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| Journal | Issue | Title | |
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 1 No. 2-3 (2005) | Mythologicals and Modernity: Contesting Silent Cinema in South India | View |
| Stephen Hughes | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| From Griffith to Grindhouse | View | ||
| Kevin M. McGeough | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Charming Beauties and Frightful Beasts | View | ||
| Fabrizio M. Ferrari, Thomas Dähnhardt, Patrick Olivelle, David Smith, Davide Torri, Alice Collett, Eleanor Nesbitt, Stefano Beggiora, Ivette Vargas-O’Bryan, Sarit K. Chaudhuri, Eva de Clercq, David Pinault, Rachel Dwyer, Xenia Zeiler, Amy L. Allocco | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. | View |
| Stephanie Poxon | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Miguel Mera, and David Burnand, eds., European Film Music London and Burlington, Vt.: Ashgate, 2006 [xiv, 206 pp. ISBN 0754636593, $29.95 (trade paper)] Ashgate Popular and Folk Music Series. Music examples, illustrations, tables, figures, filmography, bi | View |
| Linda Maria Koldau | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal for the Academic Study of Religion | Vol 30 No. 3 (2017) | Laura Copier and Caroline Vander Stichele (eds). Close Encounters between Bible and Film: An Interdisciplinary Engagement. Atlanta, GA: SBL Press, 2016, pp. viii + 333, ISBN: 9781628371581 (pbk). | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Guest Editorial | View |
| Alessandro Cecchi, Maurizio Corbella | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Editorial: Exploring Religion and Popular Film | View |
| Anton Karl Kozlovic | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | James Buhler, Theories of the Soundtrack | View |
| Jeff Smith | |||
| Comparative Islamic Studies | Vol 13 No. 1-2 (2017) Special Issue: Iranian Cosmopolitanism | Hollywood Cosmopolitanisms and the Occult Resonance of Cinema | View |
| Alireza Doostdar | |||
| Comparative Islamic Studies | Vol 3 No. 2 (2007) | Islam, Muslims and Arabs in the Popular Hollywood Cinema | View |
| Anton Karl Kozlovic | |||
| Journal for the Study of Religion, Nature and Culture | Vol 8 No. 4 (2014) Special Issue: Everyday Religion, Sustainable Environments, and New Directions in Himalayan Studies | Review Essay: Cinema and the Emergence of the Environmental Humanities | View |
| Joni Adamson | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Introduction: From Nineteenth-Century Stage Melodrama to Twenty-First-Century Film Scoring | View |
| Katherine K. Preston | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Caryl Flinn: The New German Cinema: Music, History,and the Matter of StyleBerkeley. University of California Press, 2004 [viii, 323 p. ISBN: 0-520-22895-2] | View |
| Anjelica Fenner, | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Swiss Film Music: Anthology 1923–2012 | View |
| Michael Baumgartner | |||
| 1 - 23 of 23 Items | |||
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