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| Journal | Issue | Title | |
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | The Problem of Music in a Historical Film | View |
| Herbert Stothart | |||
| Popular Music History | Vol 5 No. 1 (2010) | The deleted music and scenes from Journey to the Center of the Earth | View |
| Bill Wrobel | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | "'Leitmotif': On the Application of a Word to Film Music" | View |
| Stephen C. Meyer | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | A Source-Studies Approach to Michael Nyman’s Score for "The Draughtsman’s Contract" | View |
| David Cooper, Ian Sapiro | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu | View |
| Timothy Koozin | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Ben-Hur Legacy | View |
| Roger Hickman | |||
| Komeda | View | ||
| Magdalena Grzebałkowska, Halina Maria Boniszewska | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Mingus, Cassavetes, and the Birth of a Jazz Cinema | View |
| Ross Lipman | |||
| Equinox eBooks Publishing | Ludomusicology | Palimpsest, Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts’ 'Need for Speed Shift 2: Unleashed' | View |
| Stephen Baysted | |||
| Equinox eBooks Publishing | Ludomusicology | Isaac’s Silence: Purposive Aesthetics in 'Dead Space' | View |
| Mark Sweeney | |||
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