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| Journal | Issue | Title | |
| Equinox eBooks Publishing | Religion and Touch | 4. The Heathen Lyre: On Religion, Music and Touch | View |
| Andy Letcher | |||
| Popular Music History | Vol 3 No. 3 (2008) | Traditional music and the World Music marketplace: A producer’s experience | View |
| Joe Boyd, | |||
| Jazz Research Journal | Vol 5 No. 1 (2011) Vol. 5.1/5.2 (2011) | Making ourselves heard: From a ‘Field of Dreams’ to building a collective voice | View |
| Petter Frost Fadnes | |||
| Journal of Film Music | Vol 1 No. 1 (2002) | Linda Danly. Hugo Friedhofer: The Best Years of His Life: A Hollywood Master of Music for the Movies Lanham, MD: Scarecrow Press, 1999. [xi, 212 p. ISBN: 0810835827. $39.50] | View |
| Linda Schubert | |||
| Journal of Film Music | Vol 1 No. 4 (2006) Vol 1, No. 4 (2006): Leith Amadeus Stevens: A Festschrift | Michael Schelle: The Score: Interviews with Film Composers Beverly Hills: Silman-James Press, 1999 [xviii, 427 p. ISBN: 1-879-50540-1] | View |
| Nicholas Reyland | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | Jack Sullivan: Hitchcock’s Music. New Haven and London: Yale University Press, 2006 [xix, 354 p. ISBN: 0300110502] | View |
| Tom Schneller | |||
| Perfect Beat | Vol 8 No. 3 (2007) | THAT WAS THEN, THIS IS NOW The New Zealand Music Industry, 1986–2006 | View |
| ROY SHUKER | |||
| Essays in the Philosophy of Humanism | Vol 22 No. 1 (2014) | A Born Again Humanist | View |
| Joseph J. Locascio | |||
| Journal of World Popular Music | Vol 4 No. 2 (2017) | Pop-Rock as Musical Cosmopolitanism | View |
| Motti Regev | |||
| Gender and Language | Vol 8 No. 2 (2014) Gender, language and the media | Narrating Women in Comics | View |
| Mark Nixon | |||
| Equinox eBooks Publishing | The History of European Jazz | 13. Poland | View |
| Krystian Brodacki | |||
| Perfect Beat | Vol 19 No. 2 (2018) | An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | View |
| Gene Shill | |||
| Bulletin for the Study of Religion | Vol 40 No. 2 (2011) | On Dictionaryism: The Good News and Maledictions of Religious Literacy | View |
| Donovan O Schaefer | |||
| Popular Music History | Vol 9 No. 2 (2014) | Another Green World?: Eno, Ireland and U2 | View |
| Noel McLaughlin | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Self Borrowing in the Music of Bernard Herrmann | View |
| William Wrobel | |||
| Perfect Beat | Vol 2 No. 4 (1996) | SOUND AT THE END OF THE WORLD AS WE KNOW IT: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music | View |
| Andrew MURPHIE | |||
| Perfect Beat | Vol 2 No. 3 (1995) | ACTS OF VOLITION Volition Records, Independent Marketing and the promotion of Australian Techno-Pop | View |
| ROSS HARLEY | |||
| Journal of World Popular Music | Vol 2 No. 2 (2015) | Le Mystère de Marcel Cellier: Transfer Processes in Early World Music | View |
| Britta Sweers | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1966-1970 | View |
| Ian Inglis | |||
| Journal of Film Music | Vol 8 No. 1-2 (2015) Special Issue: Film Music Histories and Ethnographies: New Perspectives on Italian Cinema of the Long 1960s | Setting the Tone of the Southern Question: Music and/as Fatalism in Italian Cinema of the Economic Miracle | View |
| Maurizio Corbella | |||
| International Journal of Speech Language and the Law | Vol 26 No. 2 (2019) | Who owns your voice? Linguistic and legal perspectives on the relationship between vocal distinctiveness and the rights of the individual speaker | View |
| Dominic Watt, Peter S. Harrison, Lily Cabot-King | |||
| Popular Music History | Vol 5 No. 1 (2010) | Bernard Herrmann—‘pop’ composer? | View |
| Edward Green | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Extreme music for extreme people? Norwegian black metal and transcendent violence | View |
| Michelle Phillipov | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Examining the legend and music of Australian saxophonist, Frank Smith | View |
| Ralph Whiteoak | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Lydia in Oz: The reception of George Russell in 1960s Australia | View |
| Pierre-Emmanuel Seguin | |||
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