Revise Search
| Journal | Issue | Title | |
| Journal of Film Music | Vol 7 No. 2 (2014) | Music in German Silent Cinema: Reception in the Film Trade Press 1907-1925 | View |
| Carolin Beinroth, Claudia Bullerjahn | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | God in the Saddle: Silent Western Films as Protestant Sermons | View |
| Terry Lindvall | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Sarah Bernhardt on Stage and Screen: Nineteenth-Century Theater Music and Early Silent Film | View |
| Erin Michelle Brooks | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Michael Slowik, After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 | View |
| Hannah Lewis | |||
| Journal of Contemporary Archaeology | Vol 4 No. 1 (2017) | Submarines in the Silent World: Exploring Films as an Archaeological Record | View |
| Mirja Arnshav, Anna McWilliams | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Martin Miller Marks. Music and the Silent Films: Contexts and Case Studies, 1895-1924 New York: Oxford University Press, 1997 [xvi, 303 p. ISBN 0195068912. $45.00] | View |
| Linda Schubert | |||
| Representations of Antiquity in Film | View | ||
| Kevin M. McGeough | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Composing with Types and Flexible Modules: John Williams’ Two-Note Ostinato for Jaws and its Use in Film-Music History | View |
| Peter Moormann | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | “Regeneration” in Rebecca: Confronting Compilation in Franz Waxman’s Score | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Mysteriosos Demystified: Topical Strategies Within and Beyond the Silent Cinema | View |
| Tobias Plebuch | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Knowledge Organization in Film Music and its Theatrical Origins: Recapitulation and Coda | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 4 No. 1 (2011) | Nostalgia, the Silent Cinema, and the Art of Quotation in Herbert Stothart’s Score for The Wizard of Oz (1939) | View |
| Nathan Platte | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Theory and Practice in Erdmann/Becce/Brav’s Allgemeines Handbuch der Film-Musik (1927) | View |
| Irene Comisso | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Equinox eBooks Publishing | Representations of Antiquity in Film | Epic Egyptian Kitsch: Historical Thinking and Statecraft in Ancient Epics | View |
| Kevin McGeough | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | The Continuity of Melos: Beginnings to the Present Day | View |
| Anne Dhu McLucas | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Music Cue Archetypes in the Film Scores of Elmer Bernstein | View |
| Donald C Meyer | |||
| Journal of Film Music | Vol 5 No. 1-2 (2012) | Melodramatic Music in the Western | View |
| Mariana Whitmer | |||
| Equinox eBooks Publishing | Embodiment and Black Religion | 5. It was Written on her Face: Religion and Black Women's Embodied Emotion in Film | View |
| CERCL Writing Collective | |||
| Equinox eBooks Publishing | Ludomusicology | Isaac’s Silence: Purposive Aesthetics in 'Dead Space' | View |
| Mark Sweeney | |||
| Writing & Pedagogy | Vol 8 No. 3 (2016) Special Issue: Writing in Asia | Managing referential movement in Asian L2 writing: Implications for pedagogy | View |
| Peter Crosthwaite | |||
| Journal of Film Music | Vol 7 No. 2 (2014) | Hannah Lewis, French Musical Culture and the Coming of Sound Cinema | View |
| Colin Roust | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Book Review: Michal Grover–Friedlander. Vocal Apparitions: The Attraction of Cinema to Opera. Princeton and Oxford: Princeton University Press, 2005. [xii, 186 p. ISBN 0691120080. $39.95 (hard cover)] Princeton Studies in Opera. | View |
| Stephanie Poxon | |||
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