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| Journal | Issue | Title | |
| Journal of Film Music | Vol 4 No. 2 (2011) | Sir Arthur Bliss’s Music Things to Come (1936): A Study of Contemporaneous Sources and Musical Materials | View |
| Nicol William Snedden | |||
| Perfect Beat | Vol 3 No. 4 (1998) | MUSIC(OLOGY) NEEDS A CONTEXT - Re-interpreting Goa Trance | View |
| SEBASTIAN CHAN | |||
| Equinox eBooks Publishing | Sounds Icelandic | Surrealism in Icelandic Popular Music | View |
| John Richardson | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Rainforest to Raves: Ethnomusicological Forays into Popular Music | View |
| Jeremy Wallach | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | ‘Well-worn grooves’: Music, materiality and biographical memory | View |
| Iain A. Taylor | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | The Paraguayan Polca: Re-imagining Tradition in Creative Musical Practice | View |
| Matt Dicken | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | View |
| Mark Durrand | |||
| Popular Music History | Vol 6 No. 3 (2011) | Adopting the rights-based model: Music multinationals and local music industries since 1945 | View |
| Gerben Bakker | |||
| Equinox eBooks Publishing | The Handbook on Music Business and Creative Industries in Education | Scaling Up: Teaching Contemporary Music Through Repertoire Structures | View |
| Sean Foran, Jade O'Regan, Vincent Perry, Tom O'Halloran | |||
| Equinox eBooks Publishing | Music, Meaning and Value in Paraguayan Song | Alma Guaraní: The Paradoxical Cultural Identity of Paraguayan Music | View |
| Timothy Watkins | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Perfect Beat | Vol 14 No. 2 (2013) | Youth, radio and Australian popular music policy | View |
| Chris K. Wilson | |||
| Perfect Beat | Vol 13 No. 2 (2012) | Electronic dance music, the rock myth, and authenticity | View |
| John Gunders | |||
| Perfect Beat | Vol 1 No. 2 (1993) | AUSTRALIAN WOMEN'S CONTEMPORARY MUSIC INC. The case for Feminist intervention into the Music Industry | View |
| Diane Langman | |||
| Equinox eBooks Publishing | Elements of Music Management | Music Marketing: Streams, Sales and Fan Accumulation - Life's a Stream | View |
| Graham Ball | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Theory Through the Lens of Film | View |
| Frank Lehman | |||
| Perfect Beat | Vol 10 No. 2 (2009) | Music as territory: Aksim Siming and stringband music in the Madang area | View |
| Junichiro Suwa | |||
| Equinox eBooks Publishing | Advancing Nonviolence and Social Transformation | Chapter 18. Music and Nonviolence: Reflections on Possibility and Hope | View |
| Lauren Levesque | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Popular Music History | Vol 4 No. 2 (2009) | Popular music, mapping, and the characterization of Liverpool | View |
| Brett Lashua, Sara Cohen, John Schofield | |||
| Equinox eBooks Publishing | Scouse Pop | Rainy Day Music: Art Pop and the Scouse Romantic | View |
| Paul Skillen | |||
| Popular Music History | Vol 3 No. 3 (2008) | The Archive of Contemporary Music, New York | View |
| Andy Linehan | |||
| Perfect Beat | Vol 1 No. 4 (1994) | LET'S GO TO FRENZY A Brief History of New Zealand Music TV and Music Video | View |
| Bruce Sheridan, Philip Hayward | |||
| Perfect Beat | Vol 3 No. 3 (1997) | ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | View |
| ALINE SCOTT-MAXWELL | |||
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