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Journal | Issue | Title | |
Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
David Machin, Theo van Leeuwen | |||
Equinox eBooks Publishing | The History of European Jazz | 2a. Great Britain: 1900 - 1960 | View |
Alyn Shipton | |||
Jazz Research Journal | Vol 12 No. 2 (2018) | Islay Jazz Festival | View |
Haftor Medbøe, Diane Maclean | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Russia and the Creation of Jazz in the British Everyday Imaginary | View |
Robert Lawson-Peebles | |||
East Asian Pragmatics | Vol 4 No. 2 (2019) | The use of utterance particles as assessment resources in Cantonese conversation | View |
Ricardo Moutinho, Weng I Lao | |||
Religious Studies and Theology | Vol 18 No. 2 (1999) INFORMATION FOR CITATION-NO PDF AVAILABLE | The Creation of 'Religious' Scientology | View |
Stephen A. Kent | |||
Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
Edward Green | |||
Popular Music History | Vol 5 No. 1 (2010) | Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann | View |
Jonathan Waxman | |||
Religions of South Asia | Vol 6 No. 2 (2012) Special Issue: “Tradition and the Reuse of Indic Texts” | On Burglars and Makers of Links: Tradition and the Reuse of Indic Texts | View |
Jacqueline Suthren Hirst | |||
Journal of Film Music | Vol 1 No. 1 (2002) | Thematic Variation and Key Relationships: Charlotte's Theme in Max Steiner's Score for Now, Voyager | View |
Charles Leinberger | |||
Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
William H. Rosar | |||
Journal of Film Music | Vol 5 No. 1-2 (2012) | Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) | View |
Irene Comisso | |||
Perfect Beat | Vol 4 No. 1 (1998) | GLOBAL PERSPECTIVES | View |
WILL STRAW | |||
Perfect Beat | Vol 4 No. 1 (1998) | MISPLACED ACAPELLA Musical Purism and Cross-Cultural Comfort Zones | View |
CORALIE JOYCE | |||
Perfect Beat | Vol 4 No. 1 (1998) | THE PLACE OF (MUSIC)OLOGY IN THE STUDY OF MUSIC PRODUCTION A Reply To Chan | View |
FRED COLE, MICHAEL HANNAN | |||
CALICO Journal | Vol 20 No. 3 (2003) | Linguistic Knowledge and Reasoning for Error Diagnosis and Feedback Generation | View |
Rodolfo Delmonte | |||
Equinox eBooks Publishing | The History of European Jazz | 12. Iceland | View |
Vernhardur Linnet | |||
Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
Alexander Yudin | |||
Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | ‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing | View |
Ellen O'Donoghue Oddy | |||
Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
Alessandro Cecchi, Maurizio Corbella | |||
International Journal of Speech Language and the Law | Vol 27 No. 1 (2020) | A phonetic case study on prosodic variability in suicidal emergency calls | View |
Lauri Tavi, Stefan Werner | |||
Equinox eBooks Publishing | Words of Experience | Translation, Travel, Transfiguration and the Practice of Scholarship in the Study of Religion | View |
Brannon Wheeler | |||
Equinox eBooks Publishing | Vernacular Knowledge | 25 Years of Vernacular Religion Scholarship | View |
Marion Bowman | |||
International Journal of Speech Language and the Law | Vol 2 No. 1 (1995) | The language of threats | View |
Kate Storey | |||
Popular Music History | Vol 5 No. 2 (2010) | Resource Notes: Rock and pop collecting at the V&A | View |
Kristian Volsing | |||
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