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| Journal | Issue | Title | |
| Popular Music History | Vol 3 No. 2 (2008) | ‘Infected by the seed of postindustrial punk bohemia’: Nick Cave and the milieu of the 1980s underground | View |
| Peter Webb | |||
| Popular Music History | Vol 4 No. 2 (2009) | Low-frequency noise and urban space | View |
| Bruce Johnson | |||
| Popular Music History | Vol 8 No. 2 (2013) | Underestimating Albert: revisiting Albert Grossman’s management of Bob Dylan | View |
| Mike Jones | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film | View |
| Christopher Coady | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Editorial: Jazz in Australasia | View |
| Bruce Johnson | |||
| Perfect Beat | Vol 4 No. 4 (2000) | WHOSE UNITED FUTURE? How Japanese DJs cut across Market Boundaries | View |
| MASAHIRO YASUDA | |||
| Perfect Beat | Vol 3 No. 2 (1997) | NEW ZEALAND MUSIC ON THE INTERNET A Study of the NZPOP Mailing List | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 4 (1996) | QUESTIONS OF MUSIC COPYRIGHT IN PAPUA NEW GUINEA | View |
| DON NILES | |||
| Perfect Beat | Vol 2 No. 3 (1995) | RECOGNITION & ROOTS The contribution of musicians from the Indonesian archipelago to the development of popular music culture in the Netherlands | View |
| LUTGARD MUTSAERS | |||
| Perfect Beat | Vol 2 No. 2 (1995) | A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Lewis, G.H. (ed) (1993) All that Glitters - Country Music in America, Bowling Green State University Popular Press. | View |
| JULIA KNIGHT | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Bradley, D. (1992) Understanding Rock 'n' Roll - Popular Music in Britain 1955-64, Buckingham: Open University Press | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Carlo Branzaglia, Pierfrancesco Pacoda and Alba Solaro (1992) Posse ita/iane: centri sociali, unde rgrowid musicale e cultura giovanile degli anni '90 in Italia | View |
| TONY MITCHELL | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Garofalo, R. (ed) (1992) Rockin' the Boat - Mass Music & Mass Movements, Boston: South End Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Gray, A and McGuigan, J (eds) (1993) Studying Culture- an introductory reader, London: Edward Arnold. | View |
| COLIN MCLEAY | |||
| Perfect Beat | Vol 2 No. 1 (1994) | Simon Frith (ed) (1993) Music and Copyright, Edinburgh University Press | View |
| KEITH NEGUS | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters) | View |
| Tony Mitchell | |||
| Journal of Film Music | Vol 6 No. 2 (2013) | Archival Research and the Study of the Concert Presentations of Film Music: The Case of John Williams and the Boston Pops | View |
| Emilio Audissino | |||
| Journal of World Popular Music | Vol 4 No. 1 (2017) | “I’m Not a Juvenile Delinquent”: 1950s Rock’n’roll, Youth under Threat, and Good Citizenship in US Exploitation Cinema 1956–59 | View |
| David Baker, Lauren Istvandity | |||
| Gender and Language | Vol 10 No. 3 (2016) Gender and Multimodality | Sound, music and gender in mobile games | View |
| David Machin, Theo van Leeuwen | |||
| CALICO Journal | Vol 19 No. 2 (2002) | Virtual Misadventures: Technical Problems and Student Satisfaction When Implementing Multimedia in an Advanced French Listening Comprehension Course | View |
| Alysse Weinberg | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube | View |
| Simone Pereira de Sá, Simone Evangelista Cunha | |||
| Popular Music History | Vol 12 No. 1 (2019) Special Issue: Lost Musical Histories— Curating and Documenting Local Popular Music-Making in the UK | They preferred to sit on the floor: Rock music in South Wales at a time of industrial change | View |
| Mike Jones | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing, Sonic Authenticity and Stardom in Dancer in the Dark | View |
| Nessa Johnston | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Negotiating the co-curation of an online community popular music archive | View |
| Beate Peter | |||
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