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| Journal | Issue | Title | |
| Journal of Film Music | Vol 2 No. 1 (2007) | Whose Classical Music? Reflections on Film Adaptation | View |
| Lawrence Kramer | |||
| Perfect Beat | Vol 15 No. 2 (2014) | Sounding the aquapelago: The cultural-environmental context of ni-Vanuatu women’s liquid percussion performance | View |
| Philip Hayward | |||
| Perfect Beat | Vol 8 No. 3 (2007) | SOUNDS LIKE US: Popular Music and Cultural Nationalism in Aotearoa/New Zealand | View |
| NABEEL ZUBERI | |||
| Perfect Beat | Vol 4 No. 4 (2000) | TWO PAULINES TO CHOOSE FROM An interview with Simon Hunt/Pauline Pantsdown | View |
| SIMON HUNT, JON STRATTON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | MODERN PNG MUSIC | View |
| PETER DUNBAR HALL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso | View |
| IAN MAXWELL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge | View |
| BRUCE JOHNSON | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press | View |
| PHILIP HAYWARD | |||
| Perfect Beat | Vol 2 No. 2 (1995) | From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney | View |
| TOM BURVILL | |||
| Perfect Beat | Vol 2 No. 2 (1995) | Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus | View |
| MICHAEL FLINT | |||
| Popular Music History | Vol 10 No. 2 (2015) | Negotiating the values of popular music in the museum: Curatorial process and exhibition narratives in the ABBAWORLD exhibition at the Powerhouse Museum, Sydney | View |
| Gaëlle Crenn | |||
| Equinox eBooks Publishing | The History of European Jazz | 22. Ukraine | View |
| Alexander Yudin | |||
| Equinox eBooks Publishing | The History of European Jazz | 24a. Portugal: 1920-1974 | View |
| Pedro Cravinho | |||
| Jazz Research Journal | Vol 13 No. 1-2 (2019) Special Issue: Jazz and Everyday Aesthetics | Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED | View |
| Kimberly Hannon Teal | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Find Your Voice: Narratives of Women’s Voice Loss in American Cinema | View |
| Katherine Meizel | |||
| Equinox eBooks Publishing | Critical Theory and Early Christianity | 3. Reading, Libraries, and Urban Change in the Shadow of Capitalism and Apocalypse: Reading Walter Benjamin and John of Patmos | View |
| Robert Seesengood | |||
| Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts | Vol 3 No. 1 (2007) | Border Crossing with the Uninvited in Matthew’s Wedding Feast Parable and Jacques Tourneur’s I Walked with a Zombie | View |
| Mario DeGiglio-Bellemare | |||
| Popular Music History | Vol 5 No. 2 (2010) | Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 | View |
| Jon Stratton | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Modal Interchange and Semantic Resonance in Themes by John Williams | View |
| Tom Schneller | |||
| Equinox eBooks Publishing | The Beatles | Time and Place | View |
| Ian Inglis | |||
| Equinox eBooks Publishing | The Beatles | Recordings 1962-1965 | View |
| Ian Inglis | |||
| Journal for the Study of Religion, Nature and Culture | Vol 11 No. 3 (2017) | Two Days Before the Day Before an Irritating Truth: The Simpsons and South Park’s Environmentalism as a Challenge for Mass Mediating Dark Green Ecological Ethics | View |
| David Feltmate | |||
| Equinox eBooks Publishing | The History of European Jazz | 6. Belgium | View |
| Jean-Pol Schroeder | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Singing a Life in Bondage: Black Vocality and Subjectivity in 12 Years a Slave | View |
| Gianpaolo Chiriacò | |||
| Journal of Film Music | Vol 2 No. 2-4 (2009) | Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity | View |
| William H. Rosar | |||
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