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| Journal | Issue | Title | |
| Journal for the Academic Study of Religion | Vol 20 No. 2 (2007) | Brand of Choice: Why Hillsong Music is Winning Sales and Souls | View |
| E.H. McIntyre | |||
| Journal for the Academic Study of Religion | Vol 21 No. 3 (2008) Exploring Religion and Popular Film | Playing with Paradigms: The Christ-figure Genre in Contemporary Film | View |
| Adele Reinhartz | |||
| Gender and Language | Vol 8 No. 3 (2014) | Aggressively feminine: the linguistic appropriation of sexualized blackness by white female characters in film | View |
| Qiuana Lopez | |||
| Implicit Religion | Vol 13 No. 2 (2010) | The Personality Cult of Prince: Purple Rain, Sex and the Sacred, and the Implicit Religion Surrounding a Popular Icon | View |
| Rupert Till | |||
| Linguistics and the Human Sciences | Vol 6 No. 1-3 (2010) | Discourse markers and coherence relations: Comparison across markers, languages and modalities | View |
| Maite Taboada, María de los Ángeles Gómez-González | |||
| Popular Music History | Vol 1 No. 2 (2004) | ‘Rock, roll and remember?’: Addressing the legacy of jazz in popular music studies | View |
| Chris McDonald | |||
| Popular Music History | Vol 2 No. 2 (2007) | Allusion and Influence in Elvis Costello | View |
| Dai Griffiths | |||
| Popular Music History | Vol 4 No. 2 (2009) | Nowhere man: urban life and the virtualization of popular music | View |
| Paul Graves-Brown | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not | View |
| Andy R. Brown | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Dworkin’s nightmare: Porngrind as the sound of feminist fears | View |
| Lee Barron | |||
| Popular Music History | Vol 6 No. 1 (2011) Vol 6, No 1/Vol 6, no 2 (2011) | Black metal: Stone Vengeance sing the thrash metal blues | View |
| Kevin Fellezs | |||
| Popular Music History | Vol 6 No. 3 (2011) | From dance bands to radio and records: Pop music promotion in West Germany and the decline of the Schlager genre, 1945–1964 | View |
| Klaus Nathaus | |||
| Popular Music History | Vol 7 No. 1 (2012) | A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | View |
| Philip Kiszely | |||
| Popular Music History | Vol 8 No. 1 (2013) | The social construction of a music Mecca: ‘Goin’ home’, New Orleans and international New Orleans jazz revivalism | View |
| Richard Ekins | |||
| Popular Music History | Vol 8 No. 3 (2013) | Soccer sounds: Popular music and football in Britain | View |
| Dave Laing, Andy Linehan | |||
| Religious Studies and Theology | Vol 29 No. 2 (2010) Vol 29, No 2 (2010) | Religion is Playing Games: Playing Video Gods, Playing to Play | View |
| S. Brent Plate | |||
| Jazz Research Journal | Vol 1 No. 2 (2007) | Being bop: how the press shaped the cult of bebop | View |
| Thomas Turner | |||
| Jazz Research Journal | Vol 2 No. 1 (2008) JRJ 2.1 | “Free Swing” and the Emergent Neophonic: Forging Progressive Jazz with Stan Kenton in the 1947 Dance Hall | View |
| Ryan Patrick Jones | |||
| Jazz Research Journal | Vol 7 No. 1 (2013) | Jazz on the border: jazz and dance bands in Chester and North Wales in the mid-twentieth century | View |
| Helen Vera Southall | |||
| Jazz Research Journal | Vol 8 No. 1-2 (2014) | Perspectives on the Melbourne International Women's Jazz Festival | View |
| Louise Denson | |||
| Jazz Research Journal | Vol 10 No. 1-2 (2016) | Jazz in Brazil: An Early History (1920s-1950s) | View |
| Anaïs Fléchet | |||
| Journal of Film Music | Vol 3 No. 1 (2010) The Film Music of Fumio Hayasaka and Toru Takemitsu | Gaze from the Heavens, Ghost from the Past: Symbolic Meanings in Toru Takemitsu’s Music for Akira Kurosawa’s Film, Ran (1985) | View |
| Tomoko Deguchi | |||
| Journal of Film Music | Vol 3 No. 2 (2010) | Teaching Film Music Survey Classes: Hickman, Karlin, and MacDonald as Models for Building Course Content | View |
| Michael Remson | |||
| Journal of Film Music | Vol 6 No. 1 (2013) | Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | View |
| Janina Müller, Tobias Plebuch | |||
| Perfect Beat | Vol 12 No. 2 (2011) | The success of hopelessness: the evolution of Korean indie music | View |
| Hyunjoon Shin | |||
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