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| Journal | Issue | Title | |
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | Material and Expositional Frames in BBC Arena ’s Visual Jazz Jukebox | View |
| Will Finch | |||
| Jazz Research Journal | Vol 12 No. 1 (2018) Special Issue: Jazz in Television | The Sound of Jazz as Essential Image: Television, Performance, and the Modern Jazz Canon | View |
| Michael Borshuk | |||
| Journal of World Popular Music | Vol 6 No. 2 (2019) | Keynote: Party Music, Affect and the Politics of Modernity | View |
| Jocelyne Guilbault | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | From Here, There and Everywhere: Recording Popular Music in the “Field” | View |
| Brent Keogh | |||
| Journal of World Popular Music | Vol 7 No. 1 (2020) | The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory | View |
| Mariana Barreto | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | The poetics of recorded time: Listening again to popular music history | View |
| Paul Long | |||
| Popular Music History | Vol 12 No. 3 (2019) Special Issue: Listening again to popular music as history (Part 2) | Experiential knowledge: Dance as source for popular music historiography | View |
| Beate Peter | |||
| Equinox eBooks Publishing | The Singing Voice in Contemporary Cinema | Ghost Singers: The Singing Voice in Korean Pop Cinema | View |
| Sarah Keith, Alex Mesker | |||
| Journal of World Popular Music | Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity | Industrial Hip Hop against the Hip Hop Industry: The Critical Noise of XXX | View |
| Pil Ho Kim, Wonseok Lee | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Continuity and change in popular music curation: Exhibiting the musical past in Liverpool | View |
| Sara Cohen | |||
| Popular Music History | Vol 13 No. 1-2 (2020) Special Issue: Popular Music and Curation | Ektoplazm.com: Psychedelic trance, internet curation and free music distribution | View |
| Christopher David Charles | |||
| Equinox eBooks Publishing | Project-Based Language Learning and CALL | 4. Project-Based English Language Learning through Multimodal Videos: An Online Learning Case Study | View |
| Valentina Morgana | |||
| Perfect Beat | Vol 20 No. 2 (2020) Special Issue: Music and Politics | ‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism | View |
| Julie Rickwood | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | Amplifying Street Knowledge through Practice-as-Research: Sound System Outernational #5 in Naples, Italy | View |
| Brian D’Aquino, Oana Pârvan | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | “Sounding” the System: Noise, In/Security and the Politics of Citizenship | View |
| Sonjah N. Stanley Niaah | |||
| Journal of World Popular Music | Vol 8 No. 1 (2021) Special Issue: Sounds in the City: Street Technology and Public Space | The Roots of Digital Cumbia in Sound System Culture: Sonideros, Villeros, and the Transformation of Colombian Cumbia | View |
| Moses Iten | |||
| Popular Music History | Vol 13 No. 3 (2020) | In my tomb: Unveiling the Beach Boys state historical landmark | View |
| Dale Carter | |||
| Journal for the Academic Study of Religion | Vol 34 No. 3 (2021) Special Issue: Religion, Spirituality and the New African Diaspora | Leveraging African Spirituality and Popular Culture betwixt Africa and the African Diaspora | View |
| Afe Adogame, Ruth Vida Amwe | |||
| Equinox eBooks Publishing | Vernacular Knowledge | 2. Humour and Resistance in Russia’s Ecological Utopia: A Look at the Anastasia Movement | View |
| Irina Sadovina | |||
| Equinox eBooks Publishing | The History of European Jazz | 20. Russia: Ninety-five Years in Search of an Identity | View |
| Cyril Moshkow | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | The Mystery of Herrmann's Music for Selznick's Portrait of Jennie | View |
| Thomas DeMary | |||
| Journal of Film Music | Vol 1 No. 2/3 (2003) Vol 1, No. 2/3: Herrmann Studies | Bernard Herrmann: The Beethoven of Film Music? | View |
| William H. Rosar | |||
| Journal of Film Music | Vol 2 No. 1 (2007) | “Stanley Hates This But I Like It!”: North vs. Kubrick on the Music for 2001: A Space Odyssey | View |
| Paul A. Merkley, FRSC | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Review of Finding Faith at the Movies by Barbara Mraz | View |
| Christopher Alan Lewis | |||
| Implicit Religion | Vol 8 No. 3 (2005) Vol 8, No 3 (2005) | Review of Is There a God of Human Rights? The Complex Relationship between Human Rights and Religion: A South African Case | View |
| John Reader | |||
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