larkin, Martin Pfleiderer, Bert Vuijsje, Jean-Pol Schroeder, Marc Demuth, Tore Mortensen, Lars Westin, Juha Henriksson, Bjorn Stendahl, Vernhardur Linnet, Krystian Brodacki, Yvetta Kajanova, Gabor Turi, Andreas Felber, Bruno Spoerri, Cyril Moshkow, Dmitri Podberezsky, Alexander Yudin, Chema Martinez, Rui Eduardo Paes, Indrikis Veitners, Ruta Skudiene, Tiit Lauk, Sakis Papadimitriou, Mike Mazur, Virgil Mihaiu, Vladimir Gadjev, Hulya Tuncag, Rain Sultanov, Armen Manukian, Halina Maria Boniszewska, Pedro Cravinho, Jan Bruer, Måns Wallgren, Iço Vidmar, Eleni Novakovska, Edin Zubčević | |||
| Equinox eBooks Publishing | Ludomusicology | Analyzing Game Musical Immersion: The ALI Model | View |
| Isabella van Elferen | |||
| Equinox eBooks Publishing | The Making of the Musical World | American Popular Music and the World | View |
| Andrew Killick | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Gone in the Air | View | ||
| Brian Morton | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Some Notes on Popular Music in my (Professional) Life | View |
| Bruno Nettl | |||
| Popular Music History | Vol 10 No. 2 (2015) | Introduction: Special issue on Popular Music and Heritage | View |
| Marion Leonard, Robert Knifton | |||
| Equinox eBooks Publishing | The Lifetime Soundtrack | Recorded Music and Memory: Capturing, Indexing and Archiving the Past | View |
| Lauren Istvandity | |||
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